Search results for "warm audio"
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[…]and detail of the performance is faithfully captured. We specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision. The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but we have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, we found […]
The LaChapell Audio Model 992EG is a two channel fully balanced all-tube preamplifier and instrument input amplifier. Meticulously hand assembled, every aspect of the 992EG speaks of our dedication to quality of sound and solid, robust construction. Utilizing a total of eight vacuum tubes promises that the 992EG will absolutely awaken your ears with its warm melodic character and rich low-end response. But, what makes the 992EG such a powerful preamp is the level of control the user has over both the input and output stages. Allowing the user to actually throttle gain in or out of either the input […]
[…]delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX […]
[…]HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate […]
[…]of detail in your recordings and enjoy wider soundstage for an exceptional stereo image in audio playback. The key to transparent recordings Antelope Audio’s discrete preamps topology is a descendant of the great console preamps of the time. Designed using a combination of transistors, the Discrete preamps result in maximum noise reduction and, most importantly, precise sound capture for most transparent recordings. Extensive connectivity for your entire studio The Discrete 8 Pro SC offers impressive analog and digital I/O in one rack space. Eight mic/line inputs, two instrument inputs, eight DC-coupled line outputs on D-Sub 25, two reamp outputs, a pair of monitor outputs, two […]
[…]to the VF14. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]for noise levels. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]HD | Gen 3 Key Product Features: 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion) Edge Duo modeling microphone with 11 mic models included 36 integrated real-time studio effects Latency-free monitoring environment Latest 64-bit Antelope Audio Acoustically Focused Clocking jitter management algorithm Proprietary HDX Delay Compensation technology 16 Accusonic mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones), dedicated controls and meters 2 independently assignable headphone outputs 192 kHz audio over HDX, Thunderbolt, USB 3.0 and MADI (to […]
[…]our own True Class A amplifiers and Swedish Lundahl output transformers, we’ve produced a warm sweet liquid sound quality that is unique and a useful compliment in your rack to other “harder” sounding 500 Series preamps.The Elixir has a fast transient response so it is ideal for stringed instruments and percussion – a superb choice for snare drum and acoustic guitars. And as with all our preamps the noise level is as low as possible and there is plenty of gain for ribbon microphones. The instrument jack input has a very special “bootstrap” amplifier design and really does sound huge […]
[…]the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen I — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world. All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 30 years “Split” or “Join” switch allows separate or series operation of the preamp and […]
[…]channel strip at groundbreaking price within project studio reach UA build quality and heritage, audiophile components, hand-assembled in-house The LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60’s. Noted for their musical character and warmth, innumerous classics by artists ranging from Sinatra to Van Halen have been recorded using these preamps. After the preamp section, the LA-610 MkII offers the T4 optical compressor. The simple operation and program-dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for more than 40 […]
[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. Unison technology is also found on Apollo Solo’s front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more. LUNA Recording System with Accelerated Realtime Monitoring Apollo Solo Heritage Edition works with all major DAWs, including Logic Pro, Ableton […]
[…]The device’s sound quality and processing capabilities are in a class of their own with Antelope Audio’s renowned 64-bit AFC™ clocking technology and the powerful, effects-packed Synergy Core onboard platform. Bus-powered audio interface with USB-C connection for Mac/Windows; Two Discrete ultra-linear preamps with 65 dB gain and switchable mic, line and Hi-Z modes, offering console-grade performance & low noise when recording. Class-leading AD/DA conversion for the most detailed sound when recording and streaming audio, aided by 64-bit AFC™ clocking technology delivering increased sound width & separation. 37 Synergy Core analog-modeled effects included and over 50 available as optional expansions. Processed […]
[…]chips, Discrete ultra-linear mic preamps, and 64-bit AFC™ clocking system based on Antelope Audio’s legendary master clocks. With its expansive I/O capabilities and vast collection of Synergy Core effects, Zen Q introduces a wide frontier of possibilities. USB-C interface with advanced audio driver for optimized streaming, playback, and low-latency recording Professional sound and stability via highly efficient AD/DA converter chips and proprietary 64-bit AFC™ (Acoustically Focused Clocking) 2 Discrete ultra-linear preamps designed with authentic console circuitry for classic warmth and sonic depth, with switchable Мic / Line IN / Hi-Z modes 2 additional analog inputs, with switchable Hi-Z/Line modes Real-time, low latency processing […]
[…]STRUCTURE – 8 AES3 I/O interfaces – MADI coax and optical I/O – 3G SDI embedded audio I/O – Ethernet IP audio interface for 64 I/O channels using Dante? – Synch via word clock, AES11, Video, and all digital I/O – Adapt to incoming sample rate EASY CONTROL OF CONVERTER PARAMETERS – Settings control via front panel knobs and large LCD display – Operation via DADman control software for Windows and OSX – Ethernet control interface – Compliant with the Dante Ethernet […]
[…]of the older mics. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema […]
Warm Audio WA-2A Opto Compressor (leveling amp) One Pair We just received this two Warm Audio WA-2A’s from a customer that is selling his off his equipment from a project studio. They are literally brand new but with the cash savings of not new! No rack rash. Exceptionally clean with very very low use. I just fired them up for a test and they work great! Grab them now as you won’t be disappointed. No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic ‘2A optical compressor. For decades, the renowned ‘2A […]
[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. Unison technology is also found on Apollo Twin USB’s front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more. Additional Connections With its two Unison-equipped preamps, two analog line outs, and optical ADAT/SPDIF input — plus two digitally […]
[…]plug-ins are also available in your DAW for mixing. Features: Desktop 2×6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency Includes the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately. Premium Heritage Edition Plugins Unison™ technology offers stunning models of classic tube and transformer-based mic preamps USB 3 connection for easy connectivity on Windows-based recording systems Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output Two digitally […]
[…]chips, Discrete ultra-linear mic preamps, and 64-bit AFC™ clocking system based on Antelope Audio’s legendary master clocks. With its expansive I/O capabilities and vast collection of Synergy Core effects, Zen Q introduces a wide frontier of possibilities. Thunderbolt 3 interface with advanced audio driver for optimized streaming, playback, and low-latency recording Professional sound and stability via highly efficient AD/DA converter chips and proprietary 64-bit AFC™ (Acoustically Focused Clocking) 2 Discrete ultra-linear preamps designed with authentic console circuitry for classic warmth and sonic depth, with switchable mic / Line IN / Hi-Z modes 2 additional analog inputs, with switchable Hi-Z/Line modes […]
[…]with a wide dynamic range. The carefully refined S-ART tweeter, handbuilt as ever at the ADAM Audio factory in Berlin, works seamlessly in tandem with the newly developed HPS waveguide, creating absolutely precise imaging within a generously proportioned sweet spot. The S2V’s compact dimensions belie its impressive power. A 300 W Class D amplifier drives the woofer while a 50 W Class A/B unit handles the S-ART tweeter; the combined output produces SPLs of up to 120dB per pair. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room […]
[…]Dante audio stream. Features: ? Dante focused interface for connection of external audio into or out of a Dante audio network ? 16 channel analog line input and 16 analog line outputs (48kHz/96kHz) using 4 D-Sub connectors ? Dual redundant Ethernet jacks which support both primary and secondary connections ? Up to 24 bit/96kHz quality ? LED display for signal level and overload per input/output channel ? Reference level dip switches for selectable DBu level metering ? Firmware updatable via Dante port ? AES67 and Revenna compatible SPECS: Formats 44.1/48 kHz, 16/24 bit 88.2/96 kHz, 16/24 bit Input/output ratings […]
[…]computer with 8GB of RAM recommended. NOTE: Internet connection required for product activation. Audio DAWg is an Authorized Cherry Audio Dealer This software is provided to you as an Electronics download. You will receive a Serial, Registration or Activation Code from us. And Download instructions for the latest version of the software. All software purchases are final and not returnable. Please make sure your computer supports this […]
[…]a good trade-off. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]thanks to fast preset recall and streamlined multichannel functionality. The Antelope Audio monitoring system supports over 23 audio formats, from stereo to Dolby Atmos 9.1.6, and features precise speaker and room calibration tools such as per channel 8-band EQ and delay offset. With intuitive controls, a color-coded layout, and fast preset recall functionality, this ecosystem is the top choice for surround and immersive audio production. The MRC controller enhances the system with streamlined and tactile controls, making it the key to effortless advanced monitoring. Currently supported with the Galaxy 32 Synergy […]
[…]output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging. All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 […]
[…]DAWg. Individual components may include longer warranties. 96 hr burn-in / testing *Purchase an audio interface and audio DAW software from Audio DAWg and we will install and test everything before it ships to you! ** Not what you are looking for? Give Us A Call. we are here to design a system specifically for […]
[…]DAWg. Individual components may include longer warranties. 96 hr burn-in / testing *Purchase an audio interface and audio DAW software from Audio DAWg and we will install and test everything before it ships to you! ** Not what you are looking for? Give Us A Call. we are here to design a system specifically for […]
[…]Unison-enabled mic preamps for tracking through preamp emulations from Neve, API, and Universal Audio* 18 x 24 FireWire audio interface for Mac and Windows 7 Cascade two Apollos for 16 analog I/O and 12 digital I/O Includes “Realtime Analog Classics Plus” UAD plug-in bundle Upgradeable to Thunderbolt via Thunderbolt 2 Option Card (Mac) World class UA analog design, superior components, and premium build […]
[…]and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market. VIDEO CLOCKING All that you love about Antelope’s cult Trinity Master Clock now in just 1U. Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, […]
[…]to audio tracks • 16 unbalanced analog 1/4″ tip-sleeve outputs • 2-input / 18-output USB audio interface, 24 bit/44.1/48 kHz USB Class Compliant • Mac OS-X compatible: Core Audio plug and play drivers • Windows PC compatible (Windows 7, 8 and 10, 32-bit/64-bit) WDM and ASIO drivers. • IPad compatible: Plug and play. USB adapter required LINE OUTPUTS:Full-scale output8.2dBu, 2 VrmsFrequency response ± 0.2 dB, 20 Hz-20 kHz THD N @ 0dBFS (1kHz sine wave)-85dB, < 0.005, 20 Hz-20 kHz THD N @ -6dBFS < -82dB, < 0.008, 20 Hz-20 kHz SNR> 100dB, < 0.001%, 20 Hz-20 kHzCrosstalk < -95 dB, 20 Hz- 20 kHzHEADPHONES […]
[…]analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard); Dante™ audio over IP with primary/secondary port for audio transfer over long distances; Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration; Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application; Digital I/O: AES/EBU, S/PDIF and 64 channels of optical MADI. Conversion & Clocking AD converter: 124dB headroom, DA converter: 128dB headroom for artifact-free recording sessions; Mastering-grade monitor converter with 130dB headroom for critical listening without coloration or signal degradation; Proprietary 64-bit Acoustically Focused Clocking technology […]
Austrian Audio CC8 Cardioid Condenser Microphones (Stereo Set) Austrian Audio have created a state-of-the-art microphone ready for modern recording applications yet with the timeless sonic character appreciated by all. The CC8 cardioid small-diaphragm true condenser microphone is hand-built in Vienna and created with professionals in mind. At the heart of the Austrian Audio CC8 microphone beats the newly-developed OCC7 small-diaphragm condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today. Shaped by the past; built for the future. The OCC7 capsule and transformerless output gives the […]
[…]simultaneously And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX – and therefore also by the RME audio interface. With the UFX and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. […]
[…]and therefore any EQ being applied. Next up is the clean/tranny switch. In clean mode, the audio path is direct. In tranny mode, a steel transformer is switched into the signal path introducing low frequency harmonics and providing yet another tonal variation to the signal. The high pass filter (part of the equaliser section) features variable filtering of low frequency signals from 25Hz up to 450Hz. The filter has a musical 12dB/oct slope and can be switched into the main signal path (IN), or into the sidechain (S/C) of the Opto Compressor, or when selected to EXT, the filter is […]
[…]Vintage Studio EquipmentThe Orion 32 HD | Gen 3 features a suite of effects coming from Antelope Audio’s vast library of FPGA FX models. Key Product Features FPGA-based low latency effects modeling legendary studio gear worth thousands Pro Tools HD and Native-compatible Streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 Flawless 4th Generation 64-bit clocking and jitter management Additional connectivity on MADI, ADAT, S/PDIF, 8x DB25 Mastering Grade monitor outputs Housed in an efficient “green design” fanless chassis Network Control from multiple computers macOS and Windows […]
Austrian Audio CC8 Cardioid True Condenser Microphone Austrian Audio have created a state-of-the-art microphone ready for modern recording applications yet with the timeless sonic character appreciated by all. The CC8 cardioid small-diaphragm true condenser microphone is hand-built in Vienna and created with professionals in mind. At the heart of the Austrian Audio CC8 microphone beats the newly-developed OCC7 small-diaphragm condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today. Shaped by the past; built for the future. The OCC7 capsule and transformerless output gives the CC8 […]
[…]the gain structure of the most re– vered vintage microphone amplifiers in history, Rascal Audio designer, Joel Cameron has created a circuit whose intuitive feature set provides an unprec– edented degree of control over a signal’s TONE without the need for additional hardware. The result is a true desert island microphone amplifier for TONE lovers, which couples dynamically re- sponsive, class-A gain blocks with a deceptively simple yet tremendously powerful gain structure to produce what is simply the most inspiring and tonally flexible, discrete, transformer-balanced microphone amplifier on the market. And above all, it’s musical! Whether producing fluid, articulate gain for your […]
[…]the gain structure of the most re– vered vintage microphone amplifiers in history, Rascal Audio designer, Joel Cameron has created a circuit whose intuitive feature set provides an unprec– edented degree of control over a signal’s TONE without the need for additional hardware. The result is a true desert island microphone amplifier for TONE lovers, which couples dynamically re– sponsive, class-A gain blocks with a deceptively simple yet tremendously powerful gain structure to produce what is simply the most inspiring and tonally flexible, discrete, transformer-balanced microphone amplifier on the market. And above all, it’s musical! Whether producing fluid, articulate gain […]
[…]and even for creating mixes with extremely low latency between the optical, coaxial and USB 2.0 audio inputs altogether! The MADIface USB can be be easily integrated into a broad range of applications. MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format’s full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary […]
[…]analog I/Os, but has replaced the ADAT I/O with a MADI port. The result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer. Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio. Basic Functionality Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument, […]
Universal Audio Thunderbolt Option Card A Bandwidth and Connectivity Boost for your Apollo Audio Interface. The Thunderbolt™ Option Card for the Apollo and Apollo 16 audio interfaces provides greater UAD plug-in instances, improved performance at higher sample rates, and reduced UAD plug-in latency versus Apollo’s standard FireWire connection. Compatible with Intel’s new Thunderbolt technology on the latest generation of iMacs® , MacBook® Pros, MacBook Airs®, and Mac minis, the Thunderbolt Option Card offers unrivaled bandwidth and next-generation connectivity for the Apollo interface. The user-installable Thunderbolt Option Card includes two Thunderbolt ports, and easily slides into the expansion bay of the Apollo. Bus power […]
[…]1993 lead to the development of our Differential Drive Side Chain circuit which is unique to Buzz Audio and is used in all our optical compressors. This circuit processes the negative and positive portions of the audio wavefrom separately (attack and release parameters) and along with the “soft knee” action creates a very smooth coherent compression characteristic. The SOC-1.1 is perfect for recording vocals, acoustic instruments and is really cool on bass guitar. On the mix buss the SOC will provide instant glue and will never dig holes in your tracks. One of the short comings of the LDR is […]
Austrian Audio OC818 Studio Set Engineered and manufactured in Austria, The OC818 is Austrian Audio’s premier, professional, large diaphragm microphone. Its high sensitivity, low self-noise and ability to handle everything from a whisper to extreme SPLs make it the most advanced microphone for studio, broadcast and live applications. As the unique ceramic capsule design is so consistent, any OC818 is match-paired with any other OC818, and when in cardioid mode, it can also be match-paired with any OC18, its affordable, smaller sibling. Includes: • OC818 Microphone • Spider mount • Mini XLR • Mic Clip • Windshield, Case Key Features […]
[…]Vintage Echo and Delay Effects. Engineered and developed by the acclaimed team at Universal Audio, the UAFX Starlight Echo Station boasts powerful dual-processor architecture for the most sonically authentic Tape, Analog, and Digital delays ever produced by a stompbox. From timeless tape echo and bucket brigade analog delays, to endless, pristine digital repeats from the 1980’s, Starlight Echo Station packs three iconic delay sounds into a beautifully-crafted effects pedal that’s built to last decades. Legendary Delay Effects Through the Decades Tape EP-III: Three unique 1960’s tape echo machines, with settings for tape age and preamp color. Analog DMM: Vintage […]
[…]500DT Dual Topology Preamp -500 SERIES DUAL TOPOLOGY TUBE AND SOLID STATE PREAMP The LaChapell Audio 500DT dual topology preamp is a 500 series microphone preamp that features two separate topologies or amplification paths. When the blend knob is fully to the TUBE side, the signal will pass through a transformer before being amplified by a TrueTube? powered 12AX7 vacuum tube. TrueTube is LaChapell Audio?s proprietary method of supplying a full 250V to the vacuum tube so you get loads of clean tube gain. When the blend knob is turned fully to the OPAMP side, the signal passes directly to […]
[…]choosing this particular model, and the results are significant & audible improvements in audio quality, headroom, distortion, and noise floor vs. standard-grade JFET transistors. Aesthetically, the precision-machined stainless steel body is coated with our signature Pinot Noir, finished with a deep, lustrous gloss, and accented by polished nickel trim and a precision- cast Vanguard badge. Your V4’s serial number is laser-engraved on the lower rear of the microphone. The V4 was designed by a team of experts with more than 65 years of experience and vetted by award-winning engineers and producers. QUALITY The V4 was designed in the USA, and […]
[…]signal synchronization, the UR824 interface also features JetPLL, a patent-applied solution for audio network jitter. JetPLL provides the same performance as traditional, expensive clocking solutions found in the world’s best professional clocking products. Features at a glance 24-bit/96 kHz USB 2.0 audio interface Analog 8 in and 8 out with 8 D-Pre Class-A mic preamps supporting 48 V 2 pairs of ADAT optical I/O (doubles as S/PDIF) provide 16 in and 16 out (S/MUX compatible, 8 in and 8 out @ 96 kHz) Latency-free DSP-powered monitoring with one REV-X reverb and 8 Channel Strips with any DAW by using the latest dspMixFx […]
Audio Accessories MINI SHORTI DB25 ?2×48 TT Audio Patchbay. Featuring an exceptionally flexible setup configuration featuring Audio Accessories, Inc exclusive Quick-Switch normaling system. ?Allowing you to set the individual normals and grounds on a per-jack-pair basis. ?This enables you to full -normal (FN), half-normal (HN), or non-normal (NN) by sliding the switches into the appropriate position. ?Grounding options include isolated, bussed or grounds vertically strapped (GVS). The mini shorts is available in a 1RU or 1.5RU rack. And includes a Cabling support tray for bundling down incoming […]
[…]introduction to the unique procedures and technical issues involved in mastering. Leading-edge audio concepts are explained in an easy-to-grasp holistic style. Suitable for all levels of students and professionals, it is ideal for anyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mixing […]