Search results for "warm%20audio"
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[…]Core 18 x 26 DESKTOP THUNDERBOLT™ 3 & USB 2.0 AUDIO INTERFACE WITH ONBOARD DSP A desktop audio interface in a league all its own, the Antelope Audio Zen Tour Synergy Core packs Antelope’s cutting-edge Synergy Core FX processing platform into the compact, road-ready form factor of the Zen Tour. Small yet mighty, the Zen Tour Synergy Core offers comprehensive analog and digital I/O, with both USB and Thunderbolt 3 connectivity. A major step up from the hit original Zen Tour interface, the Synergy Core adds upgraded pro-class A/D and D/A conversion, Antelope’s signature Acoustically Focused Clocking technology, and the […]
Universal Audio VOLT176. 1-in/2-out USB 2.0 audio interface Volt 176 is the USB audio interface for musicians and content creators who want to easily record audio with big studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt 176 just shows up — ready to capture your inspiration with legendary sound, courtesy of Universal Audio. Record Yourself with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 176 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture a Legendary Vocal with Vintage Mic Preamp Mode Few sounds can […]
[…]pattern. The most recent in a lineage of micro-phone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones. Utilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and […]
[…]and will make a pencil condenser into an incredibly useful studio tool. DESIGN At Vanguard Audio Labs, we aim to be very different from other brands in our price range. The V34C is designed and precision-built in limited quantities to “no-compromise” standards. The V34C Lolli houses an extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assembly which is custom-voiced with a proprietary hand-tuning process. We then place it in a shockmount saddle nestled in a retro-aesthetic chassis, which is CNC-machined from solid aircraft-grade aluminum billets. Open-weave mesh, carefully radiused interior, and precision-machined venting prevent standing reflections and allow for an “open-air” voicing. We engineered the V34C Lolli head to spin 360 degrees […]
[…]modern condenser microphones. Utilizing a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-201fet performs at a level reminiscent of some of the best loved classic condenser microphones. Each MA-201fet microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shock-mount. Features: • Hand-selected 3-micron 1” capsule • Jensen audio transformer • Military-grade FET • Custom designed low-noise resistors • Ultra clean signal path Recommended Applications: • Vocals• Voice Over and Broadcast • High SPL sources, such as Kick Drums and Bass Guitar Amps • Electric Guitar […]
[…]microphones. Utilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved clas-sic condenser microphones. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also avail-able). Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protec-tive case-within-a-case.Features:• Remotely controlled, continuously variable polar pattern selector• Switchable 15dB pad• Switchable Bass Roll-off • Hand-selected 3-micron double diaphragm capsule• Jensen […]
[…]and users of multiple computers/operating systems can switch connections on the fly. Route Any Audio, Anywhere The comprehensive Routing Matrix inside Antelope’s software Control Panel houses a full-fledged digital patch bay, so you can freely route audio between the interface’s analog and digital inputs. Process DAW tracks through Synergy Core FX and re-amp guitar DIs with the Shred Guitar Amps & Cabs, or integrate external audio equipment. With the ‘training wheels’ removed, your workflow can be as intricate as you want it to be. Sturdy & Portable Hand-assembled in Europe, the Zen Tour Synergy Core can rock both your studio […]
[…]pro studio, this interface gives you robust, flexible tools for routing and monitoring. Antelope Audio is renowned for building rock-solid digital audio clocks found in top recording studios and broadcast facilities around the globe. The Orion Studio Synergy Core wouldn’t be an Antelope interface if it didn’t deliver world-class clocking. With Word Clock I/O, the Orion Studio Synergy Core syncs up your studio with Antelope’s 4th Generation Acoustically Focused Clocking, employing 64-bit DDS to keep your audio in lockstep at up to 192 kHz. FEATURES: – Rackmount Thunderbolt 3 & USB audio interface with 12 Discrete mic preamps – Synergy […]
[…]the widely accepted MA-200. The MA-300 adds a continuously variable pickup pattern that gives warm, full-bodied reproductions of vocals and instruments. Features Remotely controlled, continuously variable polar pattern selector Switchable 15dB pad Switchable Bass Roll-off Hand-selected 3-micron double diaphragm capsule Jensen audio transformer Military grade JAN 5840 vacuum tube Internal switchable power supply voltage Ultra clean signal path Recommended Applications Use anywhere you would use a large diaphragm tube microphone. Vocals Voice Over and Broadcast Acoustic Instruments Piano Drum Overheads, Drum Rooms Orchestral Recording Choral Recording Technical Specifications TRANSDUCER TYPE: Externally polarized, pressure gradient capacitor – double diaphragm. DIAPHRAGM: 1-inch […]
[…]solid-state condenser microphone with a fixed cardioid pattern. The MA-201fet gives warm, full-bodied reproductions of vocals and instruments. Description Features Hand-selected 3-micron 1″ capsule Jensen audio transformer Military-grade FET Custom designed low-noise resistors Ultra clean signal path Recommended Applications Vocals Voice Over and Broadcast High SPL sources, such as Kick Drums and Bass Guitar Amps Electric Guitar Piano Drum Overheads, Drum Rooms Acoustic Instruments Technical Specifications TRANSDUCER TYPE: Externally polarized pressure gradient capacitor DIAPHRAGM: 1-inch diameter, gold sputtered DIAPHRAGM THICKNESS: 3-micron POLAR PATTERN: Cardioid FREQUENCY RESPONSE: 20 Hz-20kHz, +/- 3dB SENSITIVITY: -39 dB re. 1V/pa MAXIMUM SPL: 125 dB […]
[…]and detail of the performance is faithfully captured. We specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision. The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but we have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, we found […]
The LaChapell Audio Model 992EG is a two channel fully balanced all-tube preamplifier and instrument input amplifier. Meticulously hand assembled, every aspect of the 992EG speaks of our dedication to quality of sound and solid, robust construction. Utilizing a total of eight vacuum tubes promises that the 992EG will absolutely awaken your ears with its warm melodic character and rich low-end response. But, what makes the 992EG such a powerful preamp is the level of control the user has over both the input and output stages. Allowing the user to actually throttle gain in or out of either the input […]
[…]delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX […]
[…]HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate […]
[…]of detail in your recordings and enjoy wider soundstage for an exceptional stereo image in audio playback. The key to transparent recordings Antelope Audio’s discrete preamps topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in maximum noise reduction and, most importantly, precise sound capture for most transparent recordings. Extensive connectivity for your entire studio The Discrete 8 Pro SC offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on D-Sub 25, two reamp outputs, a pair of monitor outputs, two […]
[…]to the VF14. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]for noise levels. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]HD | Gen 3 Key Product Features: 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion) Edge Duo modeling microphone with 11 mic models included 36 integrated real-time studio effects Latency-free monitoring environment Latest 64-bit Antelope Audio Acoustically Focused Clocking jitter management algorithm Proprietary HDX Delay Compensation technology 16 Accusonic mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones), dedicated controls and meters 2 independently assignable headphone outputs 192 kHz audio over HDX, Thunderbolt, USB 3.0 and MADI (to […]
[…]our own True Class A amplifiers and Swedish Lundahl output transformers, we’ve produced a warm sweet liquid sound quality that is unique and a useful compliment in your rack to other “harder” sounding 500 Series preamps.The Elixir has a fast transient response so it is ideal for stringed instruments and percussion – a superb choice for snare drum and acoustic guitars. And as with all our preamps the noise level is as low as possible and there is plenty of gain for ribbon microphones. The instrument jack input has a very special “bootstrap” amplifier design and really does sound huge […]
[…]the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen I — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world. All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 30 years “Split” or “Join” switch allows separate or series operation of the preamp and […]