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[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]
[…]resonance from contaminating the sound, your mixes immediately translate better to other rooms and audio systems. The Recoil Stabilizer is available in various sizes, weights and firing angles to address the vast array of speaker designs currently on the market and personal mounting preferences. To make selection easy, we have produced a simple cross-reference chart to match the right Recoil Stabilizer for your monitors. Available in: Horizontal (00); 5 deg. Downfire (05) Dimensions: 15″ W x 11″ D Weight Limit: […]
[…]30 Smart monitors and subwoofers, easily creating fully recallable setups from stereo to immersive audio. Specs: Freq Response: 45 Hz -23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 5 inch + Tweeter 3/4 inch metal dome + DCW 1x 7360A The 7360A boasts Laminar Spiral Enclosure (LSE) technology for a low cut-off and clean articulated bass reproduction, while, inside, an 8 inch woofer is powered by a 300W Class D amplifier. The subwoofer is also fully equipped with Smart Active Monitoring (SAM) functionality, the most advanced and adaptable monitoring technology available. Genelec Loudspeaker Manager (GLM) software […]
[…]in three separate color-coded groups. Sometimes there will be events detected that represent audio we want to keep rather than remove. So we built the Exclude Box to further refine the number of repaired events, and also Dialogue Mode for independent control over speech in […]
[…]that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape […]
[…]Mixers, PRO Mixer Distros, or other Hear Back PRO Hubs. Each port provides PoE+ power and digital audio over a single Cat6 Ethernet cable that can be run up to 566 feet. Network Cards can be used with Hear Back PRO Hubs (up to 4 can be populated in a single Hub) or PRO Mixer […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
[…]optional Pro Tools HD or third party DAW software. Requires AVID HD I/O or third party audio interface that supports Mini dig-link or Digi-link (w/ […]
Focusrite Scarlett 18i20 3rd Gen USB audio interface Scarlett interfaces sit at the heart of more music-making, recording and production spaces than any other range, and 18i20 is Scarlett’s most versatile interface. The rack-mountable 3rd Generation 18i20 gives you 18 inputs and 20 outputs of incredible sound quality. Enough to make any space into a fully-fledged recording studio. Eight of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals Two high headroom instrument inputs, for plugging your guitar or bass straight in Four monitor outs, featuring anti-thump […]
[…]With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over. Built around Mr. Rupert Neve’s custom transformer designs, each 543 module encompasses individually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 543 may be used as a transformer-coupled, high-performance line amplifier, and two 543 may be linked for stereo operation as well. The chassis is built to standard 500 series specifications, […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
[…]microphone is supplied with a padded wooden storage case, M916 power supply, and a 10-meter Gotham Audio power cable. The mic carries a 5-year limited warranty. The ?is also known as: Matrix, M-216. The mic was released in 2008. Specifications?Pickup PatternsPads & FiltersX/Y Stereo (14 mV/Pa; 20 – 20,000 Hz) Mid-Side Stereo (14 mV/Pa; 20 – 20,000 Hz) Blumlein (14 mV/Pa; 20 – 20,000 Hz) Capsule DimensionsImpedanceSPL/NoiseDiaphragm diameter: 25mm Capsule diameter: 32mm Diaphragm gauge: 6 microns?200 Ohms (Low)Max SPL: 125 dB Self-noise: 20.0 dB(A)WeightLengthMax DiameterInterface(s)906g (31.96oz)298mm (11.73”)44mm (1.73”) 3-pin XLR male […]
[…]with Pro Tools Ultimate Perpetual license with Annual Support. -requires AVID HD IO or third party audio interface that supports Mini Digi-link or Digi-link (with adapter) Optional: iLok USB […]
[…]and RTAS support, iLok2, iLok3 or an iLok account with an active internet connection is required. Audio Units Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info For legacy versions, including 32bit and RTAS support iLok2, iLok3 or an iLok account with an active internet connection is required. VST2 / VST3 Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info Windows 7 or later For legacy versions, including 32bit and RTAS support, iLok2, iLok3 or an iLok account with an […]
[…]recording and playback * AXR hybrid mic preamps with Rupert Neve Designs SILK * Thunderbolt 2 audio interface * 28 x 24 full matrix mixer * Latency-free DSP powered monitoring w REV-X reverb, Channel Strip, VCM compressor276 and EQ 601, including VST 3 plug-in versions * Plenty of I/O ports like 2x ADAT, AES/EBU, MIDI, Word clock * SSPLL ultra low jitter reduction * Stack supports for up to 3 units * New custom pane for perfect integration in Cubase * Bundled Cubase AI fully supports 32-bit integer format Minimum System Requirements: MacOS 10.11 / 10.12 / 10.13 64 bit […]
[…]in case of failure. Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made. Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronization to house clock, or syncing external equipment to the Dante network. FEATURES: 16-channel bi-directional digital interface […]
[…]Neve’s original designs of 35-40 years ago. This is an EQ with a truly vintage soul. Power and audio connectivity is supplied through any 500-Series compatible […]
[…]guesswork out of your input chain. Fast and musical transimpedance architecture Precision audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switch High performance output line driver amplifier and HPF amplifier New Ribbon mic mode (also great for dynamic mics) – Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockout Wide 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and ¼” unbalanced Bombproof laser-etched black anodized frontpanel Sealed gold contact relay for Hi-Z input switching Led indicators for 48V, Ribbon mode, and HPF Five […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]phantom power, a selectable frequency high pass filter, and the Silk circuit which yields the rich warmth and presence of the renowned classic designs. Channels 1 & 2 of the 5024 feature a high-Z input designed for instrument level sources. Channels 3 & 4 feature an M-S switch, which enables Mid-Side decoding without the use of multiple console channels. Microphone Input The microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a “Transformer-Like-Amplifier” (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed […]
The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. FEATURES: True stereophonic (Blumlein and M-S) recording from one microphone. High SPL capabilities. No internal active electronics to overload or produce distortion up to maximum SPL […]
[…]low noise, low distortion V.C.A. having, essentially, no signature of its own. A part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A. which has to respond very quickly and have low distortion. If the response is too fast, low frequency signals will themselves, be gain controlled! If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or […]
[…]layers of grit. When the voltage is set to maximum; the signal cleans up resulting in natural tube warmth with wonderful harmonic overtones. Separate DRIVE and LEVEL controls let you fine-tune the settings on each channel to increase or decrease distortion to suit. Each of the eight outputs is equipped with an oversized output transformer for beefy character while providing galvanic isolation to eliminate noise. You can also bypass the tube circuit and drive the transformer on its own to produce a vintage feel that is reminiscent of the finest audio designs from yesteryears. Connections to and from the Space […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high quality audio performance, outstanding stereo separation and imaging with Royer’s exclusive active electronics system for ribbon microphones. The SF-24’s output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET’s used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB. Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident […]
Universal Audio Bock 187 -FET Condenser Microphone The UA Bock 187 large-diaphragm FET condenser mic will give your studio the classic tone of the legendary U87 with modern sonic enhancements. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world-renowned mic designer David Bock. The UA Bock 187 is David Bock’s inspired take on the legendary U87 microphones he studied and maintained as chief technical engineer of the world’s top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 187 mic gives you the “golden unit” tone of an iconic […]
[…]inspired from the Anubis outstanding Preamps, that show zero tolerance to any compromise on the audio quality. Available in models that work up to 192kHz. Using those combined 8 channel Mic/Line In and Line Out cards allow the Hapi to be configured with up to 16 channels of Analog In/Out. Features: 8 x exceptionally transparent, Swiss designed pre-amplifiers Remote/Local switch to Line Level on a per channel basis Completely accessible remotely for all parameter changes Phantom Power/Polarity Invert/Low Cut/Impedance switchable per channel Dynamic range of 139dB (A-weighted, typ) on the Line inputs Auto-mute circuitry for “no-pop” power cycling Digitally controlled […]
[…]and subwoofers, allowing you to mix the way you want, from simple stereo to ambitious immersive audio setups. Delve deep into control options including full recall of settings for different listening positions. All this combines with the colour-free accuracy of the Minimum Diffraction Enclosure (MDE?), and precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW?). The result is the ideal small monitor to fit the way you work. (Requires GLM V2.0 User Kit – Sold Separately) Specs: Freq Response: 55 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 4 inch + […]
[…]have a fixed height which might just not suit your particular situation: As every hifi and pro audio enthusiast knows, you need to constitute a perfect triangle between your head and the two loudspeakers and that can be tricky – what with furniture and other gear filling up the space. This is why ZAOR, who are dedicated to finding unique solutions, has come up with a nice range of adjustable speaker stands. Of course the other important requirement from a great speaker stand is that it does not resonate when exposed to sound like most of metal stands have (a […]
[…]for your listening environment, no matter if you work in simple stereo or ambitious immersive audio applications. Key Technologies Smart Active Monitor (SAM) Systems Minimum Diffraction Coaxial (MDC) Driver Technology Acoustically Concealed Woofers (ACW) Technology Directivity Control Waveguide (DCW) Technology Minimum Diffraction Enclosure (MDE) Technology Reflex Port Design Protection Circuitry Intelligent Signal Sensing (ISS) Technology Optimized Amplifiers Active Crossovers Iso-Pod? Stand? Versatile Mountings Technical specifications 111 dB 32 Hz – 35 kHz (-6 dB) ? 1.5 dB (38 Hz – 21 kHz) 2x Oval Woofers 8 1/2 x 4 inch Coaxial Midrange/Tweeter MDC? 5 / 3/4 inch DCW Woofer 150 […]
[…]inspired from the Anubis outstanding Preamps, that show zero tolerance to any compromise on the audio quality. This option card supports DXD/DSD256 file formats. Using those combined 8 channel Mic/Line In and Line Out cards allow the Hapi to be configured with up to 16 channels of Analog In/Out. Features: 8 x exceptionally transparent, Swiss designed pre-amplifiers Remote/Local switch to Line Level on a per channel basis Completely accessible remotely for all parameter changes Phantom Power/Polarity Invert/Low Cut/Impedance switchable per channel Dynamic range of 139dB (A-weighted, typ) on the Line inputs Auto-mute circuitry for “no-pop” power cycling Digitally controlled output […]
Universal Audio Bock 167 -Tube Condenser Microphone The UA Bock 167 large-diaphragm tube condenser mic will give your vocals and instruments the classic smooth tone of the legendary German microphone with modern sonic flexibility. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world renowned mic designer David Bock. The UA Bock 167 is David Bock’s thoughtful reimagining of the iconic U67 mics he studied and maintained as chief technical engineer of the world’s top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 167 is the […]
The 1238AC is a centre channel worthy of the best. It?s no wonder that the 1238AC has been warmly greeted as the companion to the 1238A. Crafted to the same exacting standards plus loaded with all of the feature of Smart Active Monitoring (SAM?), the tri-amplified, double 10 inch design (plus 5 inch midrange and 1 inch tweeter) is ideally suited to multi-channel applications where space is limited around the video monitor or the viewing window. The 1238AC is powerful but focused ? the large Directivity Control Waveguide (DCW?) ensures precise on- and off-axis imaging even in challenging acoustic environments. […]
[…]of up to 30 individual Smart monitors and Smart subwoofers to facilitate any multi-channel audio set-up, while AutoCal? compensates for detrimental room influences and perfectly calibrates your set-up for your listening environment. Ideal for recording studios, film and video post-production facilities, broadcasters and mastering suites, the 1238DF is the ideal blend of adaptable amplification, contemporary technology and classic design. Requires GLM v2.0 Calibration Kit -Sold Separately Specs: Freq response: 50 Hz ? 20 kHz (-6 dB) Woofers 2 x 8 inch + Midrange 5 inch + Tweeter 1 inch, metal dome + DCW Woofer 500 W + Midrange 250 W […]
[…]to AutoCal automated acoustical system-wide self-calibration algorithm Analogue or digital audio input types are created together with monitor groups Each group can have a separate AutoCal calibration Groups contained in one GLM system setup file can feature both analogue and digital input use Unlimited number of system setup files can be created Volume control via GLM 2.0 software fader or external wired or wireless volume controllers GLM AutoCal™ GLM AutoCal provides the industry’s first integrated process for complete automated measurement, analysis, and adjustment of every monitor on the GLM control network. GLM AutoCal provides the industry’s first integrated process for […]
[…]to eliminate traffic noise, air conditions, wind, rain, babble and general background noise from audio signals. It also helps in compensating for poor acoustic conditions and mic placement. It will also suppress excessive reverb too. Use it for any situation including in the studio and post, location recording, live broadcasting, Theaters, concert halls, places of worship a What’s more, despite being so small and light that you can slip it inside your pocket or equipment bag, the DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3/AES11 digital input, and both analogue and […]
[…]unit for the Waves eMotion LV1 live software mixer. This device has been co-engineered by Waves Audio and expert MIDI control manufacturer MIDIPLUS to offer live sound engineers intuitive tactile control of the world’s best live software mixer. Waves FIT’s quick and efficient operation is made possible with 16+1 motorized faders, each featuring a bright display, as well as common controls like Mute, Solo, Select, and a multi-function rotary control. Fader layers offer dedicated 1-8 layer switches for toggling between the 8 factory or custom layers in the Waves eMotion LV1 Live Mixer. 16 rotary controls can be set to control […]
[…]its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of “upgrade” components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-6 for instrumental and vocal mikingIt exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-6 mic is able to produce professional results with a clean sonic character. Specifications TypeTrue Transformerless Condenser Polar Pattern(s)Cardioid CapsuleSingle-sided 32mm center-terminated gold-sputtered Mylar (6 micron) […]
[…]a three module desktop power rack designed to bring the fun and excitement of 500 series modular audio to everyone! Unlike other 500 series enclosures that are usually rack mounted, The Cube™ is designed to sit on the desktop or be carried around the studio using the convenient top-mounted handle. This enables the engineer to position instrument and microphone preamps as close to the source as possible for improved signal to noise. The Cube can also be recessed into the work surface using the optional mounting flanges. These allow either flush mounting or 30° angle mounting to optimize viewing position. […]
[…]widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone. Features two Big Ribbons™ in a fixed Blumlein and mid-side configuration Astonishingly open and natural sound Far-field ribbon mic designed to retain low end and top end at a distance Stereo version of the AEA N8 Made in the U.S.A. History: The design of the R88mk2 borrows […]
[…]three module rackmount power supply designed to bring the fun and excitement of 500 series modular audio to everyone! Unlike other single space power racks that are limited to two modules, the innovative triple-module design allows you to put together a traditional channel strip, combining a mic preamp with an equalizer and dynamic control using a compressor-limiter all within the confines of a single RU 19″ rack. With so many choices of modules available today, this opens the door to creating unique signal paths to allow your music to stand out. Following the criteria established by the Radial Workhorse, the […]
[…]top panel, chassis-mounted pots, rubber-coated knobs, and real wood back panel MIDI, USB MIDI, and Audio Sync for all types of in-studio and live connectivity, including direct sync with SQ1, volca, electribe, and more True analog sound. The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it’s a four-voice polyphonic true-analog synth with an interface that’s designed for accessibility. Whether you’re performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation. […]
[…]fed from D-A or mic pres 24-bit A-D and D-A up to 192kHz sample rate – ideal for hi-res audio Dual-port ADAT I/O – eight channels at up to 96kHz, four channels at 176.4/192kHz Switched insert with true bypass on every channel Mic Pres and front panel instrument inputs with extra headroom Six-segment LED metering and channel clip indicators 48v Phantom Power to all inputs Word Clock I/O and JetPLL jitter […]
Compact 8-fader control surface for Pro Tools and other audio/video apps (formerly Euphonix MC Mix) Artist Mix features EUCON (Extended User Control), a high-speed open control protocol that has been adopted by many of the world’s leading software developers. Pro Tools, Media Composer, Apple Logic, Apple Final Cut Pro, Steinberg Cubase, and many other applications support EUCON™, giving you highly responsive control over almost all software functions. You gain a tightly connected experience in which the control surface acts and feels like a physical extension of your software. FEATURES: 8 touch-sensitive 100mm long throw motorized faders 8 touch-sensitive rotary encoders […]
[…]Radial ProDI’s are high-quality, full-range passive direct boxes equipped with custom made audio transformers for exceptional signal handling without saturation and with extremely low phase distortion in the critical bass and mid regions. The result is exceptional clarity and definition at an attractive price point. Ultra-compact and made of 14 gauge steel, both ProDI models feature internal I-beam construction with a ‘book-end’ outer shell for extreme durability in the most demanding environments. Available in single-channel (ProDI) or dual-channel (ProD2) stereo, these exceptional direct boxes offer performance superior to any other DI’s in their price range and are ideally suited for […]
[…]Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob. LOWPASS – (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose […]
[…]DSP Approved Pro Tools CPU, OS and hardware configuration iLok2 USB device with latest drivers Audio Units (Not available) VST2 / VST3 (Not […]
[…]II American Concert D is a remarkable, must-have, instrument. Synthogy is a Massachusetts based audio software company founded by George Taylor and Joe Ierardi, former engineers of Kurzweil Music Systems. Together they bring more than 35 years of design experience in synthesizers, musical instruments, effects, and sound design to the field of Virtual Instruments. Highlights of Ivory II American Concert D: 1951 New York Steinway D selected by Steinway & Sons for artist promotion Includes the Award-winning Ivory II piano engine 49GB Core Library Up to 20 Velocity Layers Harmonic Resonance Modeling for True Sympathetic String Resonance Custom Soundboard Emulation […]
[…]new era of rhythmic possibilities! • Trash 2 (plus two Expansions) -for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue. • Stutter Edit – It’s an effect. It’s an instrument. It’s Stutter Edit—an innovative tool for both studio and stage, designed by BT and developed by iZotope. Tear up your tracks in real time, building thrilling fills, complex effects, shimmering sweeps, and staggering […]
[…]and RTAS support, iLok2, iLok3 or an iLok account with an active internet connection is required. Audio Units Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info For legacy versions, including 32bit and RTAS support iLok2, iLok3 or an iLok account with an active internet connection is required. VST2 / VST3 Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info Windows 7 or later For legacy versions, including 32bit and RTAS support, iLok2, iLok3 or an iLok account with an […]