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[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]supports Open GL 2.0 Plug-in formats AAX (64-bit), AAX AudioSuite (64-bit), RTAS (32-bit), DPM AudioSuite (32-bit), VST2, VST3, and Audio […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]and rugged reliability. The versatile CR-14 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The CR-14’s dual, low-mass ribbon element which enables a much better sensitivity rating than most single ribbon designs. This design lends to fast and accurate transient response, ultra-high 148 dB SPL capability, and overall stunning realism. It has a figure-8 audio directionality (pickup) pattern via front and rear, […]
[…]DI that is limited by the buffering amplifier’s rail voltage, the JDI employs a Jensen audio transformer as the engine. Jensen transformers are legendary in their ability to gracefully handle transients while delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact.The 100% passive circuitry inside the JDI is incredibly efficient. The transformer performs both high-to-low impedance conversion and signal balancing at the same time with minimal loading and does so without any […]
[…]passiveDuplex is Eclipse transformer equipped for amazing headroomthroughout its 10Hz to 40kHz audio range. When driven hard, naturaleven harmonic overtones emerge to produce a warm ‘vintage-style’Bessel curve that takes away the digital edge. This is particularlydesirable with electronic pianos that tend to sound harsh when playedwith maximum […]
Warm Audio BUS-COMP is an all analog 2 channel stereo VCA bus compressor. Based on classic circuitry that has provided a silky smooth tone for decades. Though, widely known and used on stereo mixes for their masterful control of dynamics, you can also use it on drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, etc.. Specifications: ALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR BASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY SELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS EXTERNAL SIDE CHAIN SOURCE SELECT SELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ COMPRESSOR ENGAGE SWITCH FOR EASY […]
[…]and powered by Waves’ Virtual Voltage technology. Designed to create sounds that range from warm acoustic and analog emulations to completely new, never-before-heard intricate and evolving textures, Codex’s sound design capabilities put infinite possibilities at your fingertips. The Codex synth comes with hundreds of original sound presets, but also lets you import your own audio files, turn them into wavetables and manipulate them as you like. Thanks to its advanced formant control technology, Codex maintains consistent resonance character that is true to the original signal and gives you direct control over the acoustic resonance of the sound. Codex also innovatively […]
Warm Audio Dual British Mic Preamp with EQ The WA273-EQ is a Dual channel boutique preamp, but it can also be classified as a studio and live work-horse. Classic ’73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards. Specifications: Dual Channel, Class A, ’73-style British Microphone Preamp with EQ UK made Carnhill Transformers UK made – Blore Edwards EQ dual-concentric switch potentiometers Hand Wired, hand assembled 80dB of […]
[…]mic pre inherits the clarity and purity of previous SSL Mic Pre designs, switching character to a warm, harmonically-rich and driven tone that varies with mic pre gain. The new mix bus and mix amp architecture delivers an amazingly-low noise floor along with huge headroom. The result is a mix bus that retains the classic SSL sound, whilst bringing the breadth and space to mixes that engineers and producers love from analogue summing. Balanced insert points per channel path (both large and small fader), dedicated channel direct outputs, stem-ready 0dB fader bypass switches, plus a new configurable centre section, make […]
The P220 is a large-diaphragm true condenser cardioid microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications. The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case. Rugged all-metal body and robust designwithstands tough day-to-day use […]
[…]selected 220k-ohm input impedance to eliminate problems with loading while delivering a smooth, warm sound to the audio system. This is particularly important when interfacing vintage guitars with low output pickups when should you plan to do some recording or Reamping. The SB-1 is also equipped with a -15dB pad that reduces the input sensitivity to gracefully handle even the loudest instruments. This makes the SB-1 perfectly well suited for electric bass and keyboards. To reduce feedback, toggling the 180° polarity switch helps eliminate hot spots on stage that can cause low frequency resonance. The StageBug… small size, big heart, […]
[…]low end resonance when layering acoustic instruments. Ultra quiet, low noise and exceptionally warm sounding… the PowerPre makes spectacular audio easy. Hand selected 100% discrete electronics Hammond broadcast transformer output AccuState™ low-noise input circuit 3-position Vox control for added air or […]
[…]aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. This design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more. Specifications:Type: Ribbon (velocity) MicrophoneRibbon type & Dimensions: 99% Pure aluminum, 2.5 […]
Warm Audio Pultec Sytle Tube EQ. (Sold as a Pair) These extremely clean, no rack rash, low low hours of use come from a customer that is selling his studio gear. Save some cash and grab essentially a new pair! I just fired them up and tested them. They sound great! The EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the “Pultec EQP-1A”. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and […]
Warm Audio WA76 Discrete Compressor/Limiting Amp (PAIR) These come from a customer that is selling off his studio gear. Really, never used. As you can see by the pics, the products are spotless. Even with Black! There are no scratches or rack rash. Includes everything in original packaging. Just connected them up and tested them and they sound great. They would be a welcome addition to any studio! Save some cash and grab these basically new compressors, but, with used pricing. The WA76 Discrete Compressor is a modern reproduction of the Classic ’76 Revision D. The WA76 has a fully […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes […]
Universal Audio VOLT1 1-in/2-out USB 2.0 Audio Interface UA created the Volt 1 USB audio interface for singers, guitarists, and content creators who want to easily record audio with legendary studio sound. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your inspiration with professional sound, courtesy of Universal Audio. Capture a Legendary Vocal with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 1 gives you the rich, full sound of […]
[…]two XLR. Key Features Dante audio-over-Ethernet technology Two line-level inputs to Dante outputs Audio channel level metering Excellent audio quality PoE powered USB dedicated charging port with auto-mode selection Standard connectors; compact, lightweight design Optional PoE midspan power supply. (Sold […]
Focusrite RedNet is an ethenet networked based audio solution that is expandible to meet your audio needs. Based on Audinate’s proven Dante digital audio networking system, Focusrite offers a variety of Rednet interfaces that can connect to the Dante Network. Once connected, Audinate’s Controller software allows the user to patch channels directly to and from many different audio interfaces (including: Analog, Digital, MADI, Pro Tools Digilink, AES) in various locations with a Cat6 Ethernet cable. RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of bi-directional AES/EBU connectivity to and from the Dante audio network. Perfect for […]
[…]Source: Power-over-Ethernet (PoE): class 1 (very low power, ≤3.84 watts) Network Audio Technology: Type: Dante audio-over-Ethernet AES67-2013 Support: yes Dante Domain Manager (DDM) Support: yes Bit Depth: up to 24 Sample Rate: 44.1, 48, 88.2 and 96 kHz Number of Receiver (Input) Channels: 2 Dante Audio Flows: 2 receiver Network Interface: Type: twisted-pair Ethernet, Power-over-Ethernet (PoE) supported Data Rate: 100 Mb/s (10 Mb/s and 1000 Mb/s “GigE” Ethernet not supported) Headphone Output: Type: Dual-channel Compatibility: intended for connection to mono or stereo headsets or earpieces with nominal impedance of 50 ohms or greater Maximum Output Voltage: 3.8 Vrms, 1 kHz, […]
[…]USB class 2 interface allows the m905 to act as the master clock of the computer’s USB audio buss, effectively eliminating interface induced jitter for computer audio playback. And finally, meticulous analog circuitry measures with outstanding numbers in dynamic range, distortion and noise performance, ensuring bracingly open, detailed and musical playback of any input source. All main audio and power supply circuitry is housed in a 2U rack mount mainframe, while system control is managed by a sleek, ergonomic remote control unit. This new RCU is a combination of dedicated hardware and a color graphical LCD display. All primary monitoring […]
[…]production, mastering, TV and film post-production. Pyramix, in combination with its networked audio interfaces offers the only end to end solution on the market to produce music digitally with an audio format that sounds like analog to humans. We enable music producers to give no compromise to their music throughout the whole production chain, and give them all the tools needed for a broad outreach including latest “Next Generation Audio” streaming formats such as Dolby Atmos ®. When purchasing a Horus, Hapi or Anubis, you can now choose between a free version of Pyramix or Ovation ELEMENTS software and immediately experience what […]
[…]and store your own sounds right onboard. Class-compliant, “plug and play” USB audio/MIDI The MX series features class-compliant, “plug and play” USB audio/MIDI with iOS, Mac and PC. Just plug it in and your MX synthesizer becomes your audio and MIDI interface for the rest of your music studio. Monitor all the sounds from your computer via the headphone output of the MX series or listen to your DAW tracks by connecting the MX series to external studio monitors or PA gear. The audio converters on the MX series are made for professional music applications so everything on your computer […]
[…]to ALL of the Merging audio software & hardware range. RAVENNA, when referenced to real-time audio, is just like MADI, AES-EBU, ADAT or other digital audio “streams”, it is used to send and receive audio between digital devices. But, RAVENNA has one, very large difference. MADI and ADAT, and AES-EBU are all dependent on a physical cable to connect each device to another. Once that connection is made, those two devices will speak to each other only. If you want to connect more than two devices, you need one of the devices to have multiple ports, each with its own […]
[…]and production scenarios, even when you’re on the move. Record vocals, guitars and other audio equipment with up to two audio channels in pristine 24/192 quality while simultaneously recording MIDI signals. And you won’t have to carry it everywhere on a silk cushion; its sturdy construction and steel casing means the UR22mkII can withstand the rough and tumble of mobile music production. On tour, at home, on stage, or at your rehearsal space: take your UR22mkII with you wherever you need ultra-reliable recording and first-rate sound. All A/D and D/A converters offer 24-bit/192 kHz recording quality for professional standards in […]
[…]ribbon microphone with a figure-8 pattern. The Output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. FEATURES: High SPL Capabilities No internal active electronics to overload […]
[…]components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice. To give the same mojo to the new Prophet-5, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in Prophet-5 Rev4, which is how we refer to the new version […]
[…]connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. With today’s unlimited track capabilities, Reamping is now accessible to everyone. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. In fact, Reamping is the magic ingredient that has […]
[…]and rugged reliability. The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. Features 9-Pattern Tube Microphone w/ dual 32mm gold sputtered thin Mylar capsules -10 dB pad & 80 Hz LF metal roll off toggle switches Frequency Response20Hz – 20kHz /- 3dB Maximum SPL136dB (0.5% THD @1000Hz) 146dB with pad engaged Equivalent noise level<17dB S/N Ratio78dB Sensitivity-35dB Hand selected Russian […]
PASSIVE DIRECT BOX • Great sounding DI with warm Bessel curve for natural tone• Linear frequency response from 20Hz to 18kHz• Transformer isolation blocks noise caused by ground loops• Ideal for acoustic guitar, bass guitar and keyboard Transformer-equipped passive direct box combines great sound withRadial’s famed build quality, yet is offered at a more affordable price.Linear from 20Hz to 18kHz, the ProDI is ideal for acoustic guitar,bass and keyboard, for both live and studio applications. Features¼” input & thru-put, -15dB pad, ground lift and XLR out. Customwoundtransformer with mu-metal can, adds protection against radiofrequencies and electro-magnetic […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. The superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule is elastically suspended internally to reduce handling noise and other solid-borne sound. The head can be angled /- 20°. The newly designed amplifier of the V4 U is completely symmetrical after the […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. A unique 33 mm beveled collar around the diaphragm causes its directivity to increase steadily and smoothly at high frequencies, as in a large-diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule iselastically suspended internally to reduce handling noise and other solid-borne sound. The head can […]
[…]The disposition and the pipe scaling are closely following the original instrument. With its warm fundamentals and expressive reeds it is per?fectly suited for a wide repertoire, even romantic and contemporary music. The disposition of the organ is printed on the last page of this booklet.? Lively concert activities with international guest organists attest to the wonderful sound of the instrument and make it known widely even outside of Germany. The sample set is available?on DVD (set of 4 DVDs, see also note below) and?for download (4 files). Disposition with virtual extensions?(in blue): R?ckpositiv (I) C-g”’ Gedackt 8′ Quintadena 8′ […]
[…]those warm tones. The Waves: Abbey Road J37 tape emulation plugin will bring stunning analog warmth to your digital recordings, delivering a level of hardware realism never before experienced “in the box.” Tape saturation plugin Created in association with Abbey Road Studios Modeled on the machine used to create countless classic ’60s tracks Includes models of three exclusive tape formulas developed by EMI Adds analog warmth to digital recordings Controls for Bias, Wow, Flutter, Tape Speed and more Comprehensive Tape Delay including three different delay types, Sync, LP and HP filter controls and […]
[…]saturations. Whether used for recording, mixing or mastering, Scheps 73 lets you enjoy all the warm tones of a fabled piece of studio hardware, […]
[…]Capsules. Perfect as a microphone for a soloist or a main microphone combining the Omni’s warm sound and the Cardioid’s directivity. Freq Response: 30 Hz – 29 kHz with CMC 6 / […]
Eight-voice polyphonic synthesiser Peak sounds warm and rich with filthy, biting overdrive. It’s an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain. Key Features • Two ways to create waveforms –Analogue-sounding NCOs (Numerically-Controlled Oscillators) and 17 digital wavetables. • A colossal amount of distortion –Three distortion points for each voice – pre-filter, post-filter and global – in an analogue signal chain. • Control expression – Peak is capable of receiving polyphonic aftertouch, which puts expression right at your fingertips. • Cross-modulate […]
[…]EQ your compressed vocals with shelf filters on the second compressor Additional Features Add warmth and grit to your vocal with five Saturation models, including Analog, Retro, Tape, Tube and […]
Renaissance Maxx delivers the warmth of vintage analog hardware with the flexibility and precision control of digital software. This is the classic Waves sound, heard on countless hit records and major motion pictures worldwide. 10 classic Waves plugins – IR-L Convolution Reverb – Renaissance Axx (compressor ideal for Guitar and Bass) – Renaissance Bass (Extends perceived bass response by up to 1.5 octaves) – Renaissance Channel (Precision Channel Strip combining EQ, compression, gating, and limiting) […]
[…]precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear. 16-band peak limiter / level maximizer plugin Built-in linear phase equalizer ARC™ Automatic Release Control IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter Linear phase filtering for maximum output, free of phase distortion Includes the L3 Multimaximizer, L3 Ultramaximizer, L3-LL Multimaximizer and L3-LL […]
[…]intended to capture the essence of the voice or instrument while adding the rich harmonics, warmth, and character of a transformer coupled tube circuit. Designed to fit inside the Radial Workhorse and other 500 series racks, the ‘single-wide’ PowerTube begins with an ultra low-noise Jensen input transformer. This exhibits near perfect frequency response while producing the warm Bessel curve Jensen is legendary for. The signal is then amplified via a select 12AX7 tube using an innovative non-radiating charge pump that supplies 140 volts to the tube to deliver the excitement and character of a high-voltage vintage tube amplifier. This feeds […]
[…]R-122, the world’s first phantom-powered active ribbon™ microphone. It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad. A switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. The Pad The R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB lower than our flagship R-121. The […]
[…]Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics – your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It […]
[…]Our users are recognizing the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics. It’s your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. The U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille. A 10 dB attenuation switch is located on the rear. […]
[…]ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. FEATURES: High SPL Capabilities No internal active electronics to […]
[…]Tracks: 128 Master Tracks: 512 Video Tracks: 64 Simultaneous recording inputs: 6 (Core Audio, ASIO), 192 (HDX Hybrid Engine, HDX Classic), 64 (HD Native) Pro Tools systems and interface support: Any Core Audio, ASIO, or WASAPI- compatible interface Multichannel mixing: Stereo, surround, Dolby Atmos, Ambisonics Advanced Automatcion Advanced audio post toolset What’s Included? Pro Tools Ultimate software Download required (includes software/plugin installers and user guides) Third-party software Celemony Melodyne 5 essential, SoundFlow Cloud Avid Edition* • Storage—1 GB cloud storage for collaboration. • Plugins, sounds, and more—Get a massive collection of effects, virtual instruments, processors, loops, third- party content, […]