Search results for "warm%20audio"
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[…]power handling and sensitivity are all calibrated for connection to most consumer and professional audio devices. Includes threaded 1/4″ (6.3mm) nickel-plated adapter. Transducer typeDynamic neodymium magnet Driver size40 mm Sensitivity (1kHz)107 dB/mW Impedance (1kHz)38 Ω Max. input power (1kHz)500 mW Frequency range20 Hz – 20 kHz Net weight 0.4 lb (181 g) Shipping weight 1.35 lbs (612 g) Length of cable2 meters (6.56 ft) Type of cableAttached straight oxygen-free copper PlugNickel-plated 1/8″ (3.5 mm) stereo mini […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Completely re-programmed for EastWest’s PLAY software from the original […]
[…]personal monitoring system connectivity for in-ear applications Digital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capability Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes—no merger or router required Dual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors Remote operation via shielded CAT5e cable up to 330 ft / 100 m length All settings programmable from front panel controls or console Status indicator LEDs on front panel Headphones output assignable to any of the inputs or outputs for on-stage monitoring MIDI In/Out for bidirectional communication between MIDAS M32 Series console and on-stage MIDI […]
[…]key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver. – See more at: http://www.fostexinternational.com/docs/products/New_RP-Series.shtml#content-2-tab-tab Driver: Regular Phase (or Orthodynamic)Impedance: 50 ohmSensitivity: 91dB (at 1kHz, 1mW)Frequency Response: 20Hz – 35kHzMaximum Input Power: 3000mWWeight: 315gCable: Detachable 1/4” Stereo Phone (3m) and Stereo Mini […]
[…]centre section compressor from the 1980’s Solid State Logic G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. The Stereo Bus Compressor brings cohesion and strength to your mix unlike any other processor. To this day it remains a key element of the SSL sound and has become not just a tool for production but a part of top engineers and producers creative process. Features Legendary SSL G Series Stereo Bus Compressor THE glue and punch maker Additional compression ratio […]
[…]level outputs ULTRANET personal monitoring system connectivity for in-ear applications Digital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capability Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes—no merger or router required Automatic AES50 stage-split mode when connected between MIDAS M32 Series FOH and monitor consoles Dual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors 2 AES-3 ports (AES/EBU), for directly connecting PA system controllers with digital inputs Remote operation via shielded CAT5e cable up to 330 ft / 100 m length Mute All function for quietly patching any inputs on stage MIDI […]
[…]no sign of stopping. The 611 design E-Series EQ also feature on Solid State Logic’s latest audio production console, ORIGIN. Unique response & tonal character The E-Series EQ Module features two different EQ’s found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colours used on the LF knob caps so the two flavours have become known as the ‘Brown’ and ‘Black’ EQ’s. On the E Series EQ Module you can switch between these two different […]
[…]while sharing the same preamp. A ‘straight wire’ passive circuit design is void of any audio buffers or transformers. Instead, the Gold Digger employs military grade gold contact relays to manage the switching process, thus ensuring the pristine mic signal is maintained without introducing color, distortion or artefact of any kind. Features include four rear-mounted XLR-F mic inputs plus an XLR-m output to feed the preamp. To eliminate bleed between microphones, each channel is equipped with a ‘radio style’ selector switch that ensures only one mic is on at a time. The external supply provides power for the LED indicators, […]
[…]any SoundGrid I/O Devices (including DigiGrid I/Os) Use with non-SoundGrid I/Os (ASIO/Core Audio) via […]
[…]a compact stereo direct box designed to accommodate laptop computers, tablets and other consumer audio products when amplifying the signal through a PA system. The passive design begins with an integrated input cable that connects from the headphone out via a flexible 1.5m (5′) cable that is terminated with a standard 3.5mm (1/8″) stereo connector. The cable is secured via a clamping strain relief and is wrapped using the sidewinder cleat for easy storage. This of course eliminates having to locate a cable making it easier to deploy in fast paced work environments. Inside, the signal is sent to a […]
[…]while the MixDreamXP seamlessly expands his aural mixing palette. One MixDreamXP can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreamXP may be linked together. Owners of a MixDream, model 2384, can expand this unit with the cost effective MixDreamXP at an identical quality level and by the way, that‘s where the suffix „XP“ comes from (=Expansion). The MixDreamXP discrete class A technology is based on the same 60-volt rails ( /- 30V) of the MixDream model 2384. Newly developed circuitry, based on the most modern analog […]
[…]Intelligent Signal Sensing (ISS™) circuitry which switches the monitor to standby when no audio input is detected (ErP 2013 Directive). Several mounting accessories ease the installation of 8010A’s and make them ideal for music studios, mobile vans and portable recording devices. Priced […]
[…]the L22 ensures that modeling is consistent and accurate. Realtime UAD Processing With Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. Also supports native AAX, VST and AU. Polar Pattern Modeling Because Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound. Re-Mic Sphere Tracks Select mic type, polar pattern and other settings both before and after tracking. Adjustable Proximity Effect No need to move a microphone solely because of too little or […]
[…]function built into the Keyscape standalone app – which grabs spontaneous musical moments in audio, MIDI and .keyscape sound format simultaneously. Technical Specifications • Huge library with over 500 “Best-in-class” sounds, 36 Instrument Models and Hybrid “Duo” Patches • Deeply Multisampled sounds with up to 32-way velocity switching, Round Robins, etc. • Mechanical Noise, Pedal Noise and Release Noise behavior modeling • Patches feature authentic circuit modeled amplifiers and effects • Available as Download (80 GB) or Boxed USB Drives Edition • Optional “Lite” installation (30 GB) for stage use • Full Omnisphere® 2 integration SYSTEM REQUIREMENTS FOR ALL USERS […]
[…]have a fixed height which might just not suit your particular situation: As every hifi and pro audio enthusiast knows, you need to constitute a perfect triangle between your head and the two loudspeakers and that can be tricky – what with furniture and other gear filling up the space. This is why ZAOR, who are dedicated to finding unique solutions, has come up with a nice range of adjustable speaker stands. Of course the other important requirement from a great speaker stand is that it does not resonate when exposed to sound like most of metal stands have (a […]
[…]alone or in pairs by ordering the optional 19″ rackmount kit. The Firefly combines the warmth, character and feel of a vintage tube device with the low noise and performance of today’s most advance audio […]
[…]more information on this special Shelford Edition 5088, or for a custom quote, please contact the Audio […]
[…]with a host of new Genelec developments. Retaining the same drivers and all the much-loved audio characteristics of the previous versions, the 1032C is upgraded with the latest SAM technology. Digital I/O has also been added, a universal power supply and powerful Class D amplification; enabling 1032C to produce even higher SPL and low frequency extension compared to its already powerful predecessors. Earlier versions of the 1032 came with rear panel DIP switches to allow the response adjustments which should always be performed when positioning a reference monitor in a room. The 1032C still offers these DIP switches, but adds the option of tailoring the response […]
StudioPatch Series Bantam / TT Audio Patchbay StudioPatch® Series Bantam/TT Patchbays utilize Switchcraft’s EZ Norm technology, allowing the signal flow of each channel to be instantly modified from the front of the patchbay using a standard screwdriver. Now, all StudioPatch® Series Bantam/TT patchbays feature user programmable grounds, making it possible to customize each channel’s grounding scheme with the flip of a […]
nwanted audio ambience may be generated if working in ‘untreated’ acoustic environments when recording and this naturally affects the quality of any signal captured via microphone. Six years ago sE Electronics were the first company to develop a solution to this commonplace problem and launched the highly successful Reflexion Filter RF-Pro. The sE Electronics RF-X is the latest high-performance acoustic filter joining sE’s highly-acclaimed line of successful and industry standard Reflexion Filter products. The RF-X has been concieved to answer the needs of the discerning recording artist working on a budget. With a new lightweight body and re-designed lightweight clamp assembly the RF-X […]