[…]and detail of the performance is faithfully captured. We specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision. The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but we have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, we found […]
The LaChapell Audio Model 992EG is a two channel fully balanced all-tube preamplifier and instrument input amplifier. Meticulously hand assembled, every aspect of the 992EG speaks of our dedication to quality of sound and solid, robust construction. Utilizing a total of eight vacuum tubes promises that the 992EG will absolutely awaken your ears with its warm melodic character and rich low-end response. But, what makes the 992EG such a powerful preamp is the level of control the user has over both the input and output stages. Allowing the user to actually throttle gain in or out of either the input […]
[…]delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX […]
[…]HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate […]
[…]of detail in your recordings and enjoy wider soundstage for an exceptional stereo image in audio playback. The key to transparent recordings Antelope Audio’s discrete preamps topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in maximum noise reduction and, most importantly, precise sound capture for most transparent recordings. Extensive connectivity for your entire studio The Discrete 8 Pro SC offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on D-Sub 25, two reamp outputs, a pair of monitor outputs, two […]
[…]to the VF14. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]for noise levels. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]HD | Gen 3 Key Product Features: 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion) Edge Duo modeling microphone with 11 mic models included 36 integrated real-time studio effects Latency-free monitoring environment Latest 64-bit Antelope Audio Acoustically Focused Clocking jitter management algorithm Proprietary HDX Delay Compensation technology 16 Accusonic mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones), dedicated controls and meters 2 independently assignable headphone outputs 192 kHz audio over HDX, Thunderbolt, USB 3.0 and MADI (to […]
[…]our own True Class A amplifiers and Swedish Lundahl output transformers, we’ve produced a warm sweet liquid sound quality that is unique and a useful compliment in your rack to other “harder” sounding 500 Series preamps.The Elixir has a fast transient response so it is ideal for stringed instruments and percussion – a superb choice for snare drum and acoustic guitars. And as with all our preamps the noise level is as low as possible and there is plenty of gain for ribbon microphones. The instrument jack input has a very special “bootstrap” amplifier design and really does sound huge […]
[…]the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen I — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world. All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 30 years “Split” or “Join” switch allows separate or series operation of the preamp and […]