Warm Audio WA-2MPX

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Warm Audio WA-14

[…]simply wasn’t out there. We knew we would have to develop our own line of capsules. The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound.  Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Every capsule visually inspected and […]

Warm Audio WA-87r2

Warm Audio WA-87r2  FET Condenser Microphone In 2016, Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price. Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere. It was Warm Audio’s first microphone and […]

Warm Audio WA-2A Tube Opto Compressor

[…]the WA-2A would be for nothing if we couldn’t make it affordable.  Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before.  This philosophy drives everything we do, and every product we offer.  SPECIFICATIONS ‘2A Style, Transformer balanced, high voltage, opto tube compressor Fully discrete signal path Utilizes custom USA made CineMag input and output transformers Utilizes USA made Kenetek opto attenuator. Socketed to allow for retro-fitting with other opto-cells Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5 Variable Pre-emphasis, allows […]

Warm Audio WA-87

[…]rounded off with a CineMag USA output transformer.  The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones It all starts with the microphone The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people.  We applied all that we know about bridging this barrier into crafting a microphone that reaches the level […]

Warm Audio WA-87

[…]and is rounded off with a CineMag USA output transformer.  The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people.  We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly […]

Warm Audio WA-67

[…]go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings. The folks at Warm Audio went to great lengths to recreate the capsule from the original ’67, making sure that it performs the same way, has the same frequency response and contributes to the same chewy character as the original. That meant not only ensuring that the hole pattern was identical, but they also made sure to craft the entire assembly out of brass (including the mounting rings) just like the original design. In addition, top-shelf components were used to complete Warm’s version of the original circuit. High-bandwidth […]

Warm Audio WA-412 Pre

Warm Audio WA-412 4 channel mic preamp The Warm Audio WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is known for its BIG punchy low end and smooth open top end.  If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you. The WA-412 has all of the features one would expect from this style of preamp… and more. Output Trim is available on every channel for precise control and creative gain structuring. A Tone switch (transformer input impedance) is also available on each […]

Warm Audio WA-MPX

[…]Gain For Low-Output Mics And Low-Volume Sources 48v Phantom Power & Polarity Switch Classic Warm Audio Tone Control That Alters The Input Transformer Impedance Adding Extra Analog Color 80Hz High-Pass Filter To Control Unruly Bass Frequencies 2kHz Low-Pass Filter To Focus Preamp Power & Warmth On Mids For Added Punch Inputs: XLR Mic, TS Instrument & TRS Line. Outputs: XLR / TRS Line Level VU Meter Level Indication Frequency Response: 20Hz-20kHz Aluminum Faceplate, Steel Chassis, & Vintage Bakelite-Style Knobs Internal IEC 115v/230v Power Inlet Popular Uses Wide Range of Preamp Tones On Tap Wide-open & clean tube tone delivered by […]

Warm Audio WA-2MPX

[…]Gain For Low-Output Mics And Low-Volume Sources 48v Phantom Power & Polarity Switch Classic Warm Audio Tone Control That Alters The Input Transformer Impedance Adding Extra Analog Color 80Hz High-Pass Filter To Control Unruly Bass Frequencies 2kHz Low-Pass Filter To Focus Preamp Power & Warmth On Mids For Added Punch Inputs: XLR Mic, TS Instrument & TRS Line. Outputs: XLR / TRS Line Level VU Meter Level Indication Frequency Response: 20Hz-20kHz Aluminum Faceplate, Steel Chassis, & Vintage Bakelite-Style Knobs Internal IEC 115v/230v Power Inlet Popular Uses Wide Range of Preamp Tones On Tap Wide-open & clean tube tone delivered by […]

Warm Audio WA-87 R2

[…]60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Warm Audio spent countless hours trying to get even closer to the sound of the vintage version than they did had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which […]

Warm Audio TB12-500

[…]with their own. If you are a tone FREAK like me you will love the ability to do this. Beware that Warm Audio may not be able to warranty a unit that has been opened and tinkered with. Below are some examples of 6 pin opamps that can pop right into the Tone Beast! Specifications 71db of Gain. CUSTOM DESIGNED Cinemag input and output transformers MADE IN THE USA! TONE button – switches the input impedance from 600 ohms to 150 ohms. Changes the tone of both the mic and HI-Z inputs. Fully Discrete. High voltage 1731 style operational amplifier. 48 […]

Warm Audio WA12 500 MKII

Warm Audio Wa12 500 series microphone preamp A lot of preamps on the market do a good job of raising the volume of mics and instruments.  Unfortunately, many pres are doing only that, raising volume. The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it. If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12. The WA12 is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that […]

Warm Audio TB12 Black

Warm Audio TB12 Tone Beast (Black) The Tone Beast is an extremely affordable Mic Preamp.  the TB12 is a fully discrete, high-voltage microphone preamplifier, utilizing CineMag USA Transformers and multiple discreet signal paths. 2 opamps and 2 output transformers at the flip of their switches won’t appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. SPECS: 71DB OF GAIN TRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER TRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT […]

Warm Audio WA-47JR

[…]sound quality and tone that punches far above anything we?ve ever heard in this price range. We at Warm Audio are very excited to bring this ?47 style FET condenser microphone and classic tone to the market at such an affordable price. ?We feel confident that you will enjoy a lifetime of beautiful recordings with the […]

Warm Audio WA-251 Tube Condenser Mic.

[…]the last 50+ years. And, it is considered to be one of the greatest microphones of all times.  Warm Audio did an amazing job in designing this beautiful sounding microphone that is now attainable to everyone.  Applications include project and professional studios, live and broadcast applications. Perfect for Vocals Acoustic/electric guitars Acoustic/electric bass Drums piano strings brass & woodwinds and an array of other sources The WA-251 Features: CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS […]

Warm Audio WA73 Single Channel Preamp w/ EQ

Warm Audio WA73 Single Channel Mic preamp w/ EQ. The WA73-EQ is a boutique preamp, but it can also be classified as a studio and live work-horse.  Classic ’73-style preamps are known for being versatile tools that work with all kinds of microphones.  The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras and keyboards..  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle. Specifications: Single Channel, Class A, ’73-style British Microphone Preamp with EQ […]

Warm Audio WA76 FET Compressor

Warm Audio’s WA76 Discrete Compressor is a modern reproduction of the Classic ’76 Revision D.  The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering’s (now CineMag) transformer design. The classic ’76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception.  Engineers have craved the ultra-fast attack time and trademark sound of the ’76 for decades, and now it is finally affordable! Specifications True to the Classic ’76 compressor in design and performance Completely discrete signal path Modeled after the D revision Utilizes USA made CINEMAG input and output transformers Supports the famous “all buttons […]

Warm Audio EQP-WA

Warm Audio EQP-WA Classic Vintage Style EQ The EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the “Pultec EQP-1A”. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade […]

Warm Audio WA-47

The Warm Audio WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ’47 that has been used on countless hit records for the last 50 years. Designed for a variety of  applications.  It sounds amazing on vocals and any other sources. The classic ’47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. It is still widely used today in professional recording studios, but has become extremely rare and expensive to […]

Warm Audio WA84 Small Diaphragm Condenser Mic. -NIckel

[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE […]
Read more » Warm Audio WA84 Small Diaphragm Condenser Mic. -NIckel

Warm Audio WA84 Small Diaphragm Condenser Mic. – Stereo Pair-Black

[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE sound. (stereo […]
Read more » Warm Audio WA84 Small Diaphragm Condenser Mic. – Stereo Pair-Black

Warm Audio WA84 Small Diaphragm Condenser Mic. -Black

[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE […]
Read more » Warm Audio WA84 Small Diaphragm Condenser Mic. -Black

Warm Audio WA84 Small Diaphragm Condenser Mic. – Stereo Pair-Black

[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE sound. (stereo […]
Read more » Warm Audio WA84 Small Diaphragm Condenser Mic. – Stereo Pair-Black

Warm Audio WA12 Mic Preamp

[…]which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout […]

Warm Audio WA73

The WA73 is based on the Classic 1073 Neve Preamp If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable ’73-style of mic pre. ’73-style preamps have been used in recording and live applications for many years and are still considered to be the Holy Grail of preamp choices today. The WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.  Classic ’73-style preamps are known for being versatile tools that work with […]

Warm Audio WA273 Dual Channel Mic Preamp

The WA273 is a Dual channel mic preamp If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable ’73-style of mic pre. The tone and sweet character that vintage ’73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R&D, careful reverse-engineering, and countless hours of auditioning, the WA273 has been born! The WA273 is a “Desert Island” boutique preamp, but it can also be classified as a […]

Universal Audio Apollo X6 | Heritage Audio

[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. LUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow All Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. […]

Wunder Audio CM49 Suprema Microphone

[…]EMI/RF rejection.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver Gold […]

Cherry Audio Synth Stack 3

[…]computer with 8GB of RAM recommended. NOTE: Internet connection required for product activation. Audio DAWg is an Authorized Cherry Audio Dealer This software is provided to you as an Electronics download.  You will receive a Serial, Registration or Activation Code from us. And Download instructions for the latest version of the software.   All software purchases are final and not returnable.  Please make sure your computer supports this application. […]

Wunder Audio CM50 Suprema Microphone

[…]EMI/RF rejection.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver Gold […]

Lewitt Audio LCT 1040

[…]Gold-sputtered 1-inch true condenser capsule  • 4 all-analog tube characteristics — Clear, Warm, Dark, Saturated  • Blend tube and FET circuit at any ratio  • Remote control to adjust all settings from your sweet spot  • Seamless polar pattern control, low-cut filter, pre-attenuation  • E88CC / 6DJ8 tube from JJ Electronics  • Incl. shock mount, magnetic dual-layer pop screen, mil-spec transport case, 11-pin XLR cable  Description  Imagine the perfect sound every time.  Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision.  • Record with premium sound from high-end […]

Wunder Audio CM50 FET Suprema Microphone

[…]It has been used as historical replacement parts on the vintage M50s.   FET Circuitry Wunder Audio CM50 FET Suprema incorporates an audiophile grade MOSFET circuit. Sonically, the MOSFETs enhance low-level detail retrieval and provide a startling improvement in low noise performance, adding a sense of purity on vocals and strings thought to be impossible in transistor amplification. There is also a sense of linearity that allows the microphone to maintain consistency of clarity and tonal balance from low to high levels, so there is no more confusion and congestion when the volume is pushed. The staging, depth retrieval and […]

Vanguard Audio Labs V13 gen2

[…]more headroom. In short, we feel the new V13 gen2 microphone is a true world-class mic. US-made, audiophile-grade low-noise resistors throughout the V13’s re-designed PCB All audio connectors are now Neutrik® Group on the microphone, cable, and PSU redesigned stainless-steel construction on the microphone and PSU An even more refined fit and finish on the luxurious Pinot Noir finish and Polished Nickel Trim The PSU transformer has been upgraded to provide even more clean headroom to the tube The redesigned PSU chassis now features a durable matte-black powdercoat finish and rubberized floor pad Upgraded capsule saddle assembly for durability and […]

MOTU 16A audio interface

[…]for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk — Includes AudioDesk workstation software with 24-bit recording, sample-accurate editing and 32-bit mixing and […]

Antelope Audio Galaxy 32 Synergy Core

[…]analog output channels over 4 × DC-coupled D-Sub 25 connectors (TASCAM standard); Dante™ audio over IP with primary port for audio transfer over long distances and a mirrored secondary port for redundancy; 2 × HDX ports (24-bit, 192kHz): up to 64 channels I/O for Pro Tools HD / HDX integration; Thunderbolt™ 3 port with custom macOS & Windows drivers for low latency performance in native DAW applications; Digital I/O: 64 channels of optical MADI, 8 channels of ADAT, and 2 channels over S/PDIF; Clocking I/O: 1 × word clock/loop sync input, 2 × word clock/loop sync outputs, 1 × 10М […]

ADAM Audio S3H

[…]W Class D amplifiers, offer flawless reproduction of frequencies all the way down to 30 Hz. ADAM Audio’s newly developed DCH, a 4-inch hybrid dome/cone mid-range driver, is powered by a 300 W Class D amplifier and handles audio above 250 Hz and below 3 kHz, its leading-edge hybrid design offering the sonic advantages of both cone and soft-dome drivers in a single, one-piece unit. Frequencies above 3 kHz are routed to the innovative combination of the S-ART treble driver (each handmade at ADAM Audio’s Berlin factory), the new precision HPS waveguide, and a 50 W Class A/B amplifier. The result of all this […]

Universal Audio VOLT276

Universal Audio VOLT276    2-in/2-out USB Audio Interface Universal Audio created the Volt 276 USB audio interface for collaborators — from musicians and producers to livestreamers and content creators — who want to easily record audio with big studio tone. Plug right in to your Mac, PC, iPad, or iPhone and Volt just shows up, ready to capture your inspiration with legendary sound, courtesy of Universal Audio. Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 276 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture Legendary Vocals […]

Universal Audio Apollo X8 | Heritage Edition

[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. LUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow All Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. […]

Antelope Audio 10MX

[…]The new Rubidium Atomic Clock is an epiphany of more than 20 years’ expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound.  4 Word Clocks The master clock beast: 4 Word Clocks allowing up to 768 kHz 64-Bit Acoustically Focused Clocking Flawless clocking powered by Antelope Audio’s world-renowned jitter management algorithm Multiple Atomic Outputs The 10MX’s multiple atomic outputs allow up to 10 devices to be simultaneously clocked Additional Outputs 2 x S/PDIF and 2 x AES/EBU master clocking outputs up to 192 kHz Maximum Control Intuitive Software Control […]

Antelope Audio Zen Tour Synergy Core

[…]Core 18 x 26 DESKTOP THUNDERBOLT™ 3 & USB 2.0 AUDIO INTERFACE WITH ONBOARD DSP A desktop audio interface in a league all its own, the Antelope Audio Zen Tour Synergy Core packs Antelope’s cutting-edge Synergy Core FX processing platform into the compact, road-ready form factor of the Zen Tour. Small yet mighty, the Zen Tour Synergy Core offers comprehensive analog and digital I/O, with both USB and Thunderbolt 3 connectivity. A major step up from the hit original Zen Tour interface, the Synergy Core adds upgraded pro-class A/D and D/A conversion, Antelope’s signature Acoustically Focused Clocking technology, and the […]

Universal Audio VOLT176

Universal Audio VOLT176.  1-in/2-out USB 2.0 audio interface Volt 176 is the USB audio interface for musicians and content creators who want to easily record audio with big studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt 176 just shows up — ready to capture your inspiration with legendary sound, courtesy of Universal Audio. Record Yourself with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 176 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture a Legendary Vocal with Vintage Mic Preamp Mode Few sounds can […]

Mojave Audio MA-200SN

[…]pattern. The most recent in a lineage of micro-phone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones. Utilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and […]

Vanguard Audio Labs V34C “Lolli”

[…]and will make a pencil condenser into an incredibly useful studio tool. DESIGN At Vanguard Audio Labs, we  aim to be very different from other brands in our price range. The V34C is designed and precision-built in limited quantities to “no-compromise” standards. The V34C Lolli houses an extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assembly which is custom-voiced with a proprietary hand-tuning process. We then place it in a shockmount saddle nestled in a retro-aesthetic chassis, which is CNC-machined from solid aircraft-grade aluminum billets. Open-weave mesh, carefully radiused interior, and precision-machined venting prevent standing reflections and allow for an “open-air” voicing. We engineered the V34C Lolli head to spin 360 degrees […]

Mojave Audio MA-201fet -VG

[…]modern condenser microphones. Utilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-201fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shock-mount. Features: • Hand-selected 3-micron 1” capsule • Jensen audio transformer • Military-grade FET • Custom designed low-noise resistors • Ultra clean signal path Recommended Applications: • Vocals• Voice Over and Broadcast • High SPL sources, such as Kick Drums and Bass Guitar Amps • Electric Guitar […]

Mojave Audio MA-300SN

[…]microphones. Utilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved clas-sic condenser microphones. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also avail-able). Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protec-tive case-within-a-case.Features:• Remotely controlled, continuously variable polar pattern selector• Switchable 15dB pad• Switchable Bass Roll-off • Hand-selected 3-micron double diaphragm capsule• Jensen […]

Antelope Audio Zen Tour Synergy Core

[…]and users of multiple computers/operating systems can switch connections on the fly. Route Any Audio, Anywhere The comprehensive Routing Matrix inside Antelope’s software Control Panel houses a full-fledged digital patch bay, so you can freely route audio between the interface’s analog and digital inputs. Process DAW tracks through Synergy Core FX and re-amp guitar DIs with the Shred Guitar Amps & Cabs, or integrate external audio equipment. With the ‘training wheels’ removed, your workflow can be as intricate as you want it to be. Sturdy & Portable Hand-assembled in Europe, the Zen Tour Synergy Core can rock both your studio […]

Antelope Audio Orion Studio Synergy Core

[…]pro studio, this interface gives you robust, flexible tools for routing and monitoring. Antelope Audio is renowned for building rock-solid digital audio clocks found in top recording studios and broadcast facilities around the globe. The Orion Studio Synergy Core wouldn’t be an Antelope interface if it didn’t deliver world-class clocking. With Word Clock I/O, the Orion Studio Synergy Core syncs up your studio with Antelope’s 4th Generation Acoustically Focused Clocking, employing 64-bit DDS to keep your audio in lockstep at up to 192 kHz. FEATURES: – Rackmount Thunderbolt 3 & USB audio interface with 12 Discrete mic preamps – Synergy […]

Mojave Audio MA-300

[…]the widely accepted MA-200.  The MA-300 adds a continuously variable pickup pattern that gives warm, full-bodied reproductions of vocals and instruments. Features Remotely controlled, continuously variable polar pattern selector Switchable 15dB pad Switchable Bass Roll-off Hand-selected 3-micron double diaphragm capsule Jensen audio transformer Military grade JAN 5840 vacuum tube Internal switchable power supply voltage Ultra clean signal path Recommended Applications  Use anywhere you would use a large diaphragm tube microphone. Vocals Voice Over and Broadcast Acoustic Instruments Piano Drum Overheads, Drum Rooms Orchestral Recording Choral Recording Technical Specifications TRANSDUCER TYPE: Externally polarized, pressure gradient capacitor – double diaphragm. DIAPHRAGM: 1-inch […]

Mojave Audio MA-201fet

[…]solid-state condenser microphone with a fixed cardioid pattern. The MA-201fet gives warm, full-bodied reproductions of vocals and instruments. Description Features Hand-selected 3-micron 1″ capsule Jensen audio transformer Military-grade FET Custom designed low-noise resistors Ultra clean signal path Recommended Applications Vocals Voice Over and Broadcast High SPL sources, such as Kick Drums and Bass Guitar Amps Electric Guitar Piano Drum Overheads, Drum Rooms Acoustic Instruments   Technical Specifications TRANSDUCER TYPE: Externally polarized pressure gradient capacitor DIAPHRAGM: 1-inch diameter, gold sputtered DIAPHRAGM THICKNESS: 3-micron POLAR PATTERN: Cardioid FREQUENCY RESPONSE: 20 Hz-20kHz, +/- 3dB SENSITIVITY: -39 dB re. 1V/pa MAXIMUM SPL: 125 dB […]

Vanguard Audio Labs V13

[…]and detail of the performance is faithfully captured. We specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision. The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but we have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, we found […]

LaChapell Audio Model 992EG Tube Mic Pre

The LaChapell Audio Model 992EG is a two channel fully balanced all-tube preamplifier and instrument input amplifier. Meticulously hand assembled, every aspect of the 992EG speaks of our dedication to quality of sound and solid, robust construction. Utilizing a total of eight vacuum tubes promises that the 992EG will absolutely awaken your ears with its warm melodic character and rich low-end response. But, what makes the 992EG such a powerful preamp is the level of control the user has over both the input and output stages. Allowing the user to actually throttle gain in or out of either the input […]

RME Audio UFX II

[…]delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX […]

ADAM Audio S3V

[…]HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate […]

Antelope Audio Discrete 8 Pro Synergy Core

[…]of detail in your recordings and enjoy wider soundstage for an exceptional stereo image in audio playback. The key to transparent recordings Antelope Audio’s discrete preamps topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in maximum noise reduction and, most importantly, precise sound capture for most transparent recordings. Extensive connectivity for your entire studio The Discrete 8 Pro SC offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on D-Sub 25, two reamp outputs, a pair of monitor outputs, two […]

Wunder Audio CM7 Suprema Microphone

[…]to the VF14.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]

Wunder Audio CM12 Suprema Microphone

[…]for noise levels.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]

Antelope Audio Goliath HD | Gen 3 w/ Edge Duo Modeling Mic

[…]HD | Gen 3 Key Product Features: 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion) Edge Duo modeling microphone with 11 mic models included 36 integrated real-time studio effects Latency-free monitoring environment Latest 64-bit Antelope Audio Acoustically Focused Clocking jitter management algorithm Proprietary HDX Delay Compensation technology 16 Accusonic mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones), dedicated controls and meters 2 independently assignable headphone outputs 192 kHz audio over HDX, Thunderbolt, USB 3.0 and MADI (to […]
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Buzz Audio Elixir 500 series Mic Preamp

[…]our own True Class A amplifiers and Swedish Lundahl output transformers, we’ve produced a warm sweet liquid sound quality that is unique and a useful compliment in your rack to other “harder” sounding 500 Series preamps.The Elixir has a fast transient response so it is ideal for stringed instruments and percussion – a superb choice for snare drum and acoustic guitars. And as with all our preamps the noise level is as low as possible and there is plenty of gain for ribbon microphones. The instrument jack input has a very special “bootstrap” amplifier design and really does sound huge […]

Universal Audio 6176

[…]the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen I — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world. All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 30 years “Split” or “Join” switch allows separate or series operation of the preamp and […]

Universal Audio LA-610 MKII

[…]channel strip at groundbreaking price within project studio reach UA build quality and heritage, audiophile components, hand-assembled in-house The LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60’s. Noted for their musical character and warmth, innumerous classics by artists ranging from Sinatra to Van Halen have been recorded using these preamps. After the preamp section, the LA-610 MkII offers the T4 optical compressor. The simple operation and program-dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for more than 40 […]

Universal Audio Apollo Solo TB3 Heritage Edition

[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. Unison technology is also found on Apollo Solo’s front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more. LUNA Recording System with Accelerated Realtime Monitoring Apollo Solo Heritage Edition works with all major DAWs, including Logic Pro, Ableton […]
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Antelope Audio Zen Go Synergy Core -USBC

[…]The device’s sound quality and processing capabilities are in a class of their own with Antelope Audio’s renowned 64-bit AFC™ clocking technology and the powerful, effects-packed Synergy Core onboard platform. Bus-powered audio interface with USB-C connection for Mac/Windows; Two Discrete ultra-linear preamps with 65 dB gain and switchable mic, line and Hi-Z modes, offering console-grade performance & low noise when recording. Class-leading AD/DA conversion for the most detailed sound when recording and streaming audio, aided by 64-bit AFC™ clocking technology delivering increased sound width & separation. 37 Synergy Core analog-modeled effects included and over 50 available as optional expansions. Processed […]

Antelope Audio Zen Q Synergy Core -USB

[…]chips, Discrete ultra-linear mic preamps, and 64-bit AFC™ clocking system based on Antelope Audio’s legendary master clocks. With its expansive I/O capabilities and vast collection of Synergy Core effects, Zen Q introduces a wide frontier of possibilities. USB-C interface with advanced audio driver for optimized streaming, playback, and low-latency recording Professional sound and stability via highly efficient AD/DA converter chips and proprietary 64-bit AFC™ (Acoustically Focused Clocking) 2 Discrete ultra-linear preamps designed with authentic console circuitry for classic warmth and sonic depth, with switchable Мic / Line IN / Hi-Z modes 2 additional analog inputs, with switchable Hi-Z/Line modes Real-time, low latency processing […]

AX 32 | AD/DA Converter & Digital Audio Matrix

[…]STRUCTURE – 8 AES3 I/O interfaces – MADI coax and optical I/O – 3G SDI embedded audio I/O – Ethernet IP audio interface for 64 I/O channels using Dante? – Synch via word clock, AES11, Video, and all digital I/O – Adapt to incoming sample rate EASY CONTROL OF CONVERTER PARAMETERS – Settings control via front panel knobs and large LCD display – Operation via DADman control software for Windows and OSX – Ethernet control interface – Compliant with the Dante Ethernet […]
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Wunder Audio CM7 G Suprema

[…]of the older mics.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema […]

WA-2A (PAIR) -sold

Warm Audio WA-2A Opto Compressor (leveling amp) One Pair We just received this two Warm Audio WA-2A’s from a customer that is selling his off his equipment from a project studio.  They are literally brand new but with the cash savings of not new!  No rack rash. Exceptionally clean with very very low use.  I just fired them up for a test and they work great!   Grab them now as you won’t be disappointed. No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic ‘2A optical compressor. For decades, the renowned ‘2A […]

Universal Audio Apollo Twin USB | Heritage Edition

[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. Unison technology is also found on Apollo Twin USB’s front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more. Additional Connections With its two Unison-equipped preamps, two analog line outs, and optical ADAT/SPDIF input — plus two digitally […]
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Universal Audio Apollo Twin USB HE (WIN)

[…]plug-ins are also available in your DAW for mixing. Features: Desktop 2×6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency Includes the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately. Premium Heritage Edition Plugins Unison™ technology offers stunning models of classic tube and transformer-based mic preamps USB 3 connection for easy connectivity on Windows-based recording systems Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output Two digitally […]

Antelope Audio Zen Q Synergy Core Thunderbolt

[…]chips, Discrete ultra-linear mic preamps, and 64-bit AFC™ clocking system based on Antelope Audio’s legendary master clocks. With its expansive I/O capabilities and vast collection of Synergy Core effects, Zen Q introduces a wide frontier of possibilities. Thunderbolt 3 interface with advanced audio driver for optimized streaming, playback, and low-latency recording Professional sound and stability via highly efficient AD/DA converter chips and proprietary 64-bit AFC™ (Acoustically Focused Clocking) 2 Discrete ultra-linear preamps designed with authentic console circuitry for classic warmth and sonic depth, with switchable mic / Line IN / Hi-Z modes 2 additional analog inputs, with switchable Hi-Z/Line modes […]
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ADAM Audio S2V

[…]with a wide dynamic range. The carefully refined S-ART tweeter, handbuilt as ever at the ADAM Audio factory in Berlin, works seamlessly in tandem with the newly developed HPS waveguide, creating absolutely precise imaging within a generously proportioned sweet spot. The S2V’s compact dimensions belie its impressive power. A 300 W Class D amplifier drives the woofer while a 50 W Class A/B unit handles the S-ART tweeter; the combined output produces SPLs of up to 120dB per pair. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room […]

Tascam ML-16D 16 channel Dante Audio Interface

[…]Dante audio stream.  Features: ?  Dante focused interface for connection of external audio into or out of a Dante audio network ?  16 channel analog line input and 16 analog line outputs (48kHz/96kHz) using 4 D-Sub connectors ?  Dual redundant Ethernet jacks which support both primary and secondary connections ?  Up to 24 bit/96kHz quality ?  LED display for signal level and overload per input/output channel ?  Reference level dip switches for selectable DBu level metering ?  Firmware updatable via Dante port ?  AES67 and Revenna compatible SPECS:   Formats  44.1/48 kHz, 16/24 bit 88.2/96 kHz, 16/24 bit Input/output ratings  […]
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Cherry Audio GX-80

[…]computer with 8GB of RAM recommended. NOTE: Internet connection required for product activation. Audio DAWg is an Authorized Cherry Audio Dealer This software is provided to you as an Electronics download.  You will receive a Serial, Registration or Activation Code from us. And Download instructions for the latest version of the software.   All software purchases are final and not returnable.  Please make sure your computer supports this […]

Wunder Audio CM67 Suprema Microphone

[…]a good trade-off.   Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]

Antelope Audio MRC

[…]thanks to fast preset recall and streamlined multichannel functionality. The Antelope Audio monitoring system supports over 23 audio formats, from stereo to Dolby Atmos 9.1.6, and features precise speaker and room calibration tools such as per channel 8-band EQ and delay offset. With intuitive controls, a color-coded layout, and fast preset recall functionality, this ecosystem is the top choice for surround and immersive audio production. The MRC controller enhances the system with streamlined and tactile controls, making it the key to effortless advanced monitoring. Currently supported with the Galaxy 32 Synergy […]

RME Audio UFX+

[…]output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging. All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 […]

Audio DAWg Custom i9 3.1 Ghz Eight Core Computer – 64 Gig

[…]DAWg.   Individual components may include longer warranties. 96 hr burn-in / testing *Purchase an audio interface and audio DAW software from Audio DAWg and we will install and test everything before it ships to you! ** Not what you are looking for?  Give Us A Call. we are here to design a system specifically for […]
Read more » Audio DAWg Custom i9 3.1 Ghz Eight Core Computer – 64 Gig

Audio DAWg Custom i7 3.6Ghz Eight Core Computer -32 Gig

[…]DAWg.   Individual components may include longer warranties. 96 hr burn-in / testing *Purchase an audio interface and audio DAW software from Audio DAWg and we will install and test everything before it ships to you! ** Not what you are looking for?  Give Us A Call. we are here to design a system specifically for […]
Read more » Audio DAWg Custom i7 3.6Ghz Eight Core Computer -32 Gig

Universal Audio Apollo Quad (Firewire)

[…]Unison-enabled mic preamps for tracking through preamp emulations from Neve, API, and Universal Audio* 18 x 24 FireWire audio interface for Mac and Windows 7 Cascade two Apollos for 16 analog I/O and 12 digital I/O Includes “Realtime Analog Classics Plus” UAD plug-in bundle Upgradeable to Thunderbolt via Thunderbolt 2 Option Card (Mac) World class UA analog design, superior components, and premium build […]

Antelope Audio OCX HD

[…]and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market. VIDEO CLOCKING All that you love about Antelope’s cult Trinity Master Clock now in just 1U. Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, […]

Cymatic Audio LP-16 Live Player

[…]to audio tracks • 16 unbalanced analog 1/4″ tip-sleeve outputs • 2-input / 18-output USB audio interface, 24 bit/44.1/48 kHz USB Class Compliant • Mac OS-X compatible: Core Audio plug and play drivers • Windows PC compatible (Windows 7, 8 and 10, 32-bit/64-bit) WDM and ASIO drivers. • IPad compatible: Plug and play. USB adapter required   LINE OUTPUTS:Full-scale output8.2dBu, 2 VrmsFrequency response ± 0.2 dB, 20 Hz-20 kHz THD N @ 0dBFS (1kHz sine wave)-85dB, < 0.005, 20 Hz-20 kHz THD N @ -6dBFS < -82dB, < 0.008, 20 Hz-20 kHz SNR> 100dB, < 0.001%, 20 Hz-20 kHzCrosstalk < -95 dB, 20 Hz- 20 kHzHEADPHONES […]

Antelope Audio Galaxy 64 Synergy Core

[…]analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard); Dante™ audio over IP with primary/secondary port for audio transfer over long distances; Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration; Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application; Digital I/O: AES/EBU, S/PDIF and 64 channels of optical MADI. Conversion & Clocking AD converter: 124dB headroom, DA converter: 128dB headroom for artifact-free recording sessions; Mastering-grade monitor converter with 130dB headroom for critical listening without coloration or signal degradation; Proprietary 64-bit Acoustically Focused Clocking technology […]

Austrian Audio CC8

Austrian Audio CC8 Cardioid Condenser Microphones (Stereo Set) Austrian Audio have created a state-of-the-art microphone ready for modern recording applications yet with the timeless sonic character appreciated by all. The CC8 cardioid small-diaphragm true condenser microphone is hand-built in Vienna and created with professionals in mind. At the heart of the Austrian Audio CC8 microphone beats the newly-developed OCC7 small-diaphragm condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today. Shaped by the past; built for the future. The OCC7 capsule and transformerless output gives the […]

RME Audio ARC USB

[…]simultaneously And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX – and therefore also by the RME audio interface. With the UFX and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. […]

Buzz Audio ARC-1.1 Analog Recording Channel

[…]and therefore any EQ being applied.  Next up is the clean/tranny switch. In clean mode, the audio path is direct. In tranny mode, a steel transformer is switched into the signal path introducing low frequency harmonics and providing yet another tonal variation to the signal. The high pass filter (part of the equaliser section) features variable filtering of low frequency signals from 25Hz up to 450Hz. The filter has a musical 12dB/oct slope and can be switched into the main signal path (IN), or into the sidechain (S/C) of the Opto Compressor, or when selected to EXT, the filter is […]

Antelope Audio Orion 32HD | Gen 3

[…]Vintage Studio EquipmentThe Orion 32 HD | Gen 3 features a suite of effects coming from Antelope Audio’s vast library of FPGA FX models. Key Product Features FPGA-based low latency effects modeling legendary studio gear worth thousands Pro Tools HD and Native-compatible Streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 Flawless 4th Generation 64-bit clocking and jitter management Additional connectivity on MADI, ADAT, S/PDIF, 8x DB25 Mastering Grade monitor outputs Housed in an efficient “green design” fanless chassis Network Control from multiple computers macOS and Windows […]

Austrian Audio CC8

Austrian Audio CC8 Cardioid True Condenser Microphone Austrian Audio have created a state-of-the-art microphone ready for modern recording applications yet with the timeless sonic character appreciated by all. The CC8 cardioid small-diaphragm true condenser microphone is hand-built in Vienna and created with professionals in mind. At the heart of the Austrian Audio CC8 microphone beats the newly-developed OCC7 small-diaphragm condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today. Shaped by the past; built for the future. The OCC7 capsule and transformerless output gives the CC8 […]

Rascal Audio Two-V

[…]the gain structure of the most re– vered vintage microphone amplifiers in history, Rascal Audio designer, Joel Cameron has created a circuit whose intuitive feature set provides an unprec– edented degree of control over a signal’s TONE without the need for additional hardware. The result is a true desert island microphone amplifier for TONE lovers, which couples dynamically re- sponsive, class-A gain blocks with a deceptively simple yet tremendously powerful gain structure to produce what is simply the most inspiring and tonally flexible, discrete, transformer-balanced microphone amplifier on the market. And above all, it’s musical! Whether producing fluid, articulate gain for your […]

Rascal Audio Two-R (Dual mic/instrument preamp)

[…]the gain structure of the most re– vered vintage microphone amplifiers in history, Rascal Audio designer, Joel Cameron has created a circuit whose intuitive feature set provides an unprec– edented degree of control over a signal’s TONE without the need for additional hardware. The result is a true desert island microphone amplifier for TONE lovers, which couples dynamically re– sponsive, class-A gain blocks with a deceptively simple yet tremendously powerful gain structure to produce what is simply the most inspiring and tonally flexible, discrete, transformer-balanced microphone amplifier on the market. And above all, it’s musical! Whether producing fluid, articulate gain […]
Read more » Rascal Audio Two-R (Dual mic/instrument preamp)

RME Audio MADIface USB

[…]and even for creating mixes with extremely low latency between the optical, coaxial and USB 2.0 audio inputs altogether! The MADIface USB can be be easily integrated into a broad range of applications. MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format’s full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary […]

RME Audio MADIface Pro

[…]analog I/Os, but has replaced the ADAT I/O with a MADI port. The result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer.   Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio.     Basic Functionality Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument, […]

Universal Audio Thunderbolt 2 Option Card

Universal Audio Thunderbolt Option Card A Bandwidth and Connectivity Boost for your Apollo Audio Interface. The Thunderbolt™ Option Card for the Apollo and  Apollo 16 audio interfaces provides greater UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency versus Apollo’s standard FireWire connection. Compatible with Intel’s new Thunderbolt technology on the latest generation of iMacs® , MacBook®  Pros, MacBook Airs®, and Mac minis, the Thunderbolt Option Card offers unrivaled bandwidth and next-generation connectivity for the Apollo interface. The user-installable Thunderbolt Option Card includes two Thunderbolt ports, and easily slides into the expansion bay of the Apollo. Bus power […]

Buzz Audio SOC-1.1 Stereo Optical Compressor

[…]1993 lead to the development of our Differential Drive Side Chain circuit which is unique to Buzz Audio and is used in all our optical compressors. This circuit processes the negative and positive portions of the audio wavefrom separately (attack and release parameters) and along with the “soft knee” action creates a very smooth coherent compression characteristic. The SOC-1.1 is perfect for recording vocals, acoustic instruments and is really cool on bass guitar. On the mix buss the SOC will provide instant glue and will never dig holes in your tracks.  One of the short comings of the LDR is […]

Austrian Audio OC818

Austrian Audio OC818 Studio Set Engineered and manufactured in Austria, The OC818 is Austrian Audio’s premier, professional, large diaphragm microphone. Its high sensitivity, low self-noise and ability to handle everything from a whisper to extreme SPLs make it the most advanced microphone for studio, broadcast and live applications. As the unique ceramic capsule design is so consistent, any OC818 is match-paired with any other OC818, and when in cardioid mode, it can also be match-paired with any OC18, its affordable, smaller sibling. Includes: • OC818 Microphone • Spider mount • Mini XLR • Mic Clip • Windshield, Case Key Features […]

Universal Audio Starlight Delay Pedal

[…]Vintage Echo and Delay Effects. Engineered and developed by the acclaimed team at Universal Audio, the UAFX Starlight Echo Station boasts powerful dual-processor architecture for the most sonically authentic Tape, Analog, and Digital delays ever produced by a stompbox. From timeless tape echo and bucket brigade analog delays, to endless, pristine digital repeats from the 1980’s, Starlight Echo Station packs three iconic delay sounds into a beautifully-crafted effects pedal that’s built to last decades.   Legendary Delay Effects Through the Decades Tape EP-III: Three unique 1960’s tape echo machines, with settings for tape age and preamp color.  Analog DMM: Vintage […]

LaChapell Audio 500DT Dual Topology Preamp

[…]500DT Dual Topology Preamp -500 SERIES DUAL TOPOLOGY TUBE AND SOLID STATE PREAMP The LaChapell Audio 500DT dual topology preamp is a 500 series microphone preamp that features two separate topologies or amplification paths. When the blend knob is fully to the TUBE side, the signal will pass through a transformer before being amplified by a TrueTube? powered 12AX7 vacuum tube. TrueTube is LaChapell Audio?s proprietary method of supplying a full 250V to the vacuum tube so you get loads of clean tube gain. When the blend knob is turned fully to the OPAMP side, the signal passes directly to […]

Vanguard Audio Labs V4 gen2

[…]choosing this particular model, and the results are significant &amp; audible improvements in audio quality, headroom, distortion, and noise floor vs. standard-grade JFET transistors. Aesthetically, the precision-machined stainless steel body is coated with our signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision- cast Vanguard badge. Your V4’s serial number is laser-engraved on the lower rear of the microphone. The V4 was designed by a team of experts with more than 65 years of experience and vetted by award-winning engineers and producers. QUALITY The V4 was designed in the USA, and […]

Steinberg UR824 USB Audio Interface

[…]signal synchronization, the UR824 interface also features JetPLL, a patent-applied solution for audio network jitter. JetPLL provides the same performance as traditional, expensive clocking solutions found in the world’s best professional clocking products. Features at a glance 24-bit/96 kHz USB 2.0 audio interface Analog 8 in and 8 out with 8 D-Pre Class-A mic preamps supporting 48 V 2 pairs of ADAT optical I/O (doubles as S/PDIF) provide 16 in and 16 out (S/MUX compatible, 8 in and 8 out @ 96 kHz) Latency-free DSP-powered monitoring with one REV-X reverb and 8 Channel Strips with any DAW by using the latest dspMixFx […]

Audio Accessories DB25 SHORTI

Audio Accessories MINI SHORTI DB25 ?2×48 TT Audio Patchbay. Featuring an exceptionally flexible setup configuration featuring Audio Accessories, Inc exclusive Quick-Switch normaling system. ?Allowing you to set the individual normals and grounds on a per-jack-pair basis. ?This enables you to full -normal (FN), half-normal (HN), or non-normal (NN) by sliding the switches into the appropriate position. ?Grounding options include isolated, bussed or grounds vertically strapped (GVS). The mini shorts is available in a 1RU or 1.5RU rack. And includes a Cabling support tray for bundling down incoming […]

Mastering Audio 2nd Edition

[…]introduction to the unique procedures and technical issues involved in mastering. Leading-edge audio concepts are explained in an easy-to-grasp holistic style. Suitable for all levels of students and professionals, it is ideal for anyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mixing […]