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BAE Audio 1073D 500 Series Mic Preamp The 1073D (Deluxe) is essentially a 1073 module with extra high frequencies and a direct input for the 500 series market. Built using the same exact parts as the 10 series module, the 1073D features Carnhill transformers, Elma gold plated switches and Canford wire making this the best sounding Class A mic?pre EQ module on the block. Because BAE did not want to compromise, the parts are such that they made this a 3 space wide module for optimal quality in contrast to building a smaller rack space version lacking the same premium […]
Warm Audio WA-412 4 channel mic preamp The Warm Audio WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is known for its BIG punchy low end and smooth open top end. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you. The WA-412 has all of the features one would expect from this style of preamp… and more. Output Trim is available on every channel for precise control and creative gain structuring. A Tone switch (transformer input impedance) is also available on each […]
[…]18i8 2nd Gen USB Audio Interface (Now with a Two Year Warranty) The Scarlett 18i8 2nd generation audio interfaces is an 8-in, 8-out USB interface that is ideal for multi-instrumentalists, producers and small bands who want to record audio from a wide range of sources such as drums, guitars, keyboards and vocals. It’s our most comprehensive desktop interface, giving you four mic preamps, round-trip latency as low as 2.74ms*, class-leading sound quality, and two separate headphone outputs, so you can give different monitoring settings to two artists, or an engineer and artist. It’s also expandable over ADAT. Includes class-leading digital […]
[…]up to 12 dB of boost or cut on tap, the G10 offers a level of tone sculpting that can help any audio sit perfectly in the mix. The easy-to-use slider-based interface helps users intuitively visualize the EQ curves they are applying. Switchable high-pass and low-pass filters, tuned at 80 Hz and 12 kHz respectively, help make the G10 a truly complete sound shaping solution. The BAE Audio G10 implements an op-amp like those used in well-loved ‘70s American boards. Unlike some other 10-band equalizers presently on the market, the G10 is fully transformer balanced on the input and output. […]
[…]are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand new driver membrane was developed. The main goal […]
[…]industry. Heard on countless records, it is still highly regarded and used today by top audio engineers that are lucky to own one. There have been many imitations over the years, but now, you can own the real deal.. Neumann is now reissuing the U67 with the same K67 Capsule and electronic design from their original archived documentation. The U67 can be used on a wide variety of musical instruments, but, it especially shines on vocals! This highly versatile microphone offers three selectable polar patterns, 124dB SPL, and the power supply was redesigned to accommodate todays premium grade tubes. The […]
[…]microphone is supplied with a padded wooden storage case, M916 power supply, and a 10-meter Gotham Audio power cable. The mic carries a 5-year limited warranty. The ?is also known as: Matrix, M-216. The mic was released in 2008. Specifications?Pickup PatternsPads & FiltersX/Y Stereo (14 mV/Pa; 20 – 20,000 Hz) Mid-Side Stereo (14 mV/Pa; 20 – 20,000 Hz) Blumlein (14 mV/Pa; 20 – 20,000 Hz) Capsule DimensionsImpedanceSPL/NoiseDiaphragm diameter: 25mm Capsule diameter: 32mm Diaphragm gauge: 6 microns?200 Ohms (Low)Max SPL: 125 dB Self-noise: 20.0 dB(A)WeightLengthMax DiameterInterface(s)906g (31.96oz)298mm (11.73”)44mm (1.73”) 3-pin XLR male […]
Hear Technologies WSG Bridge for Dante Bridge up to 64 audio channels between the Waves SoundGrid and Dante protocols. The WSG Bridge lets you add real-time processing capabilities to a Dante network by using a Waves SoundGrid server dedicated to plugin processing. ‘Speaking’ both SoundGrid and Dante, the 1U rack-mountable WSG Bridge is the perfect way to bring Waves’ powerful, award-winning plugins and sound into your Dante network. Easily route any of the channels from your Dante network to the SoundGrid network for processing, and back to wherever they need to arrive. Up to 64 channels of SoundGrid Up to […]
[…]simply wasn’t out there. We knew we would have to develop our own line of capsules. The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and […]
Warm Audio Dual British Mic Preamp with EQ The WA273-EQ is a Dual channel boutique preamp, but it can also be classified as a studio and live work-horse. Classic ’73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards. Specifications: Dual Channel, Class A, ’73-style British Microphone Preamp with EQ UK made Carnhill Transformers UK made – Blore Edwards EQ dual-concentric switch potentiometers Hand Wired, hand assembled 80dB of […]
Warm Audio WA73 Single Channel Mic preamp w/ EQ. The WA73-EQ is a boutique preamp, but it can also be classified as a studio and live work-horse. Classic ’73-style preamps are known for being versatile tools that work with all kinds of microphones. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras and keyboards.. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle. Specifications: Single Channel, Class A, ’73-style British Microphone Preamp with EQ […]
The WA273 is a Dual channel mic preamp If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable ’73-style of mic pre. The tone and sweet character that vintage ’73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R&D, careful reverse-engineering, and countless hours of auditioning, the WA273 has been born! The WA273 is a “Desert Island” boutique preamp, but it can also be classified as a […]
The WA73 is based on the Classic 1073 Neve Preamp If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable ’73-style of mic pre. ’73-style preamps have been used in recording and live applications for many years and are still considered to be the Holy Grail of preamp choices today. The WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic ’73-style preamps are known for being versatile tools that work with […]
[…]the long series of outstanding RME devices. Never before has such a high-performance multi-channel audio system existed.The HDSPe MADI FX features 390 audio channels Three MADI I/Os – two optical and one coaxial ?are accompanied by one AES/EBU I/O and one analog monitoring output. To complete the feature set, a Word Clock connection and four MIDI I/Os were added. The complete technology and connectivity are highly integrated into the smallest possible amount of space – typical for RME. Only one PCIe slot is required on the motherboard, plus one free slot opening on the case. To guarantee RME?s unique low […]
[…]case 48 controls give you direct and real-time access to all important parameters External audio input for processing external sound sources Low and high level outputs featuring highest signal integrity signal stages Comprehensive MIDI implementation with MIDI channel and Voice Priority selection 3-Year Warranty Program* Designed and engineered in the […]
Focusrite Clarett 8Pre USB audio interface The Clarett USB range features specially designed high performance, low-noise mic preamps with a low distortion, ultra-linear design. Allowing for a clean, open and transparent sound that provides accurate representation of the original performance.Features: 18-in, 20-out I/O Six-segment LED metering easily shows the signal level of the eight mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. MIDI I/O S/PDIF I/O ADAT I/O allows you to expand your setup with up to eight extra inputs and outputs when combined with multi-channel mic preamps like […]
[…]headphone outputs with volume controls • MIDI I/O • S/PDIF I/O Included software: • XLN Audio – Addictive Keys • Focusrite – Red 2 Equalizer and Red 3 compressor plugins • Softube – Time and Tone Bundle (world-class reverb, delay, mastering and distortion plug-ins) • Ableton® – Live Lite • Loopmasters: 2GB of royalty-free sample libraries • Focusrite […]
[…]control software Focusrite Control. Additional included software is from XLN Audio, Focusrite, Softube, Ableton® and Loopmasters. Included software: ? XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments ? Focusrite – Red Plug-in Suite: accurately models Focusrite’s classic Red 2 equaliser and Red 3 compressor ? Softube – Time and Tone Bundle: four of Softube’s world-class reverb, delay, mastering and distortion plug-ins ? Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies ? Ableton® – Live Lite™: a customised version of the music-making software Ableton® Live™ ? Loopmasters: 2GB of royalty-free sample libraries ? Focusrite […]
[…]of the device. When set to Broadcast mode, the audience will hear exactly what you hear as all audio generated my the MiNiSTUDIO and/or your computer will be mixed together in a single stereo stream. Talk, play guitar, play games or play MP3 files. If you hear it, they hear it. But flick the switch to Creator and you’re in full production mode. When set to Creator, the MiNiSTUDIO transforms into a professionally specced two-channel USB Audio Interface. Perfectly suited for any DAW or video editing software, the combination of dual HDDA mic preamps, Hi-z inputs, EQ, compression and reverb […]
[…]from – the Dante audio stream. FEATURES: Dante focused interface for connection of external audio into or out of a Dante audio network 32 channel analog line input and 32 analog line outputs (48kHz/96kHz) using 8 D-Sub connectors Dual redundant Ethernet jacks which support both primary and secondary connections Up to 24 bit/96kHz quality LED display for signal level and overload per input/output channel Reference level dip switches for selectable DBu level metering Firmware updatable via Dante port AES67 and Revenna compatible ML-32D SPECIFICATIONS Formats? 44.1/48 kHz, 16/24 bit 88.2/96 kHz, 16/24 bit Input/output ratings? PRIMARY/SECONDARY connectors? Connector: RJ-45 Transmission […]
[…]Dante audio stream. Features: ? Dante focused interface for connection of external audio into or out of a Dante audio network ? 16 channel analog line input and 16 analog line outputs (48kHz/96kHz) using 4 D-Sub connectors ? Dual redundant Ethernet jacks which support both primary and secondary connections ? Up to 24 bit/96kHz quality ? LED display for signal level and overload per input/output channel ? Reference level dip switches for selectable DBu level metering ? Firmware updatable via Dante port ? AES67 and Revenna compatible SPECS: Formats 44.1/48 kHz, 16/24 bit 88.2/96 kHz, 16/24 bit Input/output ratings […]
[…]inputs and outputs. This has a great effect on theoutput and input stage impacting the recorded audio. The input audio is digitalized by the BurrBrown PCM4202 ADC after it passes through the analog input circuit. Numerous High-Quality Parts Selected After Month of Evaluation Tests Operational amplifiers have a great impact on audio quality, so we carefully selected the NJM2114 and NE5532. In addition, we selected low-impedance capacitors featuring low resistance, low noise and high precision to emphasize audio quality. Power Supply Section and High-Precision TCXO Support High-Audio Quality Power Supply Section and High-Precision TCXO Support High-Audio Quality In order to […]
[…]using the latest digital I/O networks – either coaxial, optial, or over CAT5. Two audio interface slots provide input and output flexibility The DA-6400 has two rear audio interface slots. By adding interface cards (sold separately), multi-format options are now available. Convert signals from Dante input to MADI output if required. One slot can use MADI to record 56 channels from the main stage while the other slot uses AES/EBU to record 8 channels from a submixer. When installing 2 AES/EBU interface cards, the maximum number of simultaneous input and output can be increased to 32 channels – even at 96kHz/24-bit […]
[…]rounded off with a CineMag USA output transformer. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones It all starts with the microphone The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. We applied all that we know about bridging this barrier into crafting a microphone that reaches the level […]
[…]mW 50 mW@ 33 ohm load Output Impedance 10 ohm * Controllable by volume knob. External Audio Input (Ext Audio Input) Jack Connector 6.3 mm monaural phone jack Maximum Input Level -10 dBu Input Impedance 22 k ohm MIDI Connector IN USB Connector Type B CV IN/OUT Jacks Keyboard CV (IN/OUT) 1 V/oct. Connector 3.5 mm monaural phone jack GATE IN/OUT Jacks GATE IN 3 V (minimum) GATE OUT 10 V, key down; 0 V all keys up Connector 3.5 mm monaural phone jack TRIG IN/OUT Jacks TRIG IN 3 V pulse min., 10 μsec. Duration minimum TRIG OUT 10 […]
[…]top panel, chassis-mounted pots, rubber-coated knobs, and real wood back panel MIDI, USB MIDI, and Audio Sync for all types of in-studio and live connectivity, including direct sync with SQ1, volca, electribe, and more True analog sound. The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it’s a four-voice polyphonic true-analog synth with an interface that’s designed for accessibility. Whether you’re performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation. […]
[…]Card provides serial pass-through capability from one Micstasy to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible between Micstasy and ADI-8 QS. Overview of the Micstasy’s most important features: 8 balanced XLR mic/line inputs with 85 dB gain range Analog input level from -56.5 dBu up to 30 dBu High-end circuitry with 4 relays per channel, super low-noise microphone front-end Near click-free gain changes in steps of 0.5 dB Large frequency range (200 kHz) with special EMI input […]
[…]simultaneously And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX – and therefore also by the RME audio interface. With the UFX and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. […]
[…]analog I/Os, but has replaced the ADAT I/O with a MADI port. The result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer. Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio. Basic Functionality Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument, […]
[…]and even for creating mixes with extremely low latency between the optical, coaxial and USB 2.0 audio inputs altogether! The MADIface USB can be be easily integrated into a broad range of applications. MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format’s full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary […]
RME Audio Fireface UC 36-Channel, USB 2.0 High-Speed Audio Interface The compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. The new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true. The Fireface UC features all of the proven […]
[…]delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX […]
[…]output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging. All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 […]
[…]support option requires an internet connection to your Hauptwerk Computer for Remote Login by Audio DAWg while simultaneously being on a phone call. NOTE: If you are using a Digital Organ with MIDI, you will need to refer to your owners manual for detailed information as to what Midi functionality will be available. Typically, keyboards and pedalboard are fine. However, verification of Midi Implementation will need to be confirmed in your organ owners manual for combinations, pistons, couplers, Sw shoe controls for use with Hauptwerk. * remote support is only available to customers that have purchased Hauptwerk systems from […]
[…]OctoPre to the ADAT input for a total of 16 analogue inputs. Add the two channels of digital audio via S/PDIF and 16 channels of MIDI, and you can record just about anything you want. Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 18i20 comes with Pro Tools | First Focusrite Creative Pack, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. Scarlett 18i20 works flawlessly with all major DAWs on Mac and PC, and we continue to work with Avid to ensure it is compatible with […]
The Warm Audio WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ’47 that has been used on countless hit records for the last 50 years. Designed for a variety of applications. It sounds amazing on vocals and any other sources. The classic ’47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. It is still widely used today in professional recording studios, but has become extremely rare and expensive to […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]your next music production in a cost effective solution. Combined with Merging’s Networked Audio Interfaces, Pyramix delivers the optimum sound quality and full control of your RAVENNA/AES67 network with ANEMAN Audio Network Manager, which is a standard feature in all software packs. MassCore combines huge track counts with low-latency mixing for the power user and provides the only sensible workflow for DSD file production, from recording, through editing to the final […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]on the market that integrates 49 full sized keys together with a fully-fledged professional audio interface. Featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input. Includes 48V for condenser microphones. When using the 48V, you will need the optional external power supply. Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicolored pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow. Features All-in-one, fully portable, ultra-compact MIDI controller with […]
Eight-voice polyphonic synthesiser Peak sounds warm and rich with filthy, biting overdrive. It’s an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain. Key Features • Two ways to create waveforms –Analogue-sounding NCOs (Numerically-Controlled Oscillators) and 17 digital wavetables. • A colossal amount of distortion –Three distortion points for each voice – pre-filter, post-filter and global – in an analogue signal chain. • Control expression – Peak is capable of receiving polyphonic aftertouch, which puts expression right at your fingertips. • Cross-modulate […]
[…]and monitoring, with extremely low latency of only 0.8 milliseconds. ASIO- and Core Audio-compliant audio I/O for Native DAWs 2 mic/line inputs with broadcast-grade preamps and 8 line inputs 8 line outputs and 2 headphone outputs 16 AES ins/outs, ADAT ins/outs Connects via a single Ethernet cable (Cat 5e/Cat 6) Quick-view front panel metering High-definition 192 kHz ADC conversion SPECS: 8x line inputs (25-pin DB25) 8x line outputs (25-pin DB25) 16x AES/EBU I/O (25-pin DB25) 1x ADAT I/O (8 channels @ 48kHz). (4 channels @ 96 kHz and 2 channels @ 192 kHz will be supported in the future) […]
[…]begins ahead of?time. Versatile Operation Modes The L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any?DAW.?With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your?computer. Features at a Glance 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4-inch?connectivity 14-track simultaneous recording, 12-track?playback 14-in/4-out USB audio interface?connectivity 5 powered headphone outputs, each with a customizable and saveable?mix Add backing/click tracks from your […]
[…]with a wide dynamic range. The carefully refined S-ART tweeter, handbuilt as ever at the ADAM Audio factory in Berlin, works seamlessly in tandem with the newly developed HPS waveguide, creating absolutely precise imaging within a generously proportioned sweet spot. The S2V’s compact dimensions belie its impressive power. A 300 W Class D amplifier drives the woofer while a 50 W Class A/B unit handles the S-ART tweeter; the combined output produces SPLs of up to 120dB per pair. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room […]
[…]W Class D amplifiers, offer flawless reproduction of frequencies all the way down to 30 Hz. ADAM Audio’s newly developed DCH, a 4-inch hybrid dome/cone mid-range driver, is powered by a 300 W Class D amplifier and handles audio above 250 Hz and below 3 kHz, its leading-edge hybrid design offering the sonic advantages of both cone and soft-dome drivers in a single, one-piece unit. Frequencies above 3 kHz are routed to the innovative combination of the S-ART treble driver (each handmade at ADAM Audio’s Berlin factory), the new precision HPS waveguide, and a 50 W Class A/B amplifier. The result of all this […]
[…]HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Right Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Left Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
A8X Nearfield Monitor 2-way, 8.5″ woofer The A8X adds to the AX-Series as a unique model because its power and radiation characteristics allow it to be used as both a nearfield and midfield monitor. It represents a particularly attractive entry-level model for midfield monitoring which offers transparent reproduction of higher frequencies, clear mids and an excellent transient response. The extra large, front-positioned bass reflex ports are perfectly matched with the bass/midrange driver that has a 1.5″ voice coil. Thus the A8X can play very low registers with a powerful punch, and the greatest possible precision. The 150 Watt PWM amplifier […]
A5X Nearfield Monitor 2-way, 5.5″ woofer The A5X is popular among professionals working in television studios and remote broadcast vans. The A5X can also be found in numerous home/project studios around the world. Its open, powerful sound makes the A5X a trustworthy and useful tool for multimedia applications as well. Like all models of the AX-Series, the A5X is equipped with ADAM‘s proprietary X-ART tweeter. One 5.5“ bass/midrange woofer works below 2.5kHz and is driven by a 1.5“ voice coil and a powerful 50 Watt PWM amplifier. Its acoustic qualities give you a clear picture of the smallest changes in […]
The A3X is the most compact monitor of the AX Series. Specially designed for studio environments with limited space, the A3X easily meets professional requirements. Three-dimensional spatial representation, a controlled, deep bass response and accurate sound reproduction, especially in the critical areas between 200 and 400 Hz, make it the first choice for smaller, even mobile studio setups. With the A3X, analytical listening is possible without taking away musical enjoyment. Its excellent transient response and ability to easily play very dynamic tracks in all musical genres let it clearly stand out from comparable monitors in this price range. General […]
[…]any SoundGrid I/O Devices (including DigiGrid I/Os) Use with non-SoundGrid I/Os (ASIO/Core Audio) via […]
[…]level outputs ULTRANET personal monitoring system connectivity for in-ear applications Digital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capability Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes—no merger or router required Automatic AES50 stage-split mode when connected between MIDAS M32 Series FOH and monitor consoles Dual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors 2 AES-3 ports (AES/EBU), for directly connecting PA system controllers with digital inputs Remote operation via shielded CAT5e cable up to 330 ft / 100 m length Mute All function for quietly patching any inputs on stage MIDI […]
[…]personal monitoring system connectivity for in-ear applications Digital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capability Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes—no merger or router required Dual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors Remote operation via shielded CAT5e cable up to 330 ft / 100 m length All settings programmable from front panel controls or console Status indicator LEDs on front panel Headphones output assignable to any of the inputs or outputs for on-stage monitoring MIDI In/Out for bidirectional communication between MIDAS M32 Series console and on-stage MIDI […]
[…]architecture allows for future 96 kHz operation 192 kHz ADC and DAC converters for outstanding audio performance Industry-leading design by Bentley* Motors Designer High-performance aluminium and high-impact steel structure Rack mount brackets included for ultimate flexibility 40 bit floating point digital signal processing 8 DCA and 6 mute groups 8 digital signal processing effects engines 17 MIDAS PRO motorised 100 mm faders Daylight viewable 5” full colour TFT display screen 32 x 32 channel USB 2.0 audio interface DAW remote control emulations of Mackie Control* and HUI* protocols Optional wireless remote control with MIDAS Apps for iPhone* and iPad* Auto-ranging […]
[…]8 digital signal processing effects engines • 32 x 32 channel USB 2.0 audio interface • Built-in expansion port for audio interface cards or digital networking bridges • MIDI In/Out for remote scene recall or controlling other MIDI equipment • Optional wireless remote control with MIDAS Apps for iPhone* and iPad* • Auto-ranging universal switch-mode power supply • 3-Year Warranty Program* Designed and engineered in […]
[…]architecture allows for future 96 kHz operation 192 kHz ADC and DAC converters for outstanding audio performance Industry-leading design by Bentley* Motors Designer High-performance carbon fibre, aluminium and high-impact steel structure 40 bit floating point digital signal processing 8 DCA and 6 mute groups 8 stereo signal processing effects engines 25 MIDAS PRO motorised 100 mm faders Daylight viewable 7” full colour TFT display screen 32 x 32 channel USB 2.0 audio interface DAW remote control emulations of Mackie Control* and HUI* protocols Optional wireless remote control with MIDAS Apps for iPhone* and iPad* Auto-ranging universal switch-mode power supply 3-Year […]
Elysia nvelope 500 is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well. Especially drums and other percussive signals will benefit big time from the nvelope’s magic. The nvelope 500 can effectively change the spatial perception of a signal, ranging from small/dry to large/wet. You can form a signal and enhance its cut in the mix without deforming it too much as you would […]
[…]from all others. Split/Inline Console: Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today. • Dual Inputs to the channels with line and monitor inputs • 4 Band EQ with sweeping mid bands and selectable low and high bands Microphone Preamp: The 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones. •60dB gain discrete preamp • […]
[…]for flexibility and speed. Total Portability eMotion LV1 uses the SoundGrid infrastructure for audio networking. It can be configured as a portable or stationary setup, and can connect to any SoundGrid-compatible I/O or server. This means you can easily carry your mixer with you and run it anytime, anywhere—at home, in your hotel room, on the tour bus, or at the live venue. This way you can have all the time you need to work on your sessions, whether offline or with full-on audio, and make sure you are 100% ready for your show. FEATURES: NEW: MyMon personal monitoring app for […]
[…]Neutron 2 Advanced includes Track Assistant to quickly analyze and set a starting point for your audio across Neutron’s six zero-latency, CPU-efficient audio processors. Highlights include an award-winning BS.1770 True Peak Limiter, multiband Gate with Hysteresis, EQ Learn, dynamic EQ to sonically balance sub-mixes, dialogue-polishing Neutrino mode, and surround sound support across all modules. mproved Track Assistant Another industry first, Neutron’s updated Track Assistant lets you create a custom starting point based on your audio so you can focus on what’s most important—your creative take on the mix. In version two, we’ve made improvements including piano instrument detection based on […]
[…]?This is a massive program! ? Game Audio -?Nuendo is the premier choice for game audio production. Game Audio Connect 2 -Wwise Automatic naming scheme Recall a Nuendo project directly from within Wwise Version control by Perforce -seemless integration wither Perforce, the premier version control system.?Any change in the Nuendo project is automatically monitored in the background, making manual interactions unnecessary. Game Sound Design & Composing Sound Randomizer Sampler Track Workflow Handling large amounts of audio?files with Nuendo’s Render Export function to transfer to?Wwise. ?-Audio and Midi files. Rename events from list USER Interface Any change in the Nuendo project […]
[…]and sculpt problematic and harsh frequencies with the new Spectral Shaper module. Mold your audio by applying frequency-specific dynamics, surgically or creatively, to create smooth, balanced audio. Fantastic for taming percussive transients, Spectral Shaper can tame sibilant hi-hats, harsh vocals, plucky acoustic guitars, and other overly bright mix elements. For a creative twist, use Spectral Shaper across any frequency band to experiment with timbre, resonance, and transient information without affecting other elements of the source audio. Intelligent track referencing A/B your master against reference tracks directly within any instance of Ozone or its standalone application. Now an integrated process, track […]
[…]and sculpt problematic and harsh frequencies with the new Spectral Shaper module. Mold your audio by applying frequency-specific dynamics, surgically or creatively, to create smooth, balanced audio. Fantastic for taming percussive transients, Spectral Shaper can tame sibilant hi-hats, harsh vocals, plucky acoustic guitars, and other overly bright mix elements. For a creative twist, use Spectral Shaper across any frequency band to experiment with timbre, resonance, and transient information without affecting other elements of the source audio. Intelligent track referencing A/B your master against reference tracks directly within any instance of Ozone or its standalone application. Now an integrated process, track […]
[…]and production scenarios, even when you’re on the move. Record vocals, guitars and other audio equipment with up to two audio channels in pristine 24/192 quality while simultaneously recording MIDI signals. And you won’t have to carry it everywhere on a silk cushion; its sturdy construction and steel casing means the UR22mkII can withstand the rough and tumble of mobile music production. On tour, at home, on stage, or at your rehearsal space: take your UR22mkII with you wherever you need ultra-reliable recording and first-rate sound. All A/D and D/A converters offer 24-bit/192 kHz recording quality for professional standards in […]
[…]of connections within a highly portable, top quality unit. SPECS: 24 bit/192 kHz USB 2.o audio interface Two Class-A D-PRE mic preamps Rugged metal casing iPad-ready Latency-free hardware monitoring MIDI input and output Loopback function Power source selector The ST-M01 studio condenser microphone Rivaling high-quality studio mics with its clean, smooth response, the ST-M01 studio condenser microphone provides high sensitivity and a wide frequency response range ideal for recording every nuance of your desired audio source. Be it vocals, acoustic guitar or any other instrument, the ST-M01 captures every aspect of the signal in excellent quality. […]
[…]with a host of new Genelec developments. Retaining the same drivers and all the much-loved audio characteristics of the previous versions, the 1032C is upgraded with the latest SAM technology. Digital I/O has also been added, a universal power supply and powerful Class D amplification; enabling 1032C to produce even higher SPL and low frequency extension compared to its already powerful predecessors. Earlier versions of the 1032 came with rear panel DIP switches to allow the response adjustments which should always be performed when positioning a reference monitor in a room. The 1032C still offers these DIP switches, but adds the option of tailoring the response […]
[…]MX88 is more than a great-sounding synthesizer; it’s the hub of your studio! The MX88 is USB audio and MIDI class-compliant, letting you record and playback stereo audio to and from your computer or iOS device. This is perfect when recording the MX88 into your DAW and listening to your mixes through speakers or headphones. The MX88 does more than connect to your DAW, it’s also a dedicated control surface. Use the onboard transport controls with your DAW and interact with plug-in parameters via the control knobs. There are dozens of built-in Remote Control Templates for interacting with popular softsynths […]
[…]and store your own sounds right onboard. Class-compliant, “plug and play” USB audio/MIDI The MX series features class-compliant, “plug and play” USB audio/MIDI with iOS, Mac and PC. Just plug it in and your MX synthesizer becomes your audio and MIDI interface for the rest of your music studio. Monitor all the sounds from your computer via the headphone output of the MX series or listen to your DAW tracks by connecting the MX series to external studio monitors or PA gear. The audio converters on the MX series are made for professional music applications so everything on your computer […]
[…]channels which to be sent to the headphone or line outputs. Specifications Stereo 2×2 audio interface for Dante audio-over-IP networks Two Red Evolution mic preamps for mic, line or instrument level inputs Power-over-Ethernet supplied: IEEE 802.3af compliant Up to 24-bit, 96kHz sampling rates Robust steel and aluminum chassis Local input mix to allow ‘more-me’ style monitoring for easy fold-back control Powerful headphone output even with high-impedance headphones Local control lockout of mic pre settings, output settings or both Up to 24dBu line output levels Independent level control of headphone and line outputs Mute switch for line output Mic stand mount […]
[…]environment in the headphones. Familiar tracks become new again with surprise details, while audio production tasks like tracking, mixing and editing happen faster and easier. After many years of honing our DAC and headphone amplifier designs, the m900 distills the best of what we’ve learned in a compact, rugged and simple unit. Whether in the studio, on your desk or on the road, the m900 will bring you closer to the music you love. USB, S/PDIF and Toslink digital inputs, supports up to 192kHz (Toslink up to 96kHz) Asynchronous USB interface for jitter free computer audio playback, supports up to […]
[…]IN can be used in combination with the GAIN control to match the perceived level of the compressed audio signal with the level of the uncompressed input signal. Link The LINK switch allows the compressor to be linked to another 535 compressor module via a sidechain control voltage. In link mode, the compressor generating the greater sidechain voltage (resulting in higher amounts of compression) will control the compression of both audio signal paths to maintain proper stereo center image while compressing. Note: it is advisable to always audition the unlinked sound as well, to decide if the benefit of a […]
[…]can build and install a system specific to your requirements. Give us a call! Audio DAWg is an authorized dealer for: • Milan Digital • Hauptwerk * Renatus Organ Builders • UHT Keyboards • Classic Midi Works • Lavender Audio • Inspired Acoustics • […]
[…]2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS […]
[…]2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS […]
LaChapell Audio 500 Series EQ The Model 503 500 series EQ, like its counterpart found on the 583e, offers up very low distortion signature and minimal phase deviation; it is an extremely clear and transparent EQ design. Additionally, we’ve added some capabilities to the 503 not found on the 583e, specifically: Cut/Boost range increased to /- 12dB Low pass filter at 5k & 10k High pass filter at 50hz & 150hz /- 6dB overall trim gain stage SPECIFICATIONS NOISE FLOOR -95dB THD N 0.012% (@ 4 output) FREQUENCY RESPONSE 10Hz to 50KHz (flat) CUT / BOOST RANGE /- 12dBu […]
[…]designed for the 500 series format. Now the 583S mk2 is a single bay unit! The LaChapell Audio 583S mk2 is the latest example of our legendary 583 vacuum tube preamplifier for the 500 series format. Based largely on our 992EG, the 583s mk2 is the perfect solution for those looking to add that extra warmth and character to their “lunch box” with versatility that only a properly powered 12AX7 vacuum tube can provide. POWER SUPPLY The 583S mk2, was built to meet API/VPR certification requirements. Using multiple internal DC/DC converters, the 583’s 12AX7 tube enjoys proper power for both […]
LaChapell Audio 583e 500 Series Tube Mic Preamp with EQ The Model 583E is a 500 series tube microphone preamp. It features the same amplifier stage found on the 583S including the Jensen JT-115k input transformer coupled with an ultra-clean transformer-less three-band EQ section with fully sweeping frequency controls and cut/boost settings of /- 8dB. The EQ can run as an integrated EQ serving the preamplifier or separate as its own autonomous module where both units run […]
[…]and remote systems. You will find many of the features you expect from a piece of LaChapell Audio gear, including: Input and Output knobs to dial in the perfect balance of warmth and definition for any application 48V Phantom Power on each channel Easy to access and identify illuminated front panel pad, polarity, mute and phantom power switches Front panel Hi-Z input with auto-switching Low pass and high pass filters on each channel SPECIFICATIONS INTERNAL GAIN 0 to >72dB THD N 0.10% (minimum) FREQUENCY RESPONSE 10Hz to 50KHz MAX OUTPUT (1% THD N) 26dBu TYPICAL EIN -122dBu INPUT IMPEDANCE […]
The LaChapell Audio Model 992EG is a two channel fully balanced all-tube preamplifier and instrument input amplifier. Meticulously hand assembled, every aspect of the 992EG speaks of our dedication to quality of sound and solid, robust construction. Utilizing a total of eight vacuum tubes promises that the 992EG will absolutely awaken your ears with its warm melodic character and rich low-end response. But, what makes the 992EG such a powerful preamp is the level of control the user has over both the input and output stages. Allowing the user to actually throttle gain in or out of either the input […]
[…]and will make a pencil condenser into an incredibly useful studio tool. DESIGN At Vanguard Audio Labs, we aim to be very different from other brands in our price range. The V34C is designed and precision-built in limited quantities to “no-compromise” standards. The V34C Lolli houses an extra-large 34mm edge-terminated, gold-sputtered 3µm Mylar dual-capsule assembly which is custom-voiced with a proprietary hand-tuning process. We then place it in a shockmount saddle nestled in a retro-aesthetic chassis, which is CNC-machined from solid aircraft-grade aluminum billets. Open-weave mesh, carefully radiused interior, and precision-machined venting prevent standing reflections and allow for an “open-air” voicing. We engineered the V34C Lolli head to spin 360 degrees […]
[…]100% quality control ? every single piece of your V1S LOLLI kit?undergoes?a series?of stringent audio and visual tests here in Southern California before being hand-packed.?We precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B). Every part of the V1S LOLLI was designed to be robust and reliable. Wherever possible, the circuitry is over-spec?ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aircraft-grade aluminum and zinc are part of the heavy-duty construction. You want your recording tools to be reliable, durable, and rugged, and so do we! Every Vanguard microphone […]
[…]– every single piece of your microphone kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. Every part of the V44S was designed to be robust and reliable. Wherever possible, components were over-specced. The deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aluminum, and zinc are part of the heavy-duty construction. Every Vanguard microphone is backed by our FIVE-YEAR WARRANTY. ACCESSORIES When you buy a V44S, you also get a VLSM Heavy-Duty Shockmount. We wanted to rethink the standard “spider-style” shockmount of old, and designed the VLSM with a few nifty features. First […]
[…]and detail of the performance is faithfully captured. We specifically engineered the V13 with warm, full lows, a precise and detailed midrange, and buttery-smooth high end. The result is a microphone that unifies warmth with clarity, depth with detail, and character with precision. The V13 is particularly forgiving when it comes to vocal style and timbre. Oftentimes, microphones can be a bit choosy when it comes to how they mesh with different vocalists, but we have found that the V13 sounds great with almost any vocal complexion. Tested on both male and female vocalists in a diversity of ranges, styles, and genres, we found […]
The FP-2 is a multi-function foot pedal allowing hands-free control of keyCS-SOLO and CS-DUO features. The FP-2 allows musicians and performers to make channel selections and mix adjustments without taking their hands off their instruments or microphones. By tapping or holding each button, users can select channels, adjust volumes and activate the built-in intercom on the personal mixer. When using a CS-DUO, select “MIX A” or “MIX B” on the FP-2. By connecting two FP-2 units together, both mixes on the CS-DUO can be […]
The Livemix MT-1 is a dual position mount for Livemix personal mixers. The MT-1 attaches to the top of a microphone stand (with included brass locking nut). Additionally, use the built-in clamp to secure it to a microphone or music stand. The clamp fits pole diameters between ?? to 1??. The MT-1 connects to the CS-SOLO or CS-DUO personal mixer with attached thumbscrews; no tools necessary. When mounted in the pole position, the MT-1 features cable pass-throughs for clean cable […]
The DA-816 output rack unit is for connecting to wireless in-ear transmitters, powered monitors or powered house speakers. The DA-816 connects to the MIX-16 or MIX-32 via shielded CAT5e network cable. Each DA-816 provides eight stereo TRS outputs. The DA-816 provides stereo balanced outputs for 8 personal mixes. Flexible SoftRoute™ mix assignments and test tone capabilities, make for quick setup. Front panel LEDs indicate a personal mix is assigned to one or more of the outputs. When the Output ID feature is enabled and an output is selected, the front panel LED illuminates and a test tone is sent to […]
The MIX-32 is the central mixer for the Livemix personal monitoring system. The MIX-32 supplies mix streams as well as power to each of the connected personal mixers. The MIX-32 will generally be placed near the personal mixers, likely in a rack near the stage. The MIX-32 receives input data over a network cable, either from the AD-24 (shielded) or a Dante network via the LM-DANTE-EXP Dante card. Each port on the MIX-32 supports two discrete mixes. Connect a single CS-DUO or up to two CS-SOLOs to each port with standard network cable. Maximum combined CAT5e cable (shielded or unshielded) […]
The MIX-16 is the central mixer for the Livemix personal monitoring system. The MIX-16 supplies mix streams as well as power to each of the connected personal mixers. The MIX-16 will generally be placed near the personal mixers, likely in a rack near the stage. The MIX-16 receives input data over a network cable, either from the AD-24 (shielded) or a Dante network via the LM-DANTE-EXP Dante card. Each port on the MIX-16 supports two discrete mixes. Connect a single CS-DUO or up to two CS-SOLOs to each port with standard network cable. Maximum combined CAT5e cable (shielded or unshielded) distance is […]
[…]receives your input signal via TRS or DB-25. The inputs pass through, so you can send your audio to the AD-24 via DB-25, and back out through the TRS if required. The front panel interface indicates input signal levels by LED and allows selection of -10 dBV or 4 dBu line level, which are in stereo pairs. *Requires optional Mix-16 or […]
The Livemix CS-DUO is the most feature rich personal monitor mixer on the market. The LCD touchscreen with custom naming makes creating a mix easy. Dedicated knobs provide quick access to essential features. The Livemix CS-DUO is two personal mixers in one. With two mixes per unit, you can reduce your overall per node cost without sacrificing quality or functionality. The CS-DUO provides 24 channels plus accessory channels, each with EQ and compression. The master output features EQ, compression and reverb. MirrorMix® remote setup and mixing, mute and solo options, channel grouping and LCD dimming make the Livemix system deep […]
[…]the blue “A Mix” while the second unit will be the red “B Mix”. Power and audio is supplied to the second CS-SOLO over a network cable connected to the CS-SOLO THRU port. *Requires optional Mix-16 or Mix-32 Central […]
[…]Audinate’s Dante technology is a widely accepted and highly reliable standard for networked audio, especially in live and studio sound applications. When using the Dante input option card (LM-DANTE-EXP), the Livemix system integrates seamlessly into a Dante network. All the network subscriptions can be made using the touchscreen on the Livemix CS-SOLO or CS-DUO for quick and easy setup. Channels can be setup with a single “Import 1-24” button or each channel can be individually subscribed across multiple devices. Using the Import Names feature, Dante channel names can be assigned to the Livemix […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Completely re-programmed for EastWest’s PLAY software from the original […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Licenses included to install each section on multiple computers (Platinum and Platinum Plus) Original and Pro XP expansion combined into “complete” PLAY version Completely re-programmed for PLAY software from the original […]
[…]reverb with pre-delay Improved micro-tuning Improved sound quality with high-resolution audio engine Hi-fidelity one pole filter for natural cross-fades Stereo image editing is now possible using channel sourcing The instruments featured in the PLAY Editions are newly-programmed for PLAY from the original recordings In ancient Egypt, RA was regarded as the creator of everything, the god of the sun. RA is usually represented with the body of a man and the head of a hawk, holding an ankh & sceptre. The chief location of RA worship was Heliopolis (a Greek word meaning city of the sun). RA is an appropriate […]
[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]