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[…]includes a Pro Tools HDX Core card as well as room to add a Mac mini! Added is the new MTRX Studio audio interface and the popular Pro Tools HDX recording and mixing software package. Specifications: Pro Tools Ultimate Perpetual License HDX Core PCIe AVID Expansion Chassis MTRX Studio audio interface Mini Digilink Cable Add a Mac Mini and you have a complete multi-track powerful recording, editing and mixing system all in a total of 2U Rack […]
[…]3 desktop expansion chassis that includes a Pro Tools HDX Core card. Added is the new MTRX Studio audio interface and the popular Pro Tools HDX recording and mixing software package. Specifications: Pro Tools Ultimate Perpetual License HDX Core PCIe AVID Desktop Expansion Chassis MTRX Studio audio interface MIni Digilink […]
[…]HD / HDX system. MTRX Studio is a powerful I/O, monitoring and routing capabilities all in one audio interface. Now from AVID and partnered with DAD, you get an interface with ample analog and digital connectivity that includes Dante, Digilink and ADAT. Analog connectivity with 16 analog in and 16 analog out plus two mic preamps. No need for a separate monitor controller. The MTRX Studio includes versatile monitoring with speaker calibration built directly in the interface. With 64 channels of Dante, plus the 512 x 512 matrix in DADman route any input or any output. MTRX Studio is EUCON […]
Warm Audio BUS-COMP is an all analog 2 channel stereo VCA bus compressor. Based on classic circuitry that has provided a silky smooth tone for decades. Though, widely known and used on stereo mixes for their masterful control of dynamics, you can also use it on drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, etc.. Specifications: ALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR BASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY SELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS EXTERNAL SIDE CHAIN SOURCE SELECT SELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ COMPRESSOR ENGAGE SWITCH FOR EASY […]
[…]hundreds of channels. Anyway you look at it, the MOTU 16A is an exceptional centerpiece to your audio rig. This is a great deal. Customer traded this in on a larger interface. Not a scratch on it. Truly mint. We updated to the latest firmware. Includes USB cable, Network cable, AC Cord. The original box and manual are not included but the manual can be downloaded from MOTU’s website. The interface new will cost you $1495.00. So, save some serious cash and grab this powerful audio interface. Technical Specifications Sample rates44.1, 48, 88.2, 96, 176.4, 192 kHzAnalog inputs16 x 1/4″ […]
[…]– supporting WAVES SoundGrid Technology* or Dante/AES67 Technology* 48 x 48 channel USB 2.0 audio interface onboard with DAW remote control emulating HUI* and Mackie Control* Dual-SD card live recorder/player with up to 64 tracks and markers for identifying song positions Additional 4-channel control section with rotary controls, buttons and parameter display for permanent access to mains, matrices or “money-channels” Premium FX rack with 8 true-stereo processors and world-class TC algorithms, Lexicon*, Quantec* and EMT* emulations Standard FX rack with 8 true-stereo processors for a wide array of modulation, EQ, dynamics etc. – also allows blending outboard effects to the […]
[…]kHz on 1 Toslink connector Word Clock IN/OUT via BNC connections for syncing with other digital audio gear Apogee Control Software for Mac provides all control of hardware parameters including input gain, output level and low latency monitoring Apogee Control Mobile App provides wireless remote control of hardware via iPhone, iPad or iPod touch Works with Apogee Control desktop hardware remote control (Sold separately) Multi-Unit Thunderbolt support – Connect any two Element audio I/O boxes directly to Thunderbolt ports on your computer Apogee Ensemble Thunderbolt expander – Connect any Element to the second port on an […]
[…]Source: Power-over-Ethernet (PoE): class 1 (very low power, ≤3.84 watts) Network Audio Technology: Type: Dante audio-over-Ethernet AES67-2013 Support: yes Dante Domain Manager (DDM) Support: yes Bit Depth: up to 24 Sample Rate: 44.1, 48, 88.2 and 96 kHz Number of Receiver (Input) Channels: 2 Dante Audio Flows: 2 receiver Network Interface: Type: twisted-pair Ethernet, Power-over-Ethernet (PoE) supported Data Rate: 100 Mb/s (10 Mb/s and 1000 Mb/s “GigE” Ethernet not supported) Headphone Output: Type: Dual-channel Compatibility: intended for connection to mono or stereo headsets or earpieces with nominal impedance of 50 ohms or greater Maximum Output Voltage: 3.8 Vrms, 1 kHz, […]
[…]eight channels of talk and listen for implementing intercom, talent cueing (IFB), and general audio applications that utilize Dante audio-over-Ethernet. Uses STcontroller software application for configuration. Dual Gigabit Ethernet interfaces for redundant Dante. Supports dual-channel headsets using either a 5-pin female XLR or a 3.5 mm 4-conductor (TRRS) connector. Also supports electret-powered gooseneck microphone using a 3-conductor 1/4-inch jack. Both headset and gooseneck microphones are purchased separately. Can be powered by Power-over-Etherent (PoE) or an external source of 12 Vdc Power supply not included. PS-DC-02, purchased […]
[…]a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices , headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems. With iLoud Micro Monitor, you will hear the truth in your music no matter whether you’re mixing in your bedroom, mastering in a small studio or just listening to your favorite tunes at home. And best of all, it offers high-end features that can be found only in monitors in […]
[…]that make it easy for you to tailor the application for you. The Plugin operates in a SoundGrid Audio-over-Ethernet network. This allows for processing audio on a dedicated SoundGrid DSP server. Significantly increasing the plugin count, minimizing latency, and enabling the host and I/O devices to be far apart from each other, accommodating the most complex setups. Features: View and control multiple plugin instances simultaneously Multitouch-friendly graphic interface Expand your workspace to up to four monitors Easily tweak small plugin parameters with a ‘Touch & Slide’ fader Quickly access up to 12 plugins per snapshot via the Hot Plugins panel […]
Antelope Audio’s Discrete 8 Synergy Core offers Thunderbolt and USB 2.0 connectivity. Included is a substantial variety of ad/da connectivity including eight mic preamps. Included is a collection of 36 Synergy Core effects plugins to fit any need with their onboard DSP + FPGA chips. Choose from compressors, EQs, reverbs, amp models based on iconic vintage gear — and all the processing power you need to run them! Key Features: • Synergy Core – New Milestone Technology & Future-proof FX processing platform • Pristine AD/DA conversion with 130 dB of dynamic range on monitor outputs • 36 Synergy Core effects […]
[…]Vintage Studio EquipmentThe Orion 32 HD | Gen 3 features a suite of effects coming from Antelope Audio’s vast library of FPGA FX models. Key Product Features FPGA-based low latency effects modeling legendary studio gear worth thousands Pro Tools HD and Native-compatible Streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 Flawless 4th Generation 64-bit clocking and jitter management Additional connectivity on MADI, ADAT, S/PDIF, 8x DB25 Mastering Grade monitor outputs Housed in an efficient “green design” fanless chassis Network Control from multiple computers macOS and Windows […]
The AT2050 is a multi-pattern condenser microphone that provides consistent and superior performance . Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more. ELEMENT Externally-polarized (DC bias) condenser POLAR PATTERNS Cardioid, Omnidirectional, Figure-of-Eight FREQUENCY RESPONSE 20-20,000 Hz LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave OPEN CIRCUIT SENSITIVITY –42 dB (7.9 mV) re 1V at 1 Pa IMPEDANCE 120 ohms MAXIMUM INPUT […]
The critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. These headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range. Features Cutting-edge engineering and robust construction 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils Tuned flat for incredibly accurate sound monitoring across the entire frequency range Circumaural design contours around the ears for excellent sound isolation in loud environments 90° swiveling ear cups for easy one-ear monitoring Professional-grade ear pad and headband material delivers more durability […]
[…]acclaimed studio headphones for their sonic performance. These headphones offer exceptional audio with outstanding comfort. Perfect for long sessions in the studio. The contoured ear cups seal tight for excellent sound isolation . While the professional grad ear pad and headband material deliver more durability and comfort! Type Closed-back dynamic Driver Diameter 45 mm Magnet Neodymium Voice Coil CCAW (Copper-clad aluminum wire) Frequency Response 15 – 28,000 Hz Maximum Input Power 1,600 mW at 1 kHz Sensitivity 99 dB Impedance 38 ohms Weight 285 g (10 oz), without cable and connector Cable Interchangeable cables: detachable 1.2 m – 3.0 m […]
[…]more information on Hauptwerk, please give us a call. We can build an organ to meet your needs. Audio DAWG is an authorized dealer for Hauptwerk, Milan Digital, Lavender Audio, Pipeloops, Inspired Acoustics, Renatus Organ Builders, UHT Keyboards and Classic Midi […]
[…]live concerts and video streaming with renowned local and international pianists and ensembles. Audio DAWg recently provided Kawai with a brand new Allen & Heath SQ5 digital mixing console and a variety of mics from DPA and AEA. The AEA N8 ribbon mics were a great choice in recording the natural sound of their $250,000 Shigeru Kawai Concert grand piano (you’ve got to hear it to believe it… it sounds great). We temporarily set up the mixing console on stage to determine the best position for the stereo pair of AEA ribbon mics. The SQ-5 mixing console – which is […]
[…]solid-state condenser microphone with a fixed cardioid pattern. The MA-201fet gives warm, full-bodied reproductions of vocals and instruments. Description Features Hand-selected 3-micron 1″ capsule Jensen audio transformer Military-grade FET Custom designed low-noise resistors Ultra clean signal path Recommended Applications Vocals Voice Over and Broadcast High SPL sources, such as Kick Drums and Bass Guitar Amps Electric Guitar Piano Drum Overheads, Drum Rooms Acoustic Instruments Technical Specifications TRANSDUCER TYPE: Externally polarized pressure gradient capacitor DIAPHRAGM: 1-inch diameter, gold sputtered DIAPHRAGM THICKNESS: 3-micron POLAR PATTERN: Cardioid FREQUENCY RESPONSE: 20 Hz-20kHz, +/- 3dB SENSITIVITY: -39 dB re. 1V/pa MAXIMUM SPL: 125 dB […]
[…]the widely accepted MA-200. The MA-300 adds a continuously variable pickup pattern that gives warm, full-bodied reproductions of vocals and instruments. Features Remotely controlled, continuously variable polar pattern selector Switchable 15dB pad Switchable Bass Roll-off Hand-selected 3-micron double diaphragm capsule Jensen audio transformer Military grade JAN 5840 vacuum tube Internal switchable power supply voltage Ultra clean signal path Recommended Applications Use anywhere you would use a large diaphragm tube microphone. Vocals Voice Over and Broadcast Acoustic Instruments Piano Drum Overheads, Drum Rooms Orchestral Recording Choral Recording Technical Specifications TRANSDUCER TYPE: Externally polarized, pressure gradient capacitor – double diaphragm. DIAPHRAGM: 1-inch […]
[…]15dB pad Switchable Bass Roll-off Hand-selected 3-micron 1″ capsule Jensen audio transformer Military-grade FET Custom designed low-noise resistors Ultra clean signal path Recommended Applications Vocals Voice Over and Broadcast High SPL sources, such as Kick Drums and Bass Guitar Amps Electric Guitar Piano Drum Overheads, Drum Rooms Technical Specifications TRANSDUCER TYPE: Externally polarized, pressure gradient capacitor – double diaphragm. DIAPHRAGM: 1-inch diameter, gold sputtered DIAPHRAGM THICKNESS: 3 microns POLAR PATTERN: 3 patterns; omni, cardioid and figure-8 FREQUENCY RESPONSE: 20 Hz to 20 KHZ, +/-3 dB at “flat” setting of bass cut switch. Bass cut switch provides 6 dB per octave […]
The Signature Series MA-1000 is a thoroughly modern tube microphone that features an original new old-stock 5840 tube, 251-style capsule with a custom designed transformer built by Coast Magnetics. Features: Original new old-stock 5840 tube 251-style capsule Custom designed transformer by Coast Magnetics Remotely controlled, continuously variable polar pattern selector, located on power supply Switchable 15dB pad Switchable Bass Roll-off Internal switchable power supply voltage American Classic Design Comes with Sling-Shock® licenced from Royer Labs Premium Cable made with Mogami Cable and Neutrik connectors Recommended Applications: Vocals and Voice-overs Broadcast Acoustic Instruments Piano Drum Overheads, Drum Rooms Orchestral Recording Choral […]
[…]ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. FEATURES: High SPL Capabilities No internal active electronics to […]
[…]library of effects, as well as 3rd-party effects joining the Synergy Core platform. The Antelope Audio Discrete 4 Synergy Core interface offers 4 console-grade discrete mic preamps, 14 total inputs and 16 outputs, renowned Antelope digital clocking, and both Thunderbolt and USB connectivity for your Mac or PC. Best of all, the Discrete 4 Synergy Core comes with $3,000+ of Antelope’s top effects plug-ins included free, so you can record, monitor, mix, and master your projects with world-class sound from start to […]
Avid S1 gives you deep hands-on control of your favorite audio and video software and, together with the free Pro Tools | Control app for iPad. Great ergonomic efficiency, easy touch workflows, and S6-style metering and processing views, make it easy to navigate large sessions quickly and mix more intuitively. S1 surface details Faders Eight motorized, touch-sensitive, 100 mm long-throw faders Knobs Eight push-top, touch-sensitive rotary encoders Additional controls Assorted hardware buttons/keys for various functions and mode selections, including Mute, Solo, Record-enable, Bank, Nudge, and more Software interface Supports the free Pro Tools | Control app running on iPad (iPad […]
[…]industry-leading technical support — on the phone and online — from knowledgeable audio engineers *Apollo Twin X includes the “Realtime Analog Classics” UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective […]
[…]Capsules. Perfect as a microphone for a soloist or a main microphone combining the Omni’s warm sound and the Cardioid’s directivity. Freq Response: 30 Hz – 29 kHz with CMC 6 / […]
[…]pro studio, this interface gives you robust, flexible tools for routing and monitoring. Antelope Audio is renowned for building rock-solid digital audio clocks found in top recording studios and broadcast facilities around the globe. The Orion Studio Synergy Core wouldn’t be an Antelope interface if it didn’t deliver world-class clocking. With Word Clock I/O, the Orion Studio Synergy Core syncs up your studio with Antelope’s 4th Generation Acoustically Focused Clocking, employing 64-bit DDS to keep your audio in lockstep at up to 192 kHz. FEATURES: – Rackmount Thunderbolt 3 & USB audio interface with 12 Discrete mic preamps – Synergy […]
[…]HD | Gen 3 Key Product Features: 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion) Edge Duo modeling microphone with 11 mic models included 36 integrated real-time studio effects Latency-free monitoring environment Latest 64-bit Antelope Audio Acoustically Focused Clocking jitter management algorithm Proprietary HDX Delay Compensation technology 16 Accusonic mic preamps with mic modeling support (for Antelope Audio Edge & Verge modeling microphones), dedicated controls and meters 2 independently assignable headphone outputs 192 kHz audio over HDX, Thunderbolt, USB 3.0 and MADI (to […]
[…]Compressor : is an advanced analog stereo VCA compressor with PEAK detection with a 100% analog audio signal path. All parameters are digitally controlled via front panel and/or DAW (with dedicated plugin). Features include a dry/wet MIX control for parallel compression, sidechain high pass filter with hardware insert and preview function. Total A/B comparison from your favorite DAW, LED Matrix display with six push-button encoders and USB connectivity with Mac and Pc. Technical Specs: – Frequency response 10Hz to 22kHz (+/- 0.2 dB) – Dynamic range: 106dB (+23dBu, 22kHz BW) – S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain) – Crosstalk: […]
Bettermaker Mastering Compressor The Bettermaker Mastering Compressor features a 100% analog audio signal path with total recall and A/B comparison and a 5″ capacitive backlit touchscreen. Includes an adjustable 15 – 30 Hz high pass filter at the compressor input. A dry/wet MIX control for parallel compression. Also included is a HPF, LPF and fully configurable parametric filter in sidechain with option of hardware insert. Additional features include an adjustable drive (for odd/even clipper) and THD function for harmonically rich sound, Range Setting, PEAK/RMS levels and USB Connectivity with a Mac or PC. – Range Setting – limit the maximum amount of gain […]
[…]Helios, and more Includes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp & EQ, and more Compatible with Pro Tools, Logic Pro X, Cubase, Live, and more Combine with other Thunderbolt-equipped UAD-2 devices including PCIe card(s), UA Audio Interfaces, and additional Satellites Dual Thunderbolt 3 ports for daisy-chaining of Thunderbolt peripherals Also available with Custom software packages featuring user-selectable plug-ins * UAD-2 Satellite OCTO Custom package includes the Analog Classics Plus bundle plus a choice of 3 UAD plug-ins, selectable […]
[…]Helios, and more Includes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp & EQ, and more Compatible with Pro Tools, Logic Pro X, Cubase, Live, and more Combine with other Thunderbolt-equipped UAD-2 devices including PCIe card(s), UA Audio Interfaces, and additional Satellites Dual Thunderbolt 3 ports for daisy-chaining of Thunderbolt […]
[…]Helios, and more Includes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp & EQ, and more Compatible with Pro Tools, Logic Pro X, Cubase, Live, and more Combine with other Thunderbolt-equipped UAD-2 devices including PCIe card(s), UA Audio Interfaces, and additional Satellites Dual Thunderbolt 3 ports for daisy-chaining of Thunderbolt peripherals Also available with Custom software packages featuring user-selectable […]
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[…]additional, user-requested functions mean that Nuendo constantly exceeds the expectations of an audio workstation dedicated to audio post, with high end — often unique — capabilities that continue an ongoing revolution in audio and media production […]
[…]Audio for the North American market. These units were the same as the original Ivory 5001 from TL Audio – see the picture of the insides where it says TL AUDIO on the circuit board. Having four tube preamps at this price is really a bargain. Less than $100.00 per tube channel! I categorized it as good. It has been in and out of racks a few times in the studio, but, it sounds excellent. It does have a couple of scratchy Input Gain Pots and of course the notable scratches on the front and […]
[…]production. Nuendo includes ADR replacement, direct connection to Audio kinetic’s Wwise game audio middleware, ATMOS, the first and only professional DAW to integrate an entire audio production workflow for VR and Ambiosonics […]
[…]up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. Features: – Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards – High-performance audio conversion with over 118dB dynamic range A/D […]
Universal Audio 1176LN There are clones and then there is the real deal. And, this one is the real deal. Extremely clean Universal Audio 1176LN. An industry standard. Not much more to say here. Except grab this beauty for your […]
[…]It comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects. And as with all Focusrite products, you’ll also benefit from a two-year warranty, award-winning customer support and membership of their Plug-in Collective offering free software downloads and generous discounts. INCLUDED SOFTWARE: Ableton Live Lite music making software Pro Tools | First Focusrite Creative Pack Free 3-month Splice Sounds subscription with new Splice accounts –Splice Sounds offers millions of […]
Warm Audio TB12 Tone Beast (Black) The Tone Beast is an extremely affordable Mic Preamp. the TB12 is a fully discrete, high-voltage microphone preamplifier, utilizing CineMag USA Transformers and multiple discreet signal paths. 2 opamps and 2 output transformers at the flip of their switches won’t appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. SPECS: 71DB OF GAIN TRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER TRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT […]
[…]to eliminate traffic noise, air conditions, wind, rain, babble and general background noise from audio signals. It also helps in compensating for poor acoustic conditions and mic placement. It will also suppress excessive reverb too. Use it for any situation including in the studio and post, location recording, live broadcasting, Theaters, concert halls, places of worship a What’s more, despite being so small and light that you can slip it inside your pocket or equipment bag, the DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3/AES11 digital input, and both analogue and […]
[…]eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavorable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation. The latest revision of the DNS 8 Live offers fail-safe audio bypass implemented in the form of hardware relays that immediately connect the inputs to the outputs in the event of a power failure or other significant disruption. This means that the DNS 8 Live can now be installed with confidence in critical paths within the broadcast chain. The DNS 8 Live incorporates eight simultaneous […]
Waves product specialist Jeremiah Clever will be on hand conducting open demos and training! Mixing with new Waves plugins, DiGiGrid Desktop I/O Series […]
Reminder! Join us tonight for what promises to be an outstanding learning event at Audio DAWg! These boards are known as live boards – but actually have built in recording […]
MORE LEARNING WITH AUDIO DAWg! The DAWg’s got ANOTHER outstanding learning opportunity coming up on May 15th! And you can expect a few surprises. […]
[…]your studio with an amazing pair of Genelec studio monitors. In addition, equip your studio with Warm Audio’s amazing and affordable microphones, outboard processors and mic preamps! This special Financing opportunity is only available through June 5, 2019. So Hurry! Don’t Miss Out. To apply for Financing, please contact us directly. Email: spunky@audiodawg.com Call: […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. The superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule is elastically suspended internally to reduce handling noise and other solid-borne sound. The head can be angled /- 20°. The newly designed amplifier of the V4 U is completely symmetrical after the […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. A unique 33 mm beveled collar around the diaphragm causes its directivity to increase steadily and smoothly at high frequencies, as in a large-diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule iselastically suspended internally to reduce handling noise and other solid-borne sound. The head can […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Completely re-programmed for EastWest’s PLAY software from the original […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Licenses included to install each section on multiple computers (Platinum and Platinum Plus) Original and Pro XP expansion combined into “complete” PLAY version Completely re-programmed for PLAY software from the original […]
[…]reverb with pre-delay Improved micro-tuning Improved sound quality with high-resolution audio engine Hi-fidelity one pole filter for natural cross-fades Stereo image editing is now possible using channel sourcing The instruments featured in the PLAY Editions are newly-programmed for PLAY from the original recordings In ancient Egypt, RA was regarded as the creator of everything, the god of the sun. RA is usually represented with the body of a man and the head of a hawk, holding an ankh & sceptre. The chief location of RA worship was Heliopolis (a Greek word meaning city of the sun). RA is an appropriate […]
[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]
[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]
[…]Nick Phoenix and Thomas Bergersen and Sound Engineer Shawn Murphy (Academy Award, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winng sound engineer) Recorded in EastWest Studio 1, widely regarded as the “best brass recording room in the entire world” with 5 true mic positions, Hollywood Brass is designed to work seamlessly with Hollywood Strings (and the upcoming Woodwinds and Percussion). Running on the new PLAY 5, Hollywood Brass will run flawlessly on your system along with Hollywood Strings. This is also exciting news for current Hollywood Strings users, as PLAY 5 and the new Hollywood Strings program update are free […]
[…]and is rounded off with a CineMag USA output transformer. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly […]
[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE […]
[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE sound. (stereo […]
[…]sound quality and tone that punches far above anything we?ve ever heard in this price range. We at Warm Audio are very excited to bring this ?47 style FET condenser microphone and classic tone to the market at such an affordable price. ?We feel confident that you will enjoy a lifetime of beautiful recordings with the […]
[…]of up to 30 individual Smart monitors and Smart subwoofers to facilitate any multi-channel audio set-up, while AutoCal? compensates for detrimental room influences and perfectly calibrates your set-up for your listening environment. Ideal for recording studios, film and video post-production facilities, broadcasters and mastering suites, the 1238DF is the ideal blend of adaptable amplification, contemporary technology and classic design. Requires GLM v2.0 Calibration Kit -Sold Separately Specs: Freq response: 50 Hz ? 20 kHz (-6 dB) Woofers 2 x 8 inch + Midrange 5 inch + Tweeter 1 inch, metal dome + DCW Woofer 500 W + Midrange 250 W […]
The 1238AC is a centre channel worthy of the best. It?s no wonder that the 1238AC has been warmly greeted as the companion to the 1238A. Crafted to the same exacting standards plus loaded with all of the feature of Smart Active Monitoring (SAM?), the tri-amplified, double 10 inch design (plus 5 inch midrange and 1 inch tweeter) is ideally suited to multi-channel applications where space is limited around the video monitor or the viewing window. The 1238AC is powerful but focused ? the large Directivity Control Waveguide (DCW?) ensures precise on- and off-axis imaging even in challenging acoustic environments. […]
[…]and subwoofers, allowing you to mix the way you want, from simple stereo to ambitious immersive audio setups. Delve deep into control options including full recall of settings for different listening positions. All this combines with the colour-free accuracy of the Minimum Diffraction Enclosure (MDE?), and precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW?). The result is the ideal small monitor to fit the way you work. (Requires GLM V2.0 User Kit – Sold Separately) Specs: Freq Response: 55 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 4 inch + […]
[…]30 Smart monitors and subwoofers, easily creating fully recallable setups from stereo to immersive audio. Specs: Freq Response: 45 Hz -23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 5 inch + Tweeter 3/4 inch metal dome + DCW 1x 7360A The 7360A boasts Laminar Spiral Enclosure (LSE) technology for a low cut-off and clean articulated bass reproduction, while, inside, an 8 inch woofer is powered by a 300W Class D amplifier. The subwoofer is also fully equipped with Smart Active Monitoring (SAM) functionality, the most advanced and adaptable monitoring technology available. Genelec Loudspeaker Manager (GLM) software […]
[…]30 Smart monitors and subwoofers, easily creating fully recallable setups from stereo to immersive audio. Specs: Freq Response: 45 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 5 inch + Tweeter 3/4 inch metal dome + DCW? 1x 7350A Subwoofer Designed to complement the 8320A and 8330A Smart monitors, the 7350A boasts Laminar Spiral Enclosure (LSE?) technology for a low cut-off and clean articulated bass reproduction, while, inside, an 8 inch woofer is powered by a 150W Class D amplifier. The subwoofer is also fully equipped with Smart Active Monitoring (SAM?) functionality, the most […]
[…]30 Smart monitors and subwoofers, easily creating fully recallable setups from stereo to immersive audio. Specs: Freq Response: 45 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 5 inch + Tweeter 3/4 inch metal dome + […]
[…]and subwoofers, allowing you to mix the way you want, from simple stereo to ambitious immersive audio setups. Delve deep into control options including full recall of settings for different listening positions. All this combines with the colour-free accuracy of the Minimum Diffraction Enclosure (MDE?), and precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW?). The result is the ideal small monitor to fit the way you work. Specs: Freq Response: 55 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 4 inch + Tweeter 3/4 inch metal dome + DCW? 1x […]
[…]and subwoofers, allowing you to mix the way you want, from simple stereo to ambitious immersive audio setups. Delve deep into control options including full recall of settings for different listening positions. All this combines with the colour-free accuracy of the Minimum Diffraction Enclosure (MDE?), and precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW?). The result is the ideal small monitor to fit the way you work. Specs: Freq Response: 55 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 4 inch + Tweeter 3/4 inch metal dome + DCW? 1x […]
[…]Romantic, Theatre Organs Advanced instrument modeling Full MIDI implementation Supports up to 512 audio?channels Pipe voicing controls and more! Advanced Edition Includes: Polyphony Limit: ?32,768 Voices Audio Output: ?up to 512 channels Max Bit/Sample rate: ?32 bit/96kHz Max Memory: ?Unlimited Midi output PC and Mac Compatible VST/AU plug-in link 64 bit support Per Pipe Voiceing Multi monitor support USB key Tech support Piston Tools bars: ? 4 per display INCLUDES: Retail Boxed Product Most recent?version of Hauptwerk Mac and Windows?installers all on?one?DVD Hauptwerk USB key included Includes St. Anne’s virtual organ Requires a DVD-ROM drive and USB port Private / […]
[…]effects for creative sound design, mixing or mastering Advanced sampling and slicing tools VST and Audio Unit support Groove engine to apply swing to audio or MIDI, or extract rhythmic ‘feel’ of other audio files Video import and export for scoring to video or warping video to music Instruments, effects and sounds: 3 instruments: Simpler, Drum Rack, Impulse – plus Instrument Racks and the External Instrument device 42 audio and MIDI effects 1800 sounds 10 GB of loops and samples Technical feature spec / compatibility: Nondestructive editing with unlimited undo Multitrack recording up to 32-bit/192 kHz Automatic plug-in delay compensation […]
[…]the L22 ensures that modeling is consistent and accurate. Realtime UAD Processing With Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. Also supports native AAX, VST and AU. Polar Pattern Modeling Because Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound. Re-Mic Sphere Tracks Select mic type, polar pattern and other settings both before and after tracking. Adjustable Proximity Effect No need to move a microphone solely because of too little or […]
[…]with Rednet. And, a variety of ways to connect up with different types of technology. Here at Audio DAWg, we are available to help you with questions about Rednet and Dante as well as designing an Audio-Over-IP solution for you. Give Us A […]
[…]selection and individual control of each virtual pipe (including tuning, EQ, panning and volume). Audio DAWg is one of the few authorized dealers for Hauptwerk in the U.S., providing complete turn-key systems. As a professional organist himself, with a lifelong passion for electronic music and all things midi (he was a true early adopter of MIDI technology), Spunky is both a Hauptwerk owner and enthusiast. His knowledge base and appreciation of the pipe organ as the “King of Instruments” means that customers can count on his expertise and advice when it comes to creating a Hauptwerk system that is as […]
[…]bundle will be automatically added to your account once you register your second qualifying Apollo audio interface by April 30th, 2019. * Details and Limitations The following UAD plug-ins are not included in this promotion and cannot be picked as part of the free Custom Bundle: API 500 Series EQ Collection, API Vision Channel Strip, API 2500 Bus Compressor. Offer valid only for customers who purchase a second qualifying UA interface, as outlined above, new from an authorized UA retailer between March 20th and April 30th, 2019. Customers will automatically receive a UAD Custom bundle, allowing them to pick 3 or […]
[…]MultiCore Extension designed to run on Windows OS. Pyramix Native works with any third party audio interface as well as Merging Horu/Hapi interfaces on the Ravenna AES 67 network.. To take advantage of ultra low latency, massive I/O (384 discreet simultaneously Inputs and Outputs), add a Massacre Gigabit PCIe Card and Horus or Hapi audio interface/s. Key software features include edit and mixing during recording. This indispensable tool allows users to stop the timeline without stopping the recording process. Play over the material, scrub, edit, automate, render and add/edit CD markers and generally treat the entire timeline as though it […]
[…]mix outputs, but is also an outstanding tool for tracking. It’s one of a very select few audio tools that enhances sound simply by running signal through it, thanks in part to an ingenious filtering system that passes musical 2nd order tube harmonics while eliminating unwanted noise – just the heating blanket your DAW needs. It’s also ideal for adding “air” to vocals, carefully crafted punch to instruments or just the right texture to an overall mix; plus, a major benefit of its innovative design is the ability to push it as hard as you like – it’s nearly impossible […]
[…]and producers. The streamlined feature set of the Pacifica delivers exactly what an audio professional needs to quickly record high-quality tracks. Paying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted A Designs Pacifica sports a rich, cream-colored finish with solid feeling red metal gain knobs, a red 48V phantom power push button with red LED indicator, and grey push buttons for phase reverse and –20dB pad – all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies. It also has two front-panel Hi-Z instrument inputs, but – just like a classic […]
[…]EM-Gold is ideal for fattening up thin-sounding sources; on mics lacking low mids or upper bass warmth; and mid transients, such as percussion and drums. It also shines on vocals, bass, and even drum machines. If you’re going to move air (the secret of a big sound), go for the Gold.With various combinations of EM-Series modules you can create a lunchbox dedicated to recording drums, or a horn section, or a whole orchestra…or build your own assortment of different flavored individual channels or stereo pairs, avoiding the blandness that can come from having all your tracks recorded with the same […]
The A-Designs Audio EM-EQ2 is the answer for those who want the stellar sound of a Pultec equalizer plus the added benefit of modern performance and reliability. The EM-EQ2 faithfully preserves the EQ section design, control layout, and wonderfully smooth musicality of the original Pultec. It also has the same frequency settings and inductors that made the Pultec a must-have for accurately capturing and shaping the sound spectrum, especially the bottom end. The high band is attenuated at 5k, 10k, 20kHz; bandwidth and boost can be varied mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and, […]
[…] -3 band inductor based 500 series pultec style EQ In the world of pro audio recording, there are two types of equalizers: those that you don’t want to hear in action (“surgical or corrective EQ), and those that you do (“color, or character” EQ). The EM-PEQ is one you most definitely do want to hear… One of the most venerated equalizers of all time, the all-tube Pultec EQP-1A has been cherished by recording and mastering engineers for its almost magical ability to improve the sound of nearly any signal running through it. After extensive research and development, the EM-PEQ […]
A-Designs P-1 Mic Pre The P-1 has the highest fidelity of all the A-Designs Audio 500 preamps, capturing the mojo of its older and larger sibling, the extremely popular Pacifica. It has a big low end, slightly forward midrange and extended highs. If you’re a fan of the Quad Eight or API sound, you’ll love the P-1! It shines on vocals, instruments, room mics, piano, and on instruments with sharp transients such as drums and various percussion instruments. If you’re building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you […]
[…]console, the original REDD.47 line amplifier was used to amplify virtually every stage of the audio path (mic inputs, line inputs, echo sends and monitors). The REDD.47 lent its unmistakably punchy, aggressive character to music recorded at Abbey Road Studios’ Studio Two between 1964 and 1968, including many tracks by The Beatles. The Chandler Limited REDD.47 Mic Amplifier offers many additional benefits to the original design including increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 preamp easily reproduces the […]
[…]twist. The Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI/Abbey Road RS124, reimagined for use in the modern studio environment. First designed in 1960 by Abbey Road Head of Techncial Bill Livey, Deputy Head Len Page and seasoned EMI Audio Designer Mike Batchelor, the Abbey Road RS124 compressor is one of the most coveted pieces of recording gear ever developed. Born out of the inadequate Altec 436Bs acquired by EMI in the late 1950s for Abbey Road Studios, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey […]
[…]second knob drives the input to the output tube. Together, you can dial in sounds from pristine to warm and harmonically rich. TRUE48? DYNAMIC PHANTOM POWER True48 is a dynamic phantom power supply that provides a steady power supply for your contender and active microphones. Standard phantom power supplies often do not deliver enough power for todays microphones. True48 ensures your mics get the power they need which results in higher headroom, quicker transient recovery, and smoother response. INPUT LEVEL LEDS A four segment input level indicator lets you see the input level allowing your to make appropriate gain decisions. […]
[…]get the tube sound recognized as ?classic tube tone.? A Cinemag transformer adds some weight and warmth to the output. The front panel of the 500TDI tube direct box has two inputs. The top input is a high impedance input while the bottom input can be used as a through OR a lower impedance input for more tone options. PRODUCT FEATURES FIRST 500 SERIES TUBE DI The 500TDI is the first properly powered vacuum tube DI for the 500 series format. Incredibly versatile, it ranges from clean to gritty, perfect for bass, keys, or other line level sources. TRUETUBE? 250V […]
[…]solution ? Excellent audio fidelity ? Very long digital cables possible without loss of audio quality ? Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel ? Local control of up to 10 channels of audio (eight inputs plus a stereo AUX input). Master Volume controls the level of headphones, line outs, and AUX input. ? Headphone amplifier fault indicator: In case of overheating or a short, the red LED illuminates to alert the user of a problem ? Bus Status Indicator: Confirms proper connection to the Hub ? Link Indicators: Whenever two pairs of […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
[…]volume control and automatic incoming Intercom leveling 4 Presets Auxiliary 1/8? Stereo Unbalanced Audio Input XLR Balanced Left and Right outputs ?PAIR? button and LED indicator for easy pairing with a Hear Back PRO mixer Mix 16 or 32 channels of audio for your wireless in-ear or standard stage monitor rig Red/Blue status LED All settings are stored upon power […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
Allows HB PRO Hub to communicate with any audio equipment using Dante protocol. Connects 16 channels of simultaneous audio input and output with other Dante-enabled equipment using a standard Ethernet network connection Supports sampling rates of 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, and 192kHz (2) cards can be populated per Hub to allow A/B input switching between (2) banks of 16 channels Up to (4) cards can be populated to allow A/B input switching as well as a second set of dedicated Dante […]
[…]with Waves makes it easy to directly connect the Hear Back PRO system to other high-end audio equipment (including directly out of a PC or Mac using only its Ethernet port). Connects 16 channels of simultaneous audio input and output with other SoundGrid enabled equipment using a standard Ethernet network connection Supports sampling rates of 44.1kHz, 48kHz, 88.2kHz, and 96kHz (2) cards can be populated per Hub to allow A/B input switching between (2) banks of 16 channels Up to (4) cards can be populated to allow A/B input switching as well as a second set of dedicated SoundGrid […]
[…]Mixers, PRO Mixer Distros, or other Hear Back PRO Hubs. Each port provides PoE+ power and digital audio over a single Cat6 Ethernet cable that can be run up to 566 feet. Network Cards can be used with Hear Back PRO Hubs (up to 4 can be populated in a single Hub) or PRO Mixer […]
[…]HB PRO Hub to communicate with any professional analog audio equipment. Provides (8) balanced audio inputs using a standard Tascam DA-88-style pin-out on a DB25 connector. A DB25 to 1/4-inch TRS break-out cable is sold separately, unless the Analog input card is purchased as part of the Hear Back PRO Four Pack. -10dB pad on each channel allows the user to select +8dB or +18dB maximum input sensitivity level Custom input sensitivities available up to +34dB upon special request User configurable sampling rates of 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, and 192kHz using jumpers (2) analog input cards are required to […]
Allows HB PRO Hub to communicate with audio equipment via ADAT protocol. Simultaneously sends and receives 16 channels of digital audio Backwards compatible with the original 8-channel Hear Back system (2) optical ADAT TOS-Link inputs, (2) optical ADAT TOS-Link outputs, and (2) RJ45 HearBus outputs (for connecting to the original Hear Back system) Supports and automatically locks on to sampling rates of 44.1kHz and 48kHz Automatic sampling rate down-conversion is applied on the ADAT and HearBus outputs when the system is running at sampling rates over 48kHz (2) cards can be populated per Hub to allow A/B input switching between […]
[…]DA-88-style pin-out on a DB25 connector for inputting or outputting 16 channels of digital audio Jumper settings allow the user to choose whether the card is 16 inputs or 16 outputs Supports and automatically locks onto sampling rates of 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, and 192kHz DB25 to (8) XLR (each AES/EBU XLR connector supports 2 channels of digital audio) break-out cable is sold separately, unless the AES/EBU card is purchased as part of the Hear Back PRO Four Pack (2) cards can be populated per Hub to allow A/B input switching between (2) banks of 16 channels Up to […]
[…]EQ, vintage compression and classic reverb. Operate Stage-B16 as a stage box, stand-alone mixer or audio interface and control everything from MOTU’s innovative AVB web app software running on your iPad?, iPhone?, tablet, smartphone, and laptop. Connect a second Stage-B16 or other MOTU AVB interface with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs up to 100 meters. From stage to studio, the Stage-B16 delivers superb sound quality, state-of-the-art operation, and reliable […]
[…]audio interface with DSP mixing, wireless control, AVB audio networking and best-in-class analog audio quality for on-the-go mobile audio recording. Connect to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and record at sample rates up to 192 kHz with two mic inputs, two hi-Z guitar inputs, six line-level analog inputs, eight analog outputs, 8-channel optical I/O (with support for 2-channel TOSLink), MIDI I/O and a headphone output. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog […]
[…]superb analog audio quality and proven, award-winning performance as MOTU’s flagship 1248 audio interface into a sturdy, mobile half-rack enclosure. With 32 channels of audio I/O (16 ins and 16 outs), the 624 connects to any computer or iPad? with Thunderbolt?, super-speed USB 3.0 or AVB Ethernet. Class-compliant firmware and new optimized MOTU drivers work with any audio apps, delivering industry-leading, ultra-low round-trip latency (RTL) performance as low as 1.6ms at 96kHz over Thunderbolt with high-performance DAW hosts. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog […]