Focusrite Red 8Pre

$3,999.99

Call For Availability
Finance Now
SKU: Red 8Pre Categories: , Brand:

Description

64-in / 64-out audio interface with eight digitally-controlled, ‘Air’ enabled, Red Evolution mic preamps and dual Thunderbolt™2, Pro Tools|HD and Dante™network audio connectivity.
Red 8Pre – The newest spin on Focusrite’s best interface yet. There’s never been a better Focusrite audio interface range than the Red Range. The second member of this acclaimed new series, the Red 8Pre features eight new, specially-developed ‘Red Evolution’ mic preamps with ‘Air’ transformer emulation, high-headroom instrument inputs, a new low-noise conversion design plus a grand total of 64 inputs and 64 outputs (including 16 analogue inputs and 18 analogue outputs), Red 8Pre incorporates dual Thunderbolt™2 ports for round-trip latency as low as 1.67ms, and direct connection to Pro Tools | HD systems. Add to that the ability to connect up to 32 additional inputs and outputs via Dante™Ethernet-based audio networking and you have one of the most advanced, best-sounding, and most versatile interfaces

Tech Spec

Simultaneous Inputs & Outputs

Channel Count Up to 64 x 64

System Requirements

Computer Apple Mac with at least one Thunderbolt or Thunderbolt 2 port (2m Thunderbolt cable included)
Other Internet connection for downloading and installing software and driver
OS Compatibility Check with us for current OS Compatibility

Microphone Inputs

All measurements taken at maximum gain unless otherwise stated, Rs = 150Ω

Gain Range 0-8dB to 63dB in 1dB steps
Type Electronically Balanced, Zin = 6.2kΩ
Max. Input Level 19dBu ±0.5, min gain
Min. Input Level -44dBu ±0.5
Frequency Response 20Hz – 35kHz ±0.2dB, min gain
THD N -101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
EIN -129dBu ‘A’-Weighted (typical)
Signal-to-Noise Ratio 119dB ‘A’-Weighted (typical), min gain
Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB
Phantom Power 48V, independently switchable per channel.
HPF High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kΩ

Line Inputs 1-8

All measurements taken at maximum gain unless otherwise stated, Rs = 50Ω

Type Electronically Balanced, Zin = 10kΩ
Max. Input Level 27dBu ±0.5, min gain
Min. Input Level -36dBu ±0.5
Frequency Response 20Hz – 35kHz ±0.2dB, min gain
THD N -101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
Signal-to-Noise Ratio 119dB ‘A’-Weighted (typical), min gain
Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB
HPF High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

Line Inputs 9-16

All measurements taken at fixed input gain, Rs = 50Ω

0 dBFS Reference Level 27dBu ±0.5
Type Electronically Balanced, Zin = 20kΩ
Frequency Response 20Hz – 35kHz ±0.2dB
THD N -104dB (0.0006%) @ -1dBFS
Signal-to-Noise Ratio 119dB ‘A’-Weighted (typical)
Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB

Instrument Inputs

All measurements taken at maximum gain unless otherwise stated, Rs = 600Ω

Gain Range 0-8dB to 63dB in 1dB steps
Type Zin = 2.3MΩ
Max. Input Level 15dBu ±0.5, min gain
Min. Input Level -48dBu ±0.5
Frequency Response 20Hz – 35kHz ±0.2dB, min gain
THD N -94dB (0.002%) @ -1dBFS (@ 11dB Gain)
Signal-to-Noise Ratio 117dB ‘A’-Weighted (typical), min gain
HPF -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

Line Outputs 3-18

All measurements taken at maximum output level, RL = 100kΩ

0 dBFS Reference Levels 18dBu ±0.5
Frequency Response 20Hz – 35kHz ±0.2dB
THD N <-102dB (0.0008%) unweighted, 20Hz – 20kHz; -1dBFS input
Dynamic Range 121dB ‘A’-weighted (typical), 20Hz – 20kHz
Output impedance Nominal output impedance = 136Ω balanced (68Ω each phase)

Monitor Outputs

All measurements taken at maximum output level, RL = 100kΩ

Frequency Response 20Hz – 35kHz ±0.2dB
Dynamic Range 120dB (A-Weighted)
Maximum Output Level (0 dBFS) 18dBu ±0.5
THD N <-78dB (0.0012%) unweighted, 20Hz – 20kHz; -1dBFS input
Stereo Level Balance ±0.02dB @ 997Hz
Output impedance Nominal output impedance = 136Ω balanced (68Ω each phase)

Headphone Output

All measurements taken at maximum output level, RL = 600Ω

0 dBFS Reference Levels 16dBm ± 0.1dB
Frequency Response 20Hz – 20kHz ±0.2dB
THD N <-75dB (0.018%) unweighted, 20Hz – 20kHz
Stereo Level Balance ±0.05dB @ 997Hz
Dynamic Range 114dB ‘A’-weighted (typical), 20Hz – 20kHz
Output Impedance 10Ω
Headphone Impedance 32Ω – 600Ω

Crosstalk

Microphone Crosstalk

Mic Input to Input < -70dB; 20Hz – 20kHz (driven channel at -20dBFS)
Mic Input to Output < -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
Output to Mic Input < -130dB; 20Hz – 20kHz (driven channel at -20dBFS)

Line Crosstalk

Line Input to Line Input < -60dB; 20Hz – 20kHz (driven channel at -20dBFS)
Line Input to Output < -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
Output to Line Input < -115dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output Crosstalk

Output to Output < -100dB; 20Hz – 20kHz (driven channel at -20dBFS)

Headphone Crosstalk

Headphone to Headphone < -75dB; 20Hz – 20kHz (driven channel at -20dBFS)

Digital Performance

Supported Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz at 24 bit
Clock Sources Internal, ADAT, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

Front Panel Connectivity

Instrument Inputs

Channel Count 2 Channels In
Instrument Inputs 2 x 1/4″ TS stereo jack

Headphone Outputs

Channel Count 2 Stereo Channels Out
Headphone Outputs 2 x 1/4″ TRS stereo jack

Rear Panel Connectivity

Thunderbolt

Channel Count Up to 64 In and 64 Out
Thunderbolt Ports 2 x Thunderbolt Ports (Primary Port 1 and Primary Port 2)

Pro Tools|HD

Channel Count Up to 64 In and 64 Out (32 In and 32 Out per connection)
Primary Port 2 x Mini DigiLink

Dante

Channel Count Up to 32 In and 32 Out
Input and Output 2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).

Mic Inputs

Channel Count 8 In
Input 1 x DB-25 connectors (AES59)

Line Level

Channel Count 16 In and 16 Out
Input 2 x DB-25 connectors (AES59)
Output 2 x DB-25 connectors (AES59)

ADAT

Channel Count Up to 16 In and 16 Out
Input 2 x TOSLINK connector
Output 2 x TOSLINK connector
Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16
Channel Assignments @ 88.2 kHz, 96 kHz SMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
Channel Assignments @ 176.4 kHz, 192 kHz SMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4

S/PDIF

Channel Count 2 In and 2 Out (Optical up to 96kHz)
Input 1 x RCA phono socket (1 x TOSLINK up to 96kHz)
Output 1 x RCA phono socket (1 x TOSLINK up to 96kHz)

Monitor Outputs

Channel Count 2 Out
Montor Outputs 2 x 1/4″ TRS stereo jack

Loop Sync

Loop Sync Input 1 x BNC 75Ω port
Loop Sync Output 1 x BNC 75Ω port

Word Clock

Word Clock Input 1 x BNC 75Ω port
Word Clock Output 1 x BNC 75Ω port

PSU

PSU 1 x IEC Input

Front Panel Indicators

OLED Screens 3 x Screens (menus and metering)
Control Functions 2 x Encoders (menu navigation, channel functions (Gain, 48V, Phase, HPF, Air and Mic/Line/Inst) monitor and headphone outputs (Level, Mute and Dim)). 12 x Switches (control over OLED menus & metering)

Additional information

Weight 10 kg