Search results for "warm audio"
| Results 201 - 250 of 786
|
Page 5 of 16
|
|
Sorted by: Relevance | Sort by: Date
|
Results per-page: 10 | 20 | 50 | All
|
The V4 is a large-diaphragm multi-pattern FET condenser microphone. Specifications: Transducer Type: Condenser Capsule Size: 1.34″ / 34mm (dual-capsule) Diaphragm Size: 1.04″ / 26.4mm Capsule Diaphragms Thickness: 3µm Electronics Type: Solid-state, electronically-balanced output Output Impedance: 200Ω Max SPL: appx. 135dB (145dB w/ Pad) Frequency Response: 20Hz-20000Hz Equivalent Noise Level: <=14dBA (A-weighted) Sensitivity: TBA Output Connector: Male XLR 3-pin, gold-plated High-Pass/Rolloff Switch: 120Hz (either/or with pad) Attenuation/Pad Switch: -10dB (either/or with rolloff) Finish: Polished nickel trim / High-gloss Pinot Noir Weight (microphone): 0.83 lbs / 0.38 kg Weight (in case): 5.63 lbs / 2.56 kg Dimensions (microphone): 7.25″ long, 1.8″ diameter / […]
1176LN Classic Limiting Amplifier FET-Style Compressor with Class A Output & Custom Transformers — True to the Original The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the […]
The A3X is the most compact monitor of the AX Series. Specially designed for studio environments with limited space, the A3X easily meets professional requirements. Three-dimensional spatial representation, a controlled, deep bass response and accurate sound reproduction, especially in the critical areas between 200 and 400 Hz, make it the first choice for smaller, even mobile studio setups. With the A3X, analytical listening is possible without taking away musical enjoyment. Its excellent transient response and ability to easily play very dynamic tracks in all musical genres let it clearly stand out from comparable monitors in this price range. General […]
A5X Nearfield Monitor 2-way, 5.5″ woofer The A5X is popular among professionals working in television studios and remote broadcast vans. The A5X can also be found in numerous home/project studios around the world. Its open, powerful sound makes the A5X a trustworthy and useful tool for multimedia applications as well. Like all models of the AX-Series, the A5X is equipped with ADAM‘s proprietary X-ART tweeter. One 5.5“ bass/midrange woofer works below 2.5kHz and is driven by a 1.5“ voice coil and a powerful 50 Watt PWM amplifier. Its acoustic qualities give you a clear picture of the smallest changes in […]
A8X Nearfield Monitor 2-way, 8.5″ woofer The A8X adds to the AX-Series as a unique model because its power and radiation characteristics allow it to be used as both a nearfield and midfield monitor. It represents a particularly attractive entry-level model for midfield monitoring which offers transparent reproduction of higher frequencies, clear mids and an excellent transient response. The extra large, front-positioned bass reflex ports are perfectly matched with the bass/midrange driver that has a 1.5″ voice coil. Thus the A8X can play very low registers with a powerful punch, and the greatest possible precision. The 150 Watt PWM amplifier […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Left Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Right Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
[…]in a black case; includes PSU 840 power supply unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen Technical Acoustical operating principle pressure gradient transducer,externally polarized Transducer Ø 25,4 mm1 inch Directional pattern omnibroad-cardioidcardioidsuper-cardioidfigure-8selectable on remote control Frequency range 20 … 20.000 Hz Sensitivity 23 mV / Pa (-33 dBV), cardioid20 mV / Pa (-34 dBV), omni23 mV / Pa (-33 dBV), figure-8 Signal / noise ratio 85 dB-A Equivalent noise level (IEC 61672-1) 9 dB-A, cardioid10 dB-A, omni (IEC 61672-1)9 dB-A, figure-8 (IEC 61672-1) Dynamic range of […]
[…]to Monterey 12 on 64-bit Apple OS and 64-bit Hardware ● CPU Apple Silicon or Intel ● Core Audio based audio interface (Internal or External) for Digital Audio Workstation (DAW) main audio output ● 2GB RAM available on top of DAW requirements ● 100MB disk space for the software installation ● USB port on the computer for direct connection ● 1280×800 (or higher) display resolution Windows ● Plug-in formats: VST3 ● Windows 10 (Build 1909 and later) and Windows 11, 64-bit OS ● CPU Intel Core i5 (or higher) processor or an AMD Ryzen 5 (or higher) multi-core processor with […]
[…]second knob drives the input to the output tube. Together, you can dial in sounds from pristine to warm and harmonically rich. TRUE48? DYNAMIC PHANTOM POWER True48 is a dynamic phantom power supply that provides a steady power supply for your contender and active microphones. Standard phantom power supplies often do not deliver enough power for todays microphones. True48 ensures your mics get the power they need which results in higher headroom, quicker transient recovery, and smoother response. INPUT LEVEL LEDS A four segment input level indicator lets you see the input level allowing your to make appropriate gain decisions. […]
[…]enable compression of all frequencies except bass. Flat frequency response over full audio range and beyond. Very low phase shift and harmonic distortion (unless pushed hard). Push-pull design gives a natural warm sound with high output level. Output trim controls for fine adjustment or lower level operation. Balanced ins and outs with custom made Sowter transformers. Bypass switch on each channel removes all electronics. Standby switch to prolong valve life. Distortion effects can be created with Standby […]
[…]mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our Audio/Video Library. Royer’s Patented Offset Ribbon Technology The R-10 Hot Rod’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). Features/Applications FEATURES • High SPL capabilities for electric guitar, brass and other close miking […]
[…]mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our Audio/Video Library. Royer’s Patented Offset Ribbon Technology The R-10 Hot Rod’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). Features/Applications FEATURES • High SPL capabilities for electric guitar, brass and other close miking […]
[…]combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound Nine consistent directional characteristics – cardioid, omni-directional, figure-8, broad cardioid, supercardioid and four intermediate patterns – for maximum flexibility in a wide variety of recording applications Superior dynamic range of 128 dB-A (Tube) / 135 dB-A (FET) and exceptionally low self-noise of 12 dB-A (Tube) / 8 dB-A (FET) for ear-catching realism and distortion-free sonic depth 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user […]
[…]?This is a massive program! ? Game Audio -?Nuendo is the premier choice for game audio production. Game Audio Connect 2 -Wwise Automatic naming scheme Recall a Nuendo project directly from within Wwise Version control by Perforce -seemless integration wither Perforce, the premier version control system.?Any change in the Nuendo project is automatically monitored in the background, making manual interactions unnecessary. Game Sound Design & Composing Sound Randomizer Sampler Track Workflow Handling large amounts of audio?files with Nuendo’s Render Export function to transfer to?Wwise. ?-Audio and Midi files. Rename events from list USER Interface Any change in the Nuendo project […]
[…]need versatile mixing tools that bring out the best of each and every performance. You need the warm, incomparable sound of vintage compressors for punch and power. You need precision-modeled EQs that add color and character. And you need state-of-the-art mastering processors to give your projects that final shimmer and shine. Over 60 state-of-the-art audio plugins For music production professionals Includes CLA Classic Compressors, Kramer Tape, Tubes & Transistors, JJP Analog Legends, L3-16 Multimaximizer, V-Series, H-Delay, H-Comp, Vocal Rider and more For: Mac OS and Windows Formats: AAX Native 64 bit, Audiosuite, TDM, RTAS, AU, VST, VST3, […]
[…]project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options. No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. […]
[…]project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options. No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. The […]
[…]satellite speakers of this size usually have weak lower-midrange response; that part of the audio range that contains the “warmth” and “body” of voices and musical instruments. Listen to a male vocal on typical small satellite speakers and you will instantly hear what we mean. The ProCinema satellites avoid this critical problem by pressure-coupling our exclusive Balanced Double Surround System (BDSS) driver to an equal-sized mid/bass radiator cleverly placed on the top of the satellite. This technique doubles the lower-midrange radiating area of the speaker without increasing the size of the enclosure. You”ll enjoy the kind of rich, warm and life-like sound quality […]
[…]components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice. To give the same mojo to the new Prophet-10, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in Prophet-5 Rev4, which is how we refer to the new version in house — […]
[…]Pre Amp Yet! ?The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. ?These incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI (TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on 40 volt power, high current, and has a huge 34 output before clipping. The sound is warm and smooth, as with many vintage style circuits, but you?ll find a whole new world of […]
[…]a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange. With its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies. The R92 was designed to be positioned between 1 and […]
[…]effects for creative sound design, mixing or mastering Advanced sampling and slicing tools VST and Audio Unit support Groove engine to apply swing to audio or MIDI, or extract rhythmic ‘feel’ of other audio files Video import and export for scoring to video or warping video to music Instruments, effects and sounds: 3 instruments: Simpler, Drum Rack, Impulse – plus Instrument Racks and the External Instrument device 42 audio and MIDI effects 1800 sounds 10 GB of loops and samples Technical feature spec / compatibility: Nondestructive editing with unlimited undo Multitrack recording up to 32-bit/192 kHz Automatic plug-in delay compensation […]
[…]DC External Power (Max 60W) • ½ Rack Unit 1U Height AUDIO DRIVER SUPPORT FOR macOS • Core Audio Thunder|Core Audio Driver • Compatible with Intel and Apple Silicon (M1) processors, as well as Big Sur macOS and forward • Core Audio Aggregates for More Applications I/O Control Connection for DADman AUDIO DRIVER SUPPORT FOR WINDOWS ASIO Thunder|Core Audio Driver • Compatible with Windows 10 and forward • One Application Can Connect to the Asio Driver • Control Connection for […]
[…]keep track of even the largest projects File Group system for conveniently organizing your audio files and Audio Montages Further improvements such as clip-based send effect automation (envelope-based), plug-in search, naming scheme and more rendering options WaveLab Pro 9.5 introduces many improvements for mastering and editing workflows as well as carefully selected features for audio refinement and polishing. Ranging from a top-notch Spectrum Editor to the new restoration plug-in suite to the unique Audio Inpainting technology alongside a redesigned and enhanced plug-in set — WaveLab 9.5 is a quantum leap in audio quality. New features at a glance Pristine 64-bit floating-point […]
[…]for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk — Includes AudioDesk workstation software with 24-bit recording, sample-accurate editing and 32-bit mixing and […]
[…]mW 50 mW@ 33 ohm load Output Impedance 10 ohm * Controllable by volume knob. External Audio Input (Ext Audio Input) Jack Connector 6.3 mm monaural phone jack Maximum Input Level -10 dBu Input Impedance 22 k ohm MIDI Connector IN USB Connector Type B CV IN/OUT Jacks Keyboard CV (IN/OUT) 1 V/oct. Connector 3.5 mm monaural phone jack GATE IN/OUT Jacks GATE IN 3 V (minimum) GATE OUT 10 V, key down; 0 V all keys up Connector 3.5 mm monaural phone jack TRIG IN/OUT Jacks TRIG IN 3 V pulse min., 10 μsec. Duration minimum TRIG OUT 10 […]
[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. LUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow All Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. […]
[…]inputs and outputs. This has a great effect on theoutput and input stage impacting the recorded audio. The input audio is digitalized by the BurrBrown PCM4202 ADC after it passes through the analog input circuit. Numerous High-Quality Parts Selected After Month of Evaluation Tests Operational amplifiers have a great impact on audio quality, so we carefully selected the NJM2114 and NE5532. In addition, we selected low-impedance capacitors featuring low resistance, low noise and high precision to emphasize audio quality. Power Supply Section and High-Precision TCXO Support High-Audio Quality Power Supply Section and High-Precision TCXO Support High-Audio Quality In order to […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD displays * 19″ rack […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]and flexibility, whether you’re tracking a band in a world-class studio or adding warmth to stems in a production scenario. It’s also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE QUAD’s versatile digital […]
[…]and flexibility, whether you’re tracking a band in a world-class studio or adding warmth to stems in a production scenario. It’s also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE OCTO’s versatile digital […]
[…]products. Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften “harsh” sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that […]
[…]products. Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften “harsh” sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that […]
[…]the box, recording direct to a microSD card. • Connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favorite recording software. • Seamlessly stream a live show or radio! • Eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads. • Record audio direct to the programmable pads from any input, or simply drag and drop files from your computer using the supplied software. You can even select your favorite colors for the pad […]
[…]different applications. Best of elysia? You got it! • Discrete Class-A Topology Pristine audio quality. • Auto Fast Attack Perfect attack in any situation. • Switchable Release Characteristic Smooth or crisp – the choice is yours. • Warm Mode Transparency? Saturation? Both! • Parallel Compression Mixing direct and compressed signals. • Sidechain Filter Frequency selective compression. • Gain Reduction Limiter Ultimate control on the compression process. • Made in Germany High grade components, solid aluminum knobs. Includes a rugged, lightweight travel ready aluminum […]
[…]Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only) Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more Surround monitor controller up to 7.1 format UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD […]
[…]on Focusrite’s decades of interface design experience and impeccable attention to audio detail, Red 8Line is the best sounding, most versatile and hardest working audio interface in any professional system. Red 8Line blurs the line between high-end studio workflows and small-scale professional audio systems. With 58 inputs and 64 outputs including eight analogue line inputs and 10 analogue line outputs, two Red Evolution mic pres, ultra-low latency, dynamic range of up to 121dB and connectivity via Thunderbolt 3, DigiLink, Dante, ADAT and S/PDIF, it’s the strongest link in any audio professional’s chain. Ultra-low-latency drivers for Mac and PC provide the […]
[…]DigiLinkTM Mini I/O interface to connect your interface to Pro Tools | HDX or HD Native. Route audio with abandon Using DADman software, you can route, split, and patch audio quickly, exibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited work ow possibilities. Save time, space, and money With its diverse connection abilities, Pro Tools | MTRX can effectively replace your army of single-format I/O and monitor interfaces taking up space in your racks. As […]
[…]just shows up, ready to capture your inspiration with professional sound, courtesy of Universal Audio. Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture Legendary Vocals with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this iconic UA preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Easy In, […]
[…]just shows up, ready to capture your inspiration with professional sound, courtesy of Universal Audio. Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 4 delivers superior studio sound quality with more character and tone than any USB interface in its class. Capture Legendary Tones with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, the same preamp used to record everyone from Ray Charles to Van Halen. Volt 4 gives you the rich, full sound of this iconic UA preamp, thanks to its built-in tube emulation circuitry, a UA […]
[…]| Carbon audio interface For artists, bands, and producers, Pro Tools | Carbon is a new breed of audio interface—built to capture brilliance. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools With HDX DSP accelerationunder itshood, Carbon has thepower to keep pacewith your imagination.Intelligently integrated with Pro Tools, it lets you […]
[…]the long series of outstanding RME devices. Never before has such a high-performance multi-channel audio system existed.The HDSPe MADI FX features 390 audio channels Three MADI I/Os – two optical and one coaxial ?are accompanied by one AES/EBU I/O and one analog monitoring output. To complete the feature set, a Word Clock connection and four MIDI I/Os were added. The complete technology and connectivity are highly integrated into the smallest possible amount of space – typical for RME. Only one PCIe slot is required on the motherboard, plus one free slot opening on the case. To guarantee RME?s unique low […]
[…]studio and live performances. Features Bi-directional polar pattern delivers premier audio with superior off-axis rejection True Dual-Voice tuned specifically for user’s for choice of response: warm and full for amplifiers, or swivel for bright and flattering vocals Revolutionary Roswellite proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness, and shape memory that provides superior resilience at extreme SPLs Custom-sourced components for superior presence, minimized signal loss, and maximized output 146 dB SPL across 30 – 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments, and concert halls Legendary Shure quality and superior construction […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes easily. OPTIONAL: iLOK USB Dongle Qualified mini digilink or digilink w/ adapter audio […]
[…]I/O — Over Thunderbolt, MOTU’s AVB interfaces support 256 simultaneous channels of audio I/O (128 in plus 128 out). Over 512 streams of network audio — MOTU’s AVB network can stream over 500 channels of audio throughout the network. Each MOTU AVB device can broadcast eight 8-channel network streams and simultaneously listen to eight 8-channel network streams. Exceptionally low network latency — Standard AVB network latency is 2 ms. MOTU AVB network latency is an astonishing 0.6 ms, even over 7 “hops” (switches) and hundreds of meters of cable. By comparison, Cobranet has variable (unpredictable) network latency in the range of […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]