Merging Technologies Anubis Premium


Anubis Premium includes DXD, 384kHz, DSD64/128/256

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Modular by software, Anubis was created to offer specific missions.   This allows you to choose which is best for your needs.  Currently, Anubis ships today with one Mission called Monitor Mission that includes Control room, editing room, mastering room, location recording and opera house. The next Mission is Music Mission for project and recording studios, live concerts, on-stage monitoring.  Additional Missions will be available in the future.  Booting up between missions completely changes the user interface and the function of Anubis.

The Onboard DSP and a touchscreen allows for the control of any I/O’s on the network. And similar ability to connect I/Os from any other compatible AES67 devices.  Pairing other devices allows Anubis to extend its I/O as if they were built-in. Anubis can reserve all or part of these paired devices, make them available to other users on the network and/or secure them for your own recording needs. With its internal DSP, Anubis can manage as many as 256×256 signal paths.  Should you need a larger or more complex RAVENN/AES67 network configurations from other vendors, DAWs, consoles, or additional Anubis interfaces, Anubis integrates into existing ANEMAN controlled ecosystems. Monitor analog or digital inputs or any AES67/RAVENNA stream on your network

– Scalable/Networkable
– Studio/Mobile
– Mastering grade Preamp and Amp
– Sampling rate up to 384kHz/DXD
– DSD support up to DSD256
– Direct Monitoring of DAW running on Windows, MacOS and Linux
– Direct AES67/RAVENNA Sources monitoring
– Direct decoding of Ambisonic Sources
– Cough Cut on every input
– All state of the art monitoring features (Bass management, Speaker alignment, Talkback, Down-mix, Cross feed etc )

– Comprehensive user interface through the integrated multi-touch display
– Dedicated buttons for Volume control, Monitors selection, Talkback and Mute with customization possibilities
– Remote control capabilities through any tablet or web browser
– DAW Mic/Pre remote support
– Dedicated and configurable metering page for sources and monitors
– Flexible Talkback options for built-in microphone and external microphones
– Foot switch support for triggering actions
– GPO to signal events
– Can operate in standalone
– Freely configurable Monitor types (Speaker set, Headphone and Cue) to fit all scenarios
– Rotary knob for ergonomic volume controls and contextual operations
– Display information and notifications about the Anubis status
– Full configuration presets save and load
– Brightness control for display and buttons
– Configurable Dim Max and Ref levels
– Summing mode for sources monitor
– Configurable bass management capabilities up to 22.2 surround format.
– Speaker delay adjustment for each channel up to 200ms
– Down-mix to Mono, Stereo and all possible subset in case of immersive Speaker set
– Source mono, stereo, surround and immersive format automatically down-mixed to the Monitor format

In-the-box monitoring with ultimate analogue specifications:
– Up to 4 Monitors
– Up to 4 Sources
– Up to 4 Cues Mixes with ultra-low latency
– Up to 2 Headphones
– Built-in Dual Gain 32bit Preamp circuitry on all inputs
– AD split feature on all inputs:  Each one of the 4 Anubis input channels can be split allowing independent gain and cut feature.  In addition, inputs can be separated between the FOH, Monitoring engineer and live stage line check while cutting the FOH feed.
– Exceptional quality and very powerful Headphone Amp suitable for ultra-low to very high impedance headphones (near zero impedance output)

Expandable I/O through Hapi or Horus:
– Up to 8 Monitors capable of up to 22.2 (maximum 32 channels)
– Up to 128 Sources capable of up to 22.2 (maximum 128 channels)
– Up to 8 Cues
– Up to 256 additional Analogue I/Os
– Up to 256 additional MADI, AES3, SPDIF I/Os
– Up to 256 additional AES67/RAVENNA
– Up to 256 additional Pro Tools HD I/Os

– In-the-box I/O pairing management with Merging devices
– Any other AES67/RAVENNA devices pairing using ANEMAN


– Freely configurable crossover filters on every speaker and LFE
– Adjustable cut frequency from 20 Hz to 200 Hz
– Adjustable cut off slope 6/12/18/24/30 up to 36 dB/ octave
– Trim Level and time alignment Delay for every speaker and LFE
– Time alignment / Lip sync delay up to 200ms
– 10 dB LFE boost function
– 2 LFE channels acting as stereo Sub channel

Universal Drivers for Windows ASIO, MacOS CoreAudio and Linux ALSA.

Additional information

Weight 2 kg
Dimensions 8 × 5 × 1.5 cm