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[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]
[…]resonance from contaminating the sound, your mixes immediately translate better to other rooms and audio systems. The Recoil Stabilizer is available in various sizes, weights and firing angles to address the vast array of speaker designs currently on the market and personal mounting preferences. To make selection easy, we have produced a simple cross-reference chart to match the right Recoil Stabilizer for your monitors. Available in: Horizontal (00); 5 deg. Downfire (05) Dimensions: 15″ W x 11″ D Weight Limit: […]
[…]30 Smart monitors and subwoofers, easily creating fully recallable setups from stereo to immersive audio. Specs: Freq Response: 45 Hz -23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 5 inch + Tweeter 3/4 inch metal dome + DCW 1x 7360A The 7360A boasts Laminar Spiral Enclosure (LSE) technology for a low cut-off and clean articulated bass reproduction, while, inside, an 8 inch woofer is powered by a 300W Class D amplifier. The subwoofer is also fully equipped with Smart Active Monitoring (SAM) functionality, the most advanced and adaptable monitoring technology available. Genelec Loudspeaker Manager (GLM) software […]
[…]in three separate color-coded groups. Sometimes there will be events detected that represent audio we want to keep rather than remove. So we built the Exclude Box to further refine the number of repaired events, and also Dialogue Mode for independent control over speech in […]
[…]that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape […]
[…]Mixers, PRO Mixer Distros, or other Hear Back PRO Hubs. Each port provides PoE+ power and digital audio over a single Cat6 Ethernet cable that can be run up to 566 feet. Network Cards can be used with Hear Back PRO Hubs (up to 4 can be populated in a single Hub) or PRO Mixer […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
[…]optional Pro Tools HD or third party DAW software. Requires AVID HD I/O or third party audio interface that supports Mini dig-link or Digi-link (w/ […]
Focusrite Scarlett 18i20 3rd Gen USB audio interface Scarlett interfaces sit at the heart of more music-making, recording and production spaces than any other range, and 18i20 is Scarlett’s most versatile interface. The rack-mountable 3rd Generation 18i20 gives you 18 inputs and 20 outputs of incredible sound quality. Enough to make any space into a fully-fledged recording studio. Eight of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals Two high headroom instrument inputs, for plugging your guitar or bass straight in Four monitor outs, featuring anti-thump […]
[…]With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over. Built around Mr. Rupert Neve’s custom transformer designs, each 543 module encompasses individually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 543 may be used as a transformer-coupled, high-performance line amplifier, and two 543 may be linked for stereo operation as well. The chassis is built to standard 500 series specifications, […]
[…]Distros, or other Hear Back PRO Hubs Unlimited Daisy-chaining possible Provides power and digital audio for up to(8) Hear Back PRO Mixers using standard Cat6 cables PRO Mixer Distro (PRONET) includes enclosure with network card loaded and power […]
[…]microphone is supplied with a padded wooden storage case, M916 power supply, and a 10-meter Gotham Audio power cable. The mic carries a 5-year limited warranty. The ?is also known as: Matrix, M-216. The mic was released in 2008. Specifications?Pickup PatternsPads & FiltersX/Y Stereo (14 mV/Pa; 20 – 20,000 Hz) Mid-Side Stereo (14 mV/Pa; 20 – 20,000 Hz) Blumlein (14 mV/Pa; 20 – 20,000 Hz) Capsule DimensionsImpedanceSPL/NoiseDiaphragm diameter: 25mm Capsule diameter: 32mm Diaphragm gauge: 6 microns?200 Ohms (Low)Max SPL: 125 dB Self-noise: 20.0 dB(A)WeightLengthMax DiameterInterface(s)906g (31.96oz)298mm (11.73”)44mm (1.73”) 3-pin XLR male […]
[…]with Pro Tools Ultimate Perpetual license with Annual Support. -requires AVID HD IO or third party audio interface that supports Mini Digi-link or Digi-link (with adapter) Optional: iLok USB […]
[…]and RTAS support, iLok2, iLok3 or an iLok account with an active internet connection is required. Audio Units Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info For legacy versions, including 32bit and RTAS support iLok2, iLok3 or an iLok account with an active internet connection is required. VST2 / VST3 Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info Windows 7 or later For legacy versions, including 32bit and RTAS support, iLok2, iLok3 or an iLok account with an […]
[…]recording and playback * AXR hybrid mic preamps with Rupert Neve Designs SILK * Thunderbolt 2 audio interface * 28 x 24 full matrix mixer * Latency-free DSP powered monitoring w REV-X reverb, Channel Strip, VCM compressor276 and EQ 601, including VST 3 plug-in versions * Plenty of I/O ports like 2x ADAT, AES/EBU, MIDI, Word clock * SSPLL ultra low jitter reduction * Stack supports for up to 3 units * New custom pane for perfect integration in Cubase * Bundled Cubase AI fully supports 32-bit integer format Minimum System Requirements: MacOS 10.11 / 10.12 / 10.13 64 bit […]
[…]in case of failure. Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made. Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronization to house clock, or syncing external equipment to the Dante network. FEATURES: 16-channel bi-directional digital interface […]
[…]Neve’s original designs of 35-40 years ago. This is an EQ with a truly vintage soul. Power and audio connectivity is supplied through any 500-Series compatible […]
[…]guesswork out of your input chain. Fast and musical transimpedance architecture Precision audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switch High performance output line driver amplifier and HPF amplifier New Ribbon mic mode (also great for dynamic mics) – Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockout Wide 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and ¼” unbalanced Bombproof laser-etched black anodized frontpanel Sealed gold contact relay for Hi-Z input switching Led indicators for 48V, Ribbon mode, and HPF Five […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]phantom power, a selectable frequency high pass filter, and the Silk circuit which yields the rich warmth and presence of the renowned classic designs. Channels 1 & 2 of the 5024 feature a high-Z input designed for instrument level sources. Channels 3 & 4 feature an M-S switch, which enables Mid-Side decoding without the use of multiple console channels. Microphone Input The microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a “Transformer-Like-Amplifier” (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed […]
The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. FEATURES: True stereophonic (Blumlein and M-S) recording from one microphone. High SPL capabilities. No internal active electronics to overload or produce distortion up to maximum SPL […]
[…]low noise, low distortion V.C.A. having, essentially, no signature of its own. A part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A. which has to respond very quickly and have low distortion. If the response is too fast, low frequency signals will themselves, be gain controlled! If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or […]
[…]layers of grit. When the voltage is set to maximum; the signal cleans up resulting in natural tube warmth with wonderful harmonic overtones. Separate DRIVE and LEVEL controls let you fine-tune the settings on each channel to increase or decrease distortion to suit. Each of the eight outputs is equipped with an oversized output transformer for beefy character while providing galvanic isolation to eliminate noise. You can also bypass the tube circuit and drive the transformer on its own to produce a vintage feel that is reminiscent of the finest audio designs from yesteryears. Connections to and from the Space […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high quality audio performance, outstanding stereo separation and imaging with Royer’s exclusive active electronics system for ribbon microphones. The SF-24’s output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET’s used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB. Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident […]
Universal Audio Bock 187 -FET Condenser Microphone The UA Bock 187 large-diaphragm FET condenser mic will give your studio the classic tone of the legendary U87 with modern sonic enhancements. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world-renowned mic designer David Bock. The UA Bock 187 is David Bock’s inspired take on the legendary U87 microphones he studied and maintained as chief technical engineer of the world’s top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 187 mic gives you the “golden unit” tone of an iconic […]
[…]inspired from the Anubis outstanding Preamps, that show zero tolerance to any compromise on the audio quality. Available in models that work up to 192kHz. Using those combined 8 channel Mic/Line In and Line Out cards allow the Hapi to be configured with up to 16 channels of Analog In/Out. Features: 8 x exceptionally transparent, Swiss designed pre-amplifiers Remote/Local switch to Line Level on a per channel basis Completely accessible remotely for all parameter changes Phantom Power/Polarity Invert/Low Cut/Impedance switchable per channel Dynamic range of 139dB (A-weighted, typ) on the Line inputs Auto-mute circuitry for “no-pop” power cycling Digitally controlled […]
[…]and subwoofers, allowing you to mix the way you want, from simple stereo to ambitious immersive audio setups. Delve deep into control options including full recall of settings for different listening positions. All this combines with the colour-free accuracy of the Minimum Diffraction Enclosure (MDE?), and precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW?). The result is the ideal small monitor to fit the way you work. (Requires GLM V2.0 User Kit – Sold Separately) Specs: Freq Response: 55 Hz ? 23 kHz (-6 dB) Woofer 50 W + Tweeter 50 W Woofer 4 inch + […]
[…]have a fixed height which might just not suit your particular situation: As every hifi and pro audio enthusiast knows, you need to constitute a perfect triangle between your head and the two loudspeakers and that can be tricky – what with furniture and other gear filling up the space. This is why ZAOR, who are dedicated to finding unique solutions, has come up with a nice range of adjustable speaker stands. Of course the other important requirement from a great speaker stand is that it does not resonate when exposed to sound like most of metal stands have (a […]
[…]for your listening environment, no matter if you work in simple stereo or ambitious immersive audio applications. Key Technologies Smart Active Monitor (SAM) Systems Minimum Diffraction Coaxial (MDC) Driver Technology Acoustically Concealed Woofers (ACW) Technology Directivity Control Waveguide (DCW) Technology Minimum Diffraction Enclosure (MDE) Technology Reflex Port Design Protection Circuitry Intelligent Signal Sensing (ISS) Technology Optimized Amplifiers Active Crossovers Iso-Pod? Stand? Versatile Mountings Technical specifications 111 dB 32 Hz – 35 kHz (-6 dB) ? 1.5 dB (38 Hz – 21 kHz) 2x Oval Woofers 8 1/2 x 4 inch Coaxial Midrange/Tweeter MDC? 5 / 3/4 inch DCW Woofer 150 […]
[…]inspired from the Anubis outstanding Preamps, that show zero tolerance to any compromise on the audio quality. This option card supports DXD/DSD256 file formats. Using those combined 8 channel Mic/Line In and Line Out cards allow the Hapi to be configured with up to 16 channels of Analog In/Out. Features: 8 x exceptionally transparent, Swiss designed pre-amplifiers Remote/Local switch to Line Level on a per channel basis Completely accessible remotely for all parameter changes Phantom Power/Polarity Invert/Low Cut/Impedance switchable per channel Dynamic range of 139dB (A-weighted, typ) on the Line inputs Auto-mute circuitry for “no-pop” power cycling Digitally controlled output […]
Universal Audio Bock 167 -Tube Condenser Microphone The UA Bock 167 large-diaphragm tube condenser mic will give your vocals and instruments the classic smooth tone of the legendary German microphone with modern sonic flexibility. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world renowned mic designer David Bock. The UA Bock 167 is David Bock’s thoughtful reimagining of the iconic U67 mics he studied and maintained as chief technical engineer of the world’s top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 167 is the […]
The 1238AC is a centre channel worthy of the best. It?s no wonder that the 1238AC has been warmly greeted as the companion to the 1238A. Crafted to the same exacting standards plus loaded with all of the feature of Smart Active Monitoring (SAM?), the tri-amplified, double 10 inch design (plus 5 inch midrange and 1 inch tweeter) is ideally suited to multi-channel applications where space is limited around the video monitor or the viewing window. The 1238AC is powerful but focused ? the large Directivity Control Waveguide (DCW?) ensures precise on- and off-axis imaging even in challenging acoustic environments. […]
[…]of up to 30 individual Smart monitors and Smart subwoofers to facilitate any multi-channel audio set-up, while AutoCal? compensates for detrimental room influences and perfectly calibrates your set-up for your listening environment. Ideal for recording studios, film and video post-production facilities, broadcasters and mastering suites, the 1238DF is the ideal blend of adaptable amplification, contemporary technology and classic design. Requires GLM v2.0 Calibration Kit -Sold Separately Specs: Freq response: 50 Hz ? 20 kHz (-6 dB) Woofers 2 x 8 inch + Midrange 5 inch + Tweeter 1 inch, metal dome + DCW Woofer 500 W + Midrange 250 W […]
[…]to AutoCal automated acoustical system-wide self-calibration algorithm Analogue or digital audio input types are created together with monitor groups Each group can have a separate AutoCal calibration Groups contained in one GLM system setup file can feature both analogue and digital input use Unlimited number of system setup files can be created Volume control via GLM 2.0 software fader or external wired or wireless volume controllers GLM AutoCal™ GLM AutoCal provides the industry’s first integrated process for complete automated measurement, analysis, and adjustment of every monitor on the GLM control network. GLM AutoCal provides the industry’s first integrated process for […]
[…]to eliminate traffic noise, air conditions, wind, rain, babble and general background noise from audio signals. It also helps in compensating for poor acoustic conditions and mic placement. It will also suppress excessive reverb too. Use it for any situation including in the studio and post, location recording, live broadcasting, Theaters, concert halls, places of worship a What’s more, despite being so small and light that you can slip it inside your pocket or equipment bag, the DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3/AES11 digital input, and both analogue and […]
[…]unit for the Waves eMotion LV1 live software mixer. This device has been co-engineered by Waves Audio and expert MIDI control manufacturer MIDIPLUS to offer live sound engineers intuitive tactile control of the world’s best live software mixer. Waves FIT’s quick and efficient operation is made possible with 16+1 motorized faders, each featuring a bright display, as well as common controls like Mute, Solo, Select, and a multi-function rotary control. Fader layers offer dedicated 1-8 layer switches for toggling between the 8 factory or custom layers in the Waves eMotion LV1 Live Mixer. 16 rotary controls can be set to control […]
[…]its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of “upgrade” components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-6 for instrumental and vocal mikingIt exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-6 mic is able to produce professional results with a clean sonic character. Specifications TypeTrue Transformerless Condenser Polar Pattern(s)Cardioid CapsuleSingle-sided 32mm center-terminated gold-sputtered Mylar (6 micron) […]
[…]a three module desktop power rack designed to bring the fun and excitement of 500 series modular audio to everyone! Unlike other 500 series enclosures that are usually rack mounted, The Cube™ is designed to sit on the desktop or be carried around the studio using the convenient top-mounted handle. This enables the engineer to position instrument and microphone preamps as close to the source as possible for improved signal to noise. The Cube can also be recessed into the work surface using the optional mounting flanges. These allow either flush mounting or 30° angle mounting to optimize viewing position. […]
[…]widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone. Features two Big Ribbons™ in a fixed Blumlein and mid-side configuration Astonishingly open and natural sound Far-field ribbon mic designed to retain low end and top end at a distance Stereo version of the AEA N8 Made in the U.S.A. History: The design of the R88mk2 borrows […]
[…]three module rackmount power supply designed to bring the fun and excitement of 500 series modular audio to everyone! Unlike other single space power racks that are limited to two modules, the innovative triple-module design allows you to put together a traditional channel strip, combining a mic preamp with an equalizer and dynamic control using a compressor-limiter all within the confines of a single RU 19″ rack. With so many choices of modules available today, this opens the door to creating unique signal paths to allow your music to stand out. Following the criteria established by the Radial Workhorse, the […]
[…]top panel, chassis-mounted pots, rubber-coated knobs, and real wood back panel MIDI, USB MIDI, and Audio Sync for all types of in-studio and live connectivity, including direct sync with SQ1, volca, electribe, and more True analog sound. The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it’s a four-voice polyphonic true-analog synth with an interface that’s designed for accessibility. Whether you’re performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation. […]
[…]fed from D-A or mic pres 24-bit A-D and D-A up to 192kHz sample rate – ideal for hi-res audio Dual-port ADAT I/O – eight channels at up to 96kHz, four channels at 176.4/192kHz Switched insert with true bypass on every channel Mic Pres and front panel instrument inputs with extra headroom Six-segment LED metering and channel clip indicators 48v Phantom Power to all inputs Word Clock I/O and JetPLL jitter […]
Compact 8-fader control surface for Pro Tools and other audio/video apps (formerly Euphonix MC Mix) Artist Mix features EUCON (Extended User Control), a high-speed open control protocol that has been adopted by many of the world’s leading software developers. Pro Tools, Media Composer, Apple Logic, Apple Final Cut Pro, Steinberg Cubase, and many other applications support EUCON™, giving you highly responsive control over almost all software functions. You gain a tightly connected experience in which the control surface acts and feels like a physical extension of your software. FEATURES: 8 touch-sensitive 100mm long throw motorized faders 8 touch-sensitive rotary encoders […]
[…]Radial ProDI’s are high-quality, full-range passive direct boxes equipped with custom made audio transformers for exceptional signal handling without saturation and with extremely low phase distortion in the critical bass and mid regions. The result is exceptional clarity and definition at an attractive price point. Ultra-compact and made of 14 gauge steel, both ProDI models feature internal I-beam construction with a ‘book-end’ outer shell for extreme durability in the most demanding environments. Available in single-channel (ProDI) or dual-channel (ProD2) stereo, these exceptional direct boxes offer performance superior to any other DI’s in their price range and are ideally suited for […]
[…]Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob. LOWPASS – (Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn’t matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose […]
[…]DSP Approved Pro Tools CPU, OS and hardware configuration iLok2 USB device with latest drivers Audio Units (Not available) VST2 / VST3 (Not […]
[…]II American Concert D is a remarkable, must-have, instrument. Synthogy is a Massachusetts based audio software company founded by George Taylor and Joe Ierardi, former engineers of Kurzweil Music Systems. Together they bring more than 35 years of design experience in synthesizers, musical instruments, effects, and sound design to the field of Virtual Instruments. Highlights of Ivory II American Concert D: 1951 New York Steinway D selected by Steinway & Sons for artist promotion Includes the Award-winning Ivory II piano engine 49GB Core Library Up to 20 Velocity Layers Harmonic Resonance Modeling for True Sympathetic String Resonance Custom Soundboard Emulation […]
[…]new era of rhythmic possibilities! • Trash 2 (plus two Expansions) -for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue. • Stutter Edit – It’s an effect. It’s an instrument. It’s Stutter Edit—an innovative tool for both studio and stage, designed by BT and developed by iZotope. Tear up your tracks in real time, building thrilling fills, complex effects, shimmering sweeps, and staggering […]
[…]and RTAS support, iLok2, iLok3 or an iLok account with an active internet connection is required. Audio Units Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info For legacy versions, including 32bit and RTAS support iLok2, iLok3 or an iLok account with an active internet connection is required. VST2 / VST3 Mac OS X 10.8 or later For macOS 11 Big Sur compatibility -confirm on Sonnox website for latest info Windows 7 or later For legacy versions, including 32bit and RTAS support, iLok2, iLok3 or an iLok account with an […]
[…]retail price of $299, it’s also an incredible value. Synthogy is a Massachusetts based audio software company founded by George Taylor and Joe Ierardi, former engineers of Kurzweil Music Systems. Together they bring more than 35 years of design experience in synthesizers, musical instruments, effects, and sound design to the field of Virtual Instruments. Highlights of Ivory II Upright Pianos: 4 hand selected Upright Pianos including: Yamaha U5 Modern Upright 1914 A.M. Hume Vintage Upright Honky Tonk, Barroom Upright Real Tack Piano Includes the Award-winning Ivory II piano engine More than 84 GB Core Library Up to 16 Velocity Layers Harmonic Resonance […]
[…]soundstage • Comfortable and ergonomic • 2 cables supplied to suit all uses (mixing console, audio interface, laptop) • Rigid carrying case supplied, including a space for storing an Ilock® key (not supplied) Specs Impedance 55 Ohms Sensitivity 104dB SPL / 1mW @ 1kHz THD 0.25% @ 1kHz / 100dB SPL Frequency response 5Hz – 28kHz Speaker driver 15/8″ (40mm) ‘M’-shaped magnesium dome Weight 0.99lbs (450g) Cables supplied 16.5 feet (5m) asymmetric cable (1/4″ – 6.35mm TRS jack) 3.94 feet (1.2m) asymmetric cable (1/8″ – 3.5mm TRS jack) 1/8″ (3.5mm) to 1/4″ (6.35mm) stereo jack adapter Spare earpads 2 x […]
[…]industry. Heard on countless records, it is still highly regarded and used today by top audio engineers that are lucky to own one. There have been many imitations over the years, but now, you can own the real deal.. Neumann is now reissuing the U67 with the same K67 Capsule and electronic design from their original archived documentation. The U67 can be used on a wide variety of musical instruments, but, it especially shines on vocals! This highly versatile microphone offers three selectable polar patterns, 124dB SPL, and the power supply was redesigned to accommodate todays premium grade tubes. The […]
[…]widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows. The full potential of the N8 is perhaps best realized when configured in a stereo array, as it draws on the same successful sonic concepts as the AEA R88. The N8 is a far-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning […]
[…]cone woofer Large laminar vent Identical tonal balance at both low and high volume Connect up to 3 audio sources Inserts for wall and ceiling fastening Automatic disengageable stand-by Protection grilles included Tech Specs: Frequency response (+/- 3dB)38Hz – 22kHz Maximum SPL106dB SPL (peak @ 1m) Inputs Connectors: TRS: symmetrical 10kOhms XLR: symmetrical 10kOhms RCA: asymmetrical 10kOhms with compensated sensitivity Medium and low frequency amplifier 80W High frequency amplifier 35W Automatic stand-by mode. After around 15 minutes of no use By signal detection >6mV Power supply100 – 240V~(T2AL fuse/250V) ConnectionIEC socket and detachable power cable SensitivityAdjustable, […]
The ISO-430 Stands are the latest generation of IsoAcoustics stands designed for Pro Audio. The ISO Stands are an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance. The ISO-430 features tilt adjustment of up to 6.5 degrees to allow you to easily focus your monitors to ear level. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are biased to keep all energy in alignment with the listening position, providing greater clarity and focus. The ISO-430 isolation […]
[…]combined with SuprEsser’s natural de-essing guarantee the perfect spectral balance of your audio. The Oxford Dynamics, a powerhouse of dynamic control, will take care of balancing levels; and finally, to maximize the overall loudness of the program, the Inflator and Limiter pack the punch, warmth and presence to finish off the job. This software is provided to you as an Electronics download. You will receive a Serial, Registration or Activation Code from us. And Download instructions for the latest version of the software. All software purchases are final and not returnable. Please make sure your computer supports this application. […]
[…]unmatched and the picture becomes pretty clear – the m101 is one little hot rod piece of pro audio gear for the […]
[…]Logic Pro 9 a lot simpler and faster. It is ideal for post-production facilities, professional Audio editing houses and anyone else who requires all the custom key commands to readily accessible from a dedicated, clearly labeled, colour-coded Keyboard. Using this LogicSkin is also a great way to learn the Logic Pro 9 key commands. Logicskin is made from the best 100% hi-grade Japanese Silicone, Compatible with Apple Ultra Thin Alu Keyboard 0,5mm Thin, silky smooth feel, Soft, Flexible and yet very tough, Protects your Mac from dirt, dust and spills, Easy removed for cleaning, Stays in place – Do not […]
[…]inspiring your best performance from a truly organic instrument. Synthogy is a Massachusetts based audio software company founded by George Taylor and Joe Ierardi, former engineers of Kurzweil Music Systems. Together they bring more than 35 years of design experience in synthesizers, musical instruments, effects, and sound design to the field of Virtual Instruments. Ivory II-Grand Pianos Features: Over 77 Gigabytes of stunning, Acoustic Grand Piano sampled instruments: Bösendorfer 290 Imperial Grand German Steinway D 9’ Concert Grand Yamaha C7 Grand (Each piano can be installed separately) Up to 18 discrete velocity layers with Sample Interpolation Technology for ultra-smooth velocity […]
[…]laminar vent Identical tonal balance at both low and high volume Detailed mixes Connect up to 3 audio sources Inserts for wall and ceiling fastening Automatic disengageable stand-by Protection grilles included Specs Frequency response (+/- 3dB) 45Hz – 22kHz Maximum SPL 101dB SPL (peak @ 1m) Inputs Connectors TRS: symmetrical 10kOhms XLR: symmetrical 10kOhms RCA: asymmetrical 10kOhms with compensated sensitivity Medium and low frequency amplifier 35W High frequency amplifier 25W Automatic stand-by mode After around 15 minutes of no use By signal detection >6mV Power supply 100 – 240V~ (T2AL fuse/250V) Connection IEC socket and detachable power cable Sensitivity Adjustable, […]
[…]from front to back on everything except the headphone output. It delivers pristine, detailed audio with wide dynamic range, ultra-low noise, ultra-low distortion and superb imaging. Features: SiX is an SSL SuperAnalogue™ design – it gives you the sonic signature of a large format SSL console on your desktop or in your backpack. Its signal path is fully balanced from front to back on everything except the headphone output. Channel Processing – In addition to Mic Pre’s, SiX’s SuperAnalogue Recording channels feature classic SSL feed-forward Channel Compressor circuit and two band SSL EQ with shelf and bell curves. Two Recording […]
[…]48 kHz, 88.2 and 96 kHz Use with any SoundGrid interface Use with non-SoundGrid I/Os (ASIO/Core Audio) via SoundGrid Connect Neutrik etherCon SoundGrid port connector Quiet operation with automatic CPU fan control Sturdy all-metal casing 2U rack-mountable (rack ears and rack shelf sold separately) CPU: Intel® Coffee Lake i7 8 Core 8 GB RAM Free 1-year warranty; Extended warranties […]
[…]and your music to experience this amazing Concert Grand. Synthogy is a Massachusetts based audio software company founded by George Taylor and Joe Ierardi, former engineers of Kurzweil Music Systems. Together they bring more than 35 years of design experience in synthesizers, musical instruments, effects, and sound design to the field of Virtual Instruments. Ivory II Italian Grand Highlights: Over 28 Gigabytes of world-class samples featuring a Premium 10 foot, Italian made Concert Grand Up to 18 discrete velocity layers with Sample Interpolation Technology for ultra-smooth velocity and note transitions Harmonic Resonance Modeling for the most realistic Sympathetic String Resonance […]
[…]combined with SuprEsser’s natural de-essing guarantee the perfect spectral balance of your audio. The Oxford Dynamics, a powerhouse of dynamic control, will take care of balancing levels; and finally, to maximize the overall loudness of the program, the Inflator and Limiter pack the punch, warmth and presence to finish off the job. This software is provided to you as an Electronics download. You will receive a Serial, Registration or Activation Code from us. And Download instructions for the latest version of the software. All software purchases are final and not returnable. Please make sure your computer supports this application. […]
The Waves Axis Proton is a custom-designed computer that is optimized to run audio applications. Such as the Waves 16-channel eMotion LV1 live mixer and SuperRack live plugin rack. Axis Proton is the brain of a SoundGrid system that integrates seamlessly with SoundGrid I/Os and servers. Axis Proton is optimized for use in live setups of up to 16 stereo channels. The half-rack 1U aluminum casing fits perfectly in a 1U rack shelf when paired with the SoundGrid Proton Server. Combine these two devices with the eMotion LV1 live 16-channel mixer, to build the ultimate compact live mixing system for […]
[…]reverb with pre-delay Improved micro-tuning Improved sound quality with high-resolution audio engine Hi-fidelity one pole filter for natural cross-fades Stereo image editing is now possible using channel sourcing The instruments featured in the PLAY Editions are newly-programmed for PLAY from the original recordings In ancient Egypt, RA was regarded as the creator of everything, the god of the sun. RA is usually represented with the body of a man and the head of a hawk, holding an ankh & sceptre. The chief location of RA worship was Heliopolis (a Greek word meaning city of the sun). RA is an appropriate […]
[…]providing superior isolation and sound improvement. ISO-L8R200 Short In this case, the audio speaker stand is configured for 4″ in height. Speaker can also be tilted for optimal listening angle. Usually speakers will be situated on a desktop or table. ISO-L8R200 Long Speaker stand is configured for 8″ in height. Speaker can also be tilted up or down for exact listening angle. Can also be used for floor applications. Product Dimension: 9.8 X 7.9 X 4 inches Ships 2 per Box for one pair of […]
[…]your entire VSTi library . VIP operates a s a plugin inside any of the popular digital audio workstations or as a stand alone application for Mac and Windows. Dedicated physical backlit controlls velocity and pressure sensitive pads Custom semi weighted, velocity sensitive keybed aftertouch. VIP offers hyper fast instrument and patch browsing, key zone splitting, layering of up to 8 instrumetns per instance plus much more. VIP runs as VSTi, AU or AAX plugin. Includes 16GB download of over 10,000 sounds from from a comprehensive collection of nine plugins from AIR Music Tech, SONiVOx and Toolroom Records. Screen provides […]
[…]with plenty of headroom or smash into them the perfect amount when clipping is desired. Audio DAWg is an Authorized SSL […]
[…]these artificial release layers, you can select to only use the default release sample in the rank audio output routing screen in Hauptwerk. Advanced Features: The compass is extended up to g”’ in the manuals and f’ in the pedal. There is a switch to toggle between extended and original compass. This is mainly because some of the stops are repeating, and for the extended compass they break at c”’. The tremulant can be switched to work as in the original, effecting the entire organ, and to only effect the OW, which makes it much more useful. The organ is tuned […]
[…]MusicXML support. When you’re ready to share the results, you can make printed sheet music, audio files, pdfs, and more; whatever it takes to produce the best performance. New in v26: • Auto-stacking articulations • slur/articulation interaction • instant tremolos and rolls • horizontal centering • new expressions and articulations • enhanced […]
[…]your entire VSTi library . VIP operates a s a plugin inside any of the popular digital audio workstations or as a stand alone application for Mac and Windows. Dedicated physical backlit controlls velocity and pressure sensitive pads Custom semi weighted, velocity sensitive keybed aftertouch. VIP offers hyper fast instrument and patch browsing, key zone splitting, layering of up to 8 instrumetns per instance plus much more. VIP runs as VSTi, AU or AAX plugin. Includes 16GB download of over 10,000 sounds from from a comprehensive collection of nine plugins from AIR Music Tech, SONiVOx and Toolroom Records. Screen provides […]
[…]join forces to bring you impeccable models of four compressors considered true classics by audio engineers the world over. Four modeled plugins based on classic compressors Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge Includes CLA-2A, CLA-3A, CLA-76 Blacky & CLA-76 […]
Sonnox Enhance Bundle – Loud and Clear While loudness is a much-debated topic in audio, there’s no denying that record labels, radio stations, and DJs all want music to sound ‘loud’. If you don’t get it right at the mix stage, someone else in the process could get it wrong, and your precious mix will be ruined. Take control of your mix with the Sonnox Enhance bundle, making your mix both loud and clear. Use the punchy TransMod plug-in to beef up your drums; the world renowned Inflator plug-in to add power and presence to virtually any mix; and the […]
Bettermaker Mastering Compressor The Bettermaker Mastering Compressor features a 100% analog audio signal path with total recall and A/B comparison and a 5″ capacitive backlit touchscreen. Includes an adjustable 15 – 30 Hz high pass filter at the compressor input. A dry/wet MIX control for parallel compression. Also included is a HPF, LPF and fully configurable parametric filter in sidechain with option of hardware insert. Additional features include an adjustable drive (for odd/even clipper) and THD function for harmonically rich sound, Range Setting, PEAK/RMS levels and USB Connectivity with a Mac or PC. – Range Setting – limit the maximum amount of gain […]
[…]MusicXML support. When you’re ready to share the results, you can make printed sheet music, audio files, pdfs, and more; whatever it takes to produce the best performance. Finale v26 educational version. Same great software at a lower price! Proof of current enrollment or university PO is required when registering software. New in v26: • Auto-stacking articulations • slur/articulation interaction • instant tremolos and rolls • horizontal centering • new expressions and articulations • enhanced […]
[…]subwoofer extends low frequencies down to 35Hz. which provides engineers complete control of the audio signal. KEY POINTS Two monitors in one with remote switching. Wide un-compromised dynamics, linearity, and wide dispersion –produced by Beryllium inverted dome tweeter Neutral, distortion-free sound thanks to W composite sandwich cone Rotating baffle: facilitates both horizontal and vertical setups Simplified room integration, thank to LF and HF shelving, 160Hz EQ High SPL accommodates all musical styles (115dB peak @ 1m) FOCUS mode (two-way or three-way configuration): Remote pedal (not supplied) Low and high frequencies & 160Hz notch adjusting: three control […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Licenses included to install each section on multiple computers (Platinum and Platinum Plus) Original and Pro XP expansion combined into “complete” PLAY version Completely re-programmed for PLAY software from the original […]
[…]used. I have to agree. So, Save some money and literally grab this brand new drum mic kit. Audio DAWg is also an authorized Audix dealer. LIVE SOUND OR RECORDING The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLMTM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts and rugged aluminum carrying case are included. • Professional set of 5 drum microphones for stage or studio • […]
Buzzaudio SOC-20 is a Discrete class A stereo optical compressor with MS matrix and Lundahl output transformer that is optimized for the Stereo Master Buss. audio path quality The main signal path of the SOC-20 compressor (including the mid/side processor) is made using our proprietary BE41 discrete class A amplifier with a Lundahl LL1517 transformer at the output. A special low impedance power supply design is used to enhance the sound quality of the BE41 amplifiers. The overall combination provides a sound character that is generally described by our users as “desireable”! mid-side processing power We have incorporated a mid-side […]
[…]Compressor : is an advanced analog stereo VCA compressor with PEAK detection with a 100% analog audio signal path. All parameters are digitally controlled via front panel and/or DAW (with dedicated plugin). Features include a dry/wet MIX control for parallel compression, sidechain high pass filter with hardware insert and preview function. Total A/B comparison from your favorite DAW, LED Matrix display with six push-button encoders and USB connectivity with Mac and Pc. Technical Specs: – Frequency response 10Hz to 22kHz (+/- 0.2 dB) – Dynamic range: 106dB (+23dBu, 22kHz BW) – S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain) – Crosstalk: […]
Transform your DAW audio interface with four SSL analogue mic preamps Ultra-clean, high-grade mic preamps with line and instrument level switching Four independent Variable Harmonic Drive (VHD) circuits VHD – a time machine of overdrive characteristics 100% analogue signal path FEATURES: Ultra-clean SSL preamp with 75dB of gain 48V phantom power 20dB Pad switches that illuminate to indicate overload Hi Z switches to accommodate mic, line and instrument level signals Four independent Variable Harmonic Drive systems Front panel 1/4″ jack instrument/line level inputs with passive DI type impedance detection and level matching Individual input, output and VHD controls for each […]
[…]instantly Key-switch sizes now unlimited State of the art sound quality with high-resolution audio engine Hi fidelity one pole filter for natural cross-fades Stereo image editing now possible using channel sourcing Completely re-programmed for EastWest’s PLAY software from the original […]
[…]gig SSD, Win 7 Professional 64 • 2x HP 21.5″ Touchscreen monitors • RME 8 channel audio interface • 8 channel crown amp 75W per channel • Definitive Technology Studio Monitor 55 speaker x6 • Definitive Technology Supercube 400 stereo powered sub • Argosy 42″ X-stand speaker stands (pr) • Custom Rack Case / connection plate / Power Sequencing Start-up and Shut down • Hauptwerk Advanced Virtual Organ software includes the English romantic organ recorded from St. Anne’s, Moseley in Birmingham, England (30 stops) • AKG K702 professional studio headphones • Installation of all software and hardware testing […]
[…]insures the maximum output and robust system protection with virtually no audible effect. The audio input incorporates an InGenius® balanced line receiver, providing very high common mode rejection, to eliminate noise often present in systems with less optimized grounding and wiring schemes. Low voltage contacts are provided to remotely turn the ampli er on and off. APPLICATIONS Laboratory Reference System • Recording Studio and Mastering • Post Production and Screening Room • Cinema Subwoofer • House of Worship • Theatrical Sound Reinforcement Nightclub Installation • Surround Sound Low Frequency Effects Single 18” Infra Subwoofer System• Includes Both Internal Infra Processor and Amplifier• Configured […]
[…]Poly, Unison and Split keyboard modes are all available. Add to this the new VCO3, doubling as an audio rate LFO for each SEM, and a stack of additional performance controls via velocity, polyphonic after-touch and MPE control then you’ll begin to understand the depth of musical possibilities OB-E provides. A COLLABORATION WITH OBERHEIM AND NEW ‘VINTAGE’ CONTROL As we neared the release of OB-E®, we were contacted by Tom Oberheim and Marcus Ryle (an Oberheim engineer in the 1980s) who were impressed enough to suggest a collaboration offering support to refine OB-E and to release the v2 update carrying […]
[…]670, the Pultec EQP-1A, and the Pultec MEQ-5 are among the most sought-after pieces of gear in audio history. Jack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry. When JJP requires the perfect sound, he turns to these studio legends. Now, Waves has precision-modeled these rare pieces and captured every detail of their rich harmonic […]
[…]a very affordable price. Key component to achieve this performance level is our new OPA2 discrete audio operational amplifier. As all Fredenstein products, it is not a copy of an older design, but a completely new circuitry manufactured in SMT technology. Matched and integrated dual input transistors guarantee vastly improved specifications compared to older designs. The OPA2, following the tradition of well known manufactures, is socketed and can be exchanged without tools. The industry standard pin-out makes it compatible with many manufactures. Another very important sound shaping component is the American-made steel-core output transformer, which has this smooth vintage sound […]
[…]Fibre Channel, 10 Gigabit Ethernet, pro video capture and playout, SAS/SATA RAID controllers, pro audio, and other PCIe cards • Thunderbolt 2 Interface—Maximum performance with Mac mini with Thunderbolt 2 technology; backward compatible with Mac mini and other devices equipped with 10Gbps Thunderbolt technoogy • Supports Thunderbolt Expansion—Enables daisy chain connection of additional Thunderbolt technology devices through second Thunderbolt port • Front Panel Operation—Front panel power button activates power switch on Mac mini; USB 3.0 port enables connection of keyboard, mouse, thumb drive, etc. • Power for High Performance PCIe Cards—Integrated 150W […]
[…]headphone outputs with volume controls • MIDI I/O • S/PDIF I/O Included software: • XLN Audio – Addictive Keys • Focusrite – Red 2 Equalizer and Red 3 compressor plugins • Softube – Time and Tone Bundle (world-class reverb, delay, mastering and distortion plug-ins) • Ableton® – Live Lite • Loopmasters: 2GB of royalty-free sample libraries • Focusrite […]
[…]console, the original REDD.47 line amplifier was used to amplify virtually every stage of the audio path (mic inputs, line inputs, echo sends and monitors). The REDD.47 lent its unmistakably punchy, aggressive character to music recorded at Abbey Road Studios’ Studio Two between 1964 and 1968, including many tracks by The Beatles. The Chandler Limited REDD.47 Mic Amplifier offers many additional benefits to the original design including increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 preamp easily reproduces the […]
[…]KLARK TEKNIK SuperMac Technology 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality 8 analog, servo-balanced XLR outputs AES50 network ports featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency Up to 100 m networking capability via CAT-5e cable (not included) Dual AES50 ports for cascading S16 units—no merger or router required Precise LED metering plus 7-segment displays for signal control on stage Phones output assignable to any of the inputs/outputs for on-stage monitoring Connectivity for BEHRINGER’s P-16 Personal Monitoring System for In-Ear applications (not included) Dual ADAT outputs for use in splitter mode and stand-alone digital […]
[…]Fredenstein’s proprietary Reverse-Mancini FET architecture2) our advanced OPA2 discrete Audio Operational Amplifier3) the American made vintage style steel core output transformerAs all Fredenstein products, the Artistic Comp is designed by a German-American team and manufactured in […]
[…]Panning Flexible Control ad Patching Expansion Slot (16 channel) 16 in / 16 Out USB Audio Streaming Includes Cubase AI software Studio Manager V2 support 10v96i Editor Software supplied Full Suite of Virtual Circuit Modeling DSP Effects (VCM) High Resolution REV-X Reverb 4 Effects simultaneously Improved Studio-Quality Head Amps 100mm Motor Faders 99 Scenes for Total […]
[…]ultimate system control and speaker protection Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption Super-tough, impact-resistant enclosure with integrated top carry handle High-quality components and exceptionally rugged construction ensure long […]
[…]Fredenstein’s proprietary Reverse-Mancini opto architecture2) our advanced OPA2 discrete Audio Operational Amplifier3) the American made vintage style steel core output transformer Like most opto compressors, the Fredenstein Artistic Leveler features a fixed threshold. The compression depth is controlled by changing the input gain. Increasing the input gain will cause the Leveler to apply an increased gain reduction. The output level control is used to make up for the gain reduction. The maximum compressor output gain is 20 dB.The ATTACK TIME switch and RELEASE TIME control define how fast the compressor reacts and how fast it falls back after the signal […]
[…]storage capacities ranging from 160GB to 3TB Ideal for large data file storage and high bandwidth audio/video capture, creation and storage Available in various combinations of USB2.0, USB3.0, FireWire 400, FireWire 800 and eSATA interfaces Small, compact size includes internal power supply On-board 110/220V auto switching power supply; no external AC/DC adapter needed for the upmost portability and compatibility Separate LED’s for power and activity Ultra quiet cooling fan 100% screwless assembly Includes all necessary cables, LockBox, and Avastor’s “Best in the Business” 3 Year […]
[…]case 48 controls give you direct and real-time access to all important parameters External audio input for processing external sound sources Low and high level outputs featuring highest signal integrity signal stages Comprehensive MIDI implementation with MIDI channel and Voice Priority selection 3-Year Warranty Program* Designed and engineered in the […]
[…]deployed on stage or used as a drop-in expander in any SQ or dLive Dante network. Features * Dante audio expander, 96kHz / 48kHz * Portable stagebox design * 16 mic preamps on XLR with Phantom Power status LEDs * 8 XLR Line Outs * Primary and Secondary Dante ports with locking EtherCon * Redundant or Switched mode * Direct preamp control from dLive and SQ * Optional 19-inch rack mount kit available * Rubber bumpers and carry handle * AES67 compatible * Dante Domain Manager […]