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[…]and Television Themes. HOLLYWOOD ORCHESTRA production team includes ACADEMY AWARD, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winning sound engineer SHAWN MURPHY, who has recorded and mixed the scores for more than 300 feature films including Indiana Jones and the Kingdom of the Crystal Skull, Star Wars: Episode II – Attack of the Clones, Star Wars: Episode III – Revenge of the Sith, Star Wars: A Musical Journey, Jurassic Park, Jurassic Park The Lost World, Harry Potter and the Prisoner of Azkaban, Titanic, etc.; multiple award-winning EASTWEST/QUANTUM LEAP producers DOUG ROGERS and NICK PHOENIX, and composer and orchestrator THOMAS BERGERSEN. […]
[…]Nick Phoenix and Thomas Bergersen and Sound Engineer Shawn Murphy (Academy Award, C.A.S. (Cinema Audio Society), BAFTA, and EMMY award-winng sound engineer) Recorded in EastWest Studio 1, widely regarded as the “best brass recording room in the entire world” with 5 true mic positions, Hollywood Brass is designed to work seamlessly with Hollywood Strings (and the upcoming Woodwinds and Percussion). Running on the new PLAY 5, Hollywood Brass will run flawlessly on your system along with Hollywood Strings. This is also exciting news for current Hollywood Strings users, as PLAY 5 and the new Hollywood Strings program update are free […]
[…]QSP-20 Four Channel Class A Discrete Mic / Instrument Preamp with Lundahl Outputs The QSP-20 audio path uses our low noise BE41 class A discrete amplifier design in a balanced configuration at the input feeding a Lundahl audio c-core transformer at the output. Instead of the traditional input transformer we use hi-spec Wima coupling capacitors. The topology is quite different to most other mic preamps in that it is balanced from input to output. The DI inputs feature our BE43 “bootstrapped FET” input interface for a very full sound from your pick ups. The QSP-20 provides up to 70dB of […]
Buzzaudio DBC-20 Classic diode bridge stereo compressor -recording version design features audio path color The DBC-20 audio path uses our Class A discrete amplifier design in a balanced configuration from input to output, but for extra colour in this unit, we have a radio steel laminated transformer (of our own design) to couple into the diode bridge gain reduction element. This combination produces a vintage sounding compression character that can best be described as tight, colourful and rich with harmonics. dynamic ratio power In the style of compressors from the 60’s, the DBC-20 incorporates a self-adjusting ratio whereby the compression […]
Buzzaudio SOC-20 is a Discrete class A stereo optical compressor with MS matrix and Lundahl output transformer that is optimized for the Stereo Master Buss. audio path quality The main signal path of the SOC-20 compressor (including the mid/side processor) is made using our proprietary BE41 discrete class A amplifier with a Lundahl LL1517 transformer at the output. A special low impedance power supply design is used to enhance the sound quality of the BE41 amplifiers. The overall combination provides a sound character that is generally described by our users as “desireable”! mid-side processing power We have incorporated a mid-side […]
Pro Tools | MTRX 64 channel IP Audio Dante Module – requires MTRX Base […]
[…]DigiLinkTM Mini I/O interface to connect your interface to Pro Tools | HDX or HD Native. Route audio with abandon Using DADman software, you can route, split, and patch audio quickly, exibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited work ow possibilities. Save time, space, and money With its diverse connection abilities, Pro Tools | MTRX can effectively replace your army of single-format I/O and monitor interfaces taking up space in your racks. As […]
[…]options to include Thunderbolt, Dante, ProTools|HD, USB and future formats. Expandable audio I/O modules are being developed to include pre amp, analog summing, digital I/O (AES3 ADAT) which will be available in 2017. This makes for an Aurora(n) that will perform exceptionally for you now and remain innovative well into the future. Also added to the line are two audiophile-grade headphone outs with independent volume control. A 480 X 128 TFT LCD display provides immediate access to all levels and functions ? also configurable for future functionality. (n)ext Generation Aurora(n) Mastering A/D and D/A Converter ? Complete redesign integrating Hilo […]
APS (Audio Pro Solutions) SUB 15 is a unique product. In the depths of the infra bass frequencies reproduced with incredible fi delity by the legendary 15 inch woofer from TAD you will fi nd a new defi nition of bass. Powered by a massive 1000 Watt B&O ICE Power amplifi er, SUB 15 delivers an amazing 108dB SPL at 20Hz. Much of what we think is massive bass is really just loads of distortion at 200Hz to 300Hz! Some- times this distortion can approach 40 to 50% of the total sub output! SUB 15 is not designed for showing off dirty bass. It […]
APS (Audio Pro Solutions) SUB 10 is a professional active studio subwoofer, designed for accurate sound realization. SUB 10 is a professional active studio subwoofer equipped with sub-bass loudspeaker driver of 29 cm in diameter, class D power amplifier 400W at 4Ohm mounted on the rear panel, there are also calibrated controls, protections, indicators, and the input/output terminals. SUB 10 is designed for operation in stereophonic or multi-channel systems (5 1 or 7 1 and larger) such as DOLBY, DTS, THX, etc. This subwoofer is suitable for small/mid-sized: recording studios, broadcasting studios, TV studios, multimedia studios, post production facilities, mastering, […]
APS (Audio Pro Solutions) TRINITY is the holy grail of sound experience. It combines all our experience in speaker design into one powerful, precise and overwhelmingly realistic sounding package. What You Hear is What You Get. When mixing any material, be it a hit song for an upcoming album or a soundtrack for a blockbuster movie, you want to be able to rely on what you hear. The mid driver used in TRINITY provides the missing link, giving you unprecedented control over that frequency range. Get hold of your sound. You will never let it go. Custom designed class A/B […]
APS (Audio Pro Solutions) COAX COAX is an active near-fi eld studio monitor. Thanks to its coaxial loudspeaker – where precoated fabric dome of the tweeter intergrates with the cone of woofer to a point source – the acoustic position of the source remains the same regardless of change in distance. Such design makes COAX a perfect tool for precise stereo image control, making work on panning and spatial eff ects a breeze. Despite its small size it had proven to be a great tool for tracking instruments where its razor like stereo image proved very useful. High-quality components and our no-compromise […]
APS (Audio Pro Solutions) AEON is the first and most popular APS product to date. Designed for experienced users such as sound engineers, music producers and musicians it has proven to be a very valuable tool, thanks to its balanced, dynamic and detailed sound that cuts through your mix with razor accuracy. AEON takes full advantage of our extended experience in speaker design as well high quality of workmanship. It has some interesting features such as the unique bass controller. In most speakers this electronic extension of the lower range is hard wired. Here the user has the option to […]
APS (Audio Pro Solutions) Klasik near-field monitor. By using a very light, 19mm tweeter dome we managed not only to achieve great detail in the upper range of Klasik but also to provide excellent directional response.Thanks to a 7 inch woofer sporting a very powerful and technologically advanced magnetic circuit Klasik offers a very precise and fast bass and mediums, very useful for precise EQ work.Its active crossover was designed to the highest standard.Each Klasik is carefully calibrated to the template and paired. The incredible amount of work that went into Klasik puts it right next to some substantially more […]
[…]of the older mics. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema […]
[…]a good trade-off. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]It has been used as historical replacement parts on the vintage M50s. FET Circuitry Wunder Audio CM50 FET Suprema incorporates an audiophile grade MOSFET circuit. Sonically, the MOSFETs enhance low-level detail retrieval and provide a startling improvement in low noise performance, adding a sense of purity on vocals and strings thought to be impossible in transistor amplification. There is also a sense of linearity that allows the microphone to maintain consistency of clarity and tonal balance from low to high levels, so there is no more confusion and congestion when the volume is pushed. The staging, depth retrieval and […]
[…]EMI/RF rejection. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver Gold […]
[…]for noise levels. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]to the VF14. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver […]
[…]EMI/RF rejection. Capacitor We’ve optimized our passive components to achieve a true audiophile performance. While audiophile equipment is usually referred to at the end of the chain in recording, we feel that it is most important that the first link in the recording chain, the microphone, be the best attainable. To be able to listen to the best possible recording, you must be able to record the source with minimal amounts of noise and distortion and be able to accurately capture every nuance of the sound. We’ve enhanced our true to vintage microphones by utilizing the Suprema Silver Gold […]
[…]and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market. VIDEO CLOCKING All that you love about Antelope’s cult Trinity Master Clock now in just 1U. Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, […]
[…]enabled, Red Evolution mic preamps and dual Thunderbolt™2, Pro Tools|HD and Dante™network audio connectivity. Red 8Pre – The newest spin on Focusrite’s best interface yet. There’s never been a better Focusrite audio interface range than the Red Range. The second member of this acclaimed new series, the Red 8Pre features eight new, specially-developed ‘Red Evolution’ mic preamps with ‘Air’ transformer emulation, high-headroom instrument inputs, a new low-noise conversion design plus a grand total of 64 inputs and 64 outputs (including 16 analogue inputs and 18 analogue outputs), Red 8Pre incorporates dual Thunderbolt™2 ports for round-trip latency as low as 1.67ms, and […]
[…]internal content expressively with power and clarity. Streamlined Workflow USB Audio/MIDI Connection Connect MONTAGE to your computer with a single USB cable and capture every nuance of your creativity into your DAW. MONTAGE’s powerful USB driver can send 16 and receive 3 channels of STEREO 24-bit/44.1kHz digital audio to/from your computer or iOS device (MONTAGE is class compliant, no driver needed!), no other hardware required! SSS (Seamless Sound Switching) Seamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without […]
[…]internal content expressively with power and clarity. Streamlined Workflow USB Audio/MIDI Connection Connect MONTAGE to your computer with a single USB cable and capture every nuance of your creativity into your DAW. MONTAGE’s powerful USB driver can send 16 and receive 3 channels of STEREO 24-bit/44.1kHz digital audio to/from your computer or iOS device (MONTAGE is class compliant, no driver needed!), no other hardware required! SSS (Seamless Sound Switching) Seamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without […]
[…]fed from D-A or mic pres 24-bit A-D and D-A up to 192kHz sample rate – ideal for hi-res audio Dual-port ADAT I/O – eight channels at up to 96kHz, four channels at 176.4/192kHz Switched insert with true bypass on every channel Mic Pres and front panel instrument inputs with extra headroom Six-segment LED metering and channel clip indicators 48v Phantom Power to all inputs Word Clock I/O and JetPLL jitter […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes easily. OPTIONAL: iLOK USB Dongle Qualified mini digilink or digilink w/ adapter audio […]
[…](2 separate sounds) in each Program. IN/OUT MIDI In, Out, Thru, and Poly Chain Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER Includes power supply for 110V – 240V AC operation (13-15 VDC, 600 mA) and operation manual. PHYSICAL SPECS Oiled mahogany wood end panels Dimensions: 12.1″ (30.73 cm) W x 34.8″ (88.39 cm) L x 3.875″ […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power […]
[…]with Pro Tools Ultimate Perpetual license with Annual Support. -requires AVID HD IO or third party audio interface that supports Mini Digi-link or Digi-link (with adapter) Optional: iLok USB […]
[…]optional Pro Tools HD or third party DAW software. Requires AVID HD I/O or third party audio interface that supports Mini dig-link or Digi-link (w/ […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]includes the new STEMS file export feature, making ADX TRAX Pro 3 the perfect crossover tool for Audio Engineers, DJs, Producers, Remixers and Post Production Engineers. The Pan-Specific View adds another dimension to the Spectrogram, that of position within the stereo field. When the Pan-Specific View is engaged, you no longer see a left and a right channel on your spectrogram, you only see the selected range within the stereo field, represented by a single channel. All of TRAX Pro’s spectral processing and selection tools can then be applied with the Pan-Specific View active. FEATURES *NEW* Pan-specific spectral editing feature […]
[…]straight-forward refinement tools and its ability to separate melodic content from mono or stereo audio files; the original TRAX software is a valuable time saver for a multitude of creative audio applications. *New! – Version 3 features a Consonants Annotation tool, and support for the new STEMS file Format. (A Stem file contains a track split into four musical elements: A drums stem, a bassline stem, a melody stem, and a vocal stem for example.) FEATURES *NEW* Consonants Annotation tool *NEW* Export files in STEMS format Import MIDI as a Pitch Guide Intuitive, User Friendly Graphical User Interface Non-Destructive Audio […]
[…]VEX (vocal extraction) technology as ADX TRAX and ADX TRAX Pro to automatically separate audio with the convenience of working within your favorite DAW. Once the file is separated, users can effectively adjust the volume and pan positioning of the lead for various pro audio workflows in post production, broadcast, advertising and marketing industries. You can now rent the plugin for a full 7 days from the time of payment. The rental does not auto renew, but you can easily rent it again for another 7 days any time you need it. This allows for maximum flexibility by making it […]
[…]allow adjustments of all aspects of monitor settings. Covering all possible analogue or digital audio applications, the 8340A is the most advanced monitoring solution for recording studios, post-production houses, digital edit suites, radio, TV and outside broadcasting. You can now focus all your creativity in the audio productions with a reliable monitoring tool, anywhere you are. SPECS: Maximum sound pressure level 1 Free field frequency response Accuracy of frequency response Crossover 110 dB 38 Hz – 22 kHz (-6 dB)± 1.5 dB (44 Hz – 20 kHz) 2.6 kHz Drivers Woofer 6 1/2 inchTweeter 3/4 inch metal dome and DCWTM Amplifier power per channel […]
[…]allow adjustments of all aspects of monitor settings. Covering all possible analogue or digital audio applications, the 8350A is the indispensable monitoring solution for recording studios, post-production houses, digital edit suites, radio, TV and outside broadcasting. You can now focus all your creativity in the audio productions with a reliable monitoring tool, anywhere you are. SPECS: Maximum sound pressure level 1 Free field frequency response Accuracy of frequency response Crossover 112 dB33 Hz – 22 kHz (-6 dB)± 1.5 dB (38 Hz – 20 kHz) 1.8 kHz Drivers -Woofer 8 inch -Tweeter 1 inch metal dome and DCWTM Amplifier power […]
[…]mic/line inputs with broadcast/studio-quality preamps ASIO- and Core Audio-compliant audio I/O 6 line outputs, 4 headphone outputs Connects via a single Ethernet cable (Cat 5e/Cat 6) Quick-view front panel metering High-definition 192 kHz ADC conversion Tech: 1U rack-mounted (standard 19” rack-mount wide, 4U high, 380-mm deep excluding connectors) Supported sample rates: 44.1, 48, 88.2 and 96 kHz (176.4 and 192 kHz will be supported in the future) 12 channel mic/line inputs (on XLR/TRS combo) 6 channel line outputs Word Clock I/O 2 SoundGrid ports (RJ45s) Reset switch 4 headphone outputs with analog level knobs; range: Off to 15 dB Clock: […]
[…](Logic, Cubase, Nuendo, Ableton, Pro Tools Native, etc.) with SoundGrid applications and ASIO/Core Audio drivers, and offload your plugin processing to the built-in DSP server. In both modes, you can connect additional SoundGrid-compatible components to your system with a single Cat 5e/Cat 6 Ethernet cable. DiGiGrid DLS comes with the complete SoundGrid Studio System Software (the SoundGrid Studio Application, StudioRack, and the eMotion ST mixer). Used in combination with this software, the DLS, with its built-in SoundGrid server, gives you unequaled processing power. With full plugin integration inside your DAW, the DLS enables you to monitor and mix using up to […]
[…](Logic, Cubase, Nuendo, Ableton, Pro Tools Native, etc.) with SoundGrid applications and ASIO/Core Audio drivers, and offload your plugin processing to a SoundGrid server. In both modes, you can connect additional SoundGrid-compatible components to your system using a single Cat 5e or Cat 6 Ethernet cable. DiGiGrid DLI comes with the complete SoundGrid System software (the SoundGrid Studio Application, StudioRack, and the eMotion ST mixer). By adding a SoundGrid DSP server along with the DLI, you will enjoy unequaled processing power, with new options for real-time tracking, monitoring and mixing. With full plugin integration inside your DAW, you can run up […]
[…]analogue-to-analogue round-trip latency through DAW with Focusrite RedNet A-D/D-A* ASIO and Core Audio drivers Thunderbolt PCIe chassis compatible *Dependent on ASIO/Core Audio buffer […]
[…]channels of AES/EBU digital I/O, to and from the Dante network. Electronically-balanced analogue audio is input and output on DB25 connectors. Features: 16 channels of high-quality line-level analogue I/O 24-bit precision Focusrite conversion up to 192kHz 119dB dynamic range, flat from 20Hz – 20kHz, /-0.05dB Internally balanced throughout Dante-based remote-controlled audio-over-IP connectivity Dual power supplies and network connections with full power and network redundancy including locking connectors for maximum reliability Word Clock I/O and DARS for increased flexibility plus an additional two channels of AES/EBU I/O Analogue I/O to AES59 standard on DB25 connectors Comprehensive front-panel indicators Software-based routing and […]
[…]Featuring Focusrite’s precision 24-bit A-D and D-A conversion, RedNet A8R delivers superb audio performance with 119dB dynamic range at standard sample rates up to 192kHz, with pull up/down. Features: – Eight channels of high-quality line-level analogue I/O – 24-bit precision Focusrite conversion up to 192kHz – 119dB dynamic range, flat from 20Hz–20kHz, /-0.15dB – Internally balanced throughout – Dante-based remote-controlled audio-over-IP connectivity – Dual power supplies and network connections with full power and network redundancy – including locking connectors for maximum reliability Word Clock I/O and DARS for increased flexibility plus an additional two channels of AES/EBU I/O – Analogue I/O to AES59 […]
[…]key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver. – See more at: http://www.fostexinternational.com/docs/products/New_RP-Series.shtml#content-2-tab-tab Driver: Regular Phase (or Orthodynamic)Impedance: 50 ohmSensitivity: 91dB (at 1kHz, 1mW)Frequency Response: 20Hz – 35kHzMaximum Input Power: 3000mWWeight: 315gCable: Detachable 1/4” Stereo Phone (3m) and Stereo Mini […]
[…]key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver. – See more at: http://www.fostexinternational.com/docs/products/New_RP-Series.shtml#content-2-tab-tab Driver: Regular Phase (or Orthdynamic)Impedance: 50 ohmSensitivity: 92dB (at 1kHz, 1mW)Frequency Response: 15Hz – 35kHzMaximum Input Power: 3000mWWeight: 315gCable: Detachable 1/4” Stereo Phone (3m) and Stereo Mini […]
[…]combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound Nine consistent directional characteristics – cardioid, omni-directional, figure-8, broad cardioid, supercardioid and four intermediate patterns – for maximum flexibility in a wide variety of recording applications Superior dynamic range of 128 dB-A (Tube) / 135 dB-A (FET) and exceptionally low self-noise of 12 dB-A (Tube) / 8 dB-A (FET) for ear-catching realism and distortion-free sonic depth 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user […]
[…]in a black case; includes PSU 840 power supply unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen Technical Acoustical operating principle pressure gradient transducer,externally polarized Transducer Ø 25,4 mm1 inch Directional pattern omnibroad-cardioidcardioidsuper-cardioidfigure-8selectable on remote control Frequency range 20 … 20.000 Hz Sensitivity 23 mV / Pa (-33 dBV), cardioid20 mV / Pa (-34 dBV), omni23 mV / Pa (-33 dBV), figure-8 Signal / noise ratio 85 dB-A Equivalent noise level (IEC 61672-1) 9 dB-A, cardioid10 dB-A, omni (IEC 61672-1)9 dB-A, figure-8 (IEC 61672-1) Dynamic range of […]
Indoor -Acoustics for POST Indoor is Audio Ease’s flagship convolution reverb for Audio Post. Indoor features unprecedented sound quality, flexibility and ease of operation, AAX DSP support, click-free automation, zipper-free motion and up to nine channels of reverb, in a single resizable window without tabs. Indoor can take your studio recordings from understated to overdone, always remaining stunningly real. So that hearing is believing. • Location location Every room, hallway and kitchen from 10 houses and vehicles, 60 spaces sampled from every angle. Click to drop speaker and microphone in any room, or to open and close doors. • Any room to any […]
[…]or fixing deteriorating film and television soundtracks, Restoration is your all-in-one audio cleaning solution. Five intuitive audio plugins for noise reduction Everything you need to revive damaged recordings Includes Z-Noise, X-Noise, X-Hum, X-Click, and […]
[…]by Dave himself, the Dave Audé EMP Toolbox contains six cutting-edge Waves audio processors he uses most in his mixing and mastering sessions, including the highly intuitive Element synthesizer plugin. Must-have plugins for any electronic music producer, these processors are as powerful as they are creative, and can shape your mixes in any direction you wish to […]
[…]Kramer Master Tape, HLS Channel, and PIE Compressor. Together, they recreate Eddie’s golden audio chain, which he used to record musical icons like Jimi Hendrix, Led Zeppelin, and The Beatles. Now, the legendary sound of London’s Olympic Studios can be yours—with Tape, Tubes & Transistors. Three meticulously-modeled plugins Recreates the golden recording chain used by Eddie Kramer at London’s Olympic Studios Includes Kramer Master Tape, HLS Channel and PIE […]
[…]saturations. Whether used for recording, mixing or mastering, Scheps 73 lets you enjoy all the warm tones of a fabled piece of studio hardware, […]
[…]insures the maximum output and robust system protection with virtually no audible effect. The audio input incorporates an InGenius® balanced line receiver, providing very high common mode rejection, to eliminate noise often present in systems with less optimized grounding and wiring schemes. Low voltage contacts are provided to remotely turn the ampli er on and off. APPLICATIONS Laboratory Reference System • Recording Studio and Mastering • Post Production and Screening Room • Cinema Subwoofer • House of Worship • Theatrical Sound Reinforcement Nightclub Installation • Surround Sound Low Frequency Effects Single 18” Infra Subwoofer System• Includes Both Internal Infra Processor and Amplifier• Configured […]
[…]stunning stereo imaging, excellent noise performance, and plenty of gain and punch. Most pieces of audio gear include a headphone output of some sort, but many of them are a mere afterthought in the design process. The HPA100 is designed for critical headphone monitoring situations – when you need to know that what you are hearing in your phones is not compromised by a shortcut in design. Built around top-quality time-tested components, and enclosed in a quality-designed all-metal space-saving enclosure, the HPA100 is certain to become a valued and trusted addition to your studio or audiophile listening setup. Balanced stereo […]
Waves Broadcast and Surround Plugin Suite Industry-standard broadcast audio plugins for TV, radio, film and webcasting: noise reduction, loudness metering, and surround mixing, upmixing and downmixing. The Broadcast and Surround Suite includes the following high-end tools to ensure a smooth, engaging and highly professional broadcast mix: The DTS® Neural™ Surround plugins for surround upmixing and downmixing. All plugins from our 360° Surround Tools collection, including 5.1 tools for compression, limiting, reverb, spatial enhancement, subharmonic generation, and more. Noise reduction plugins: the advanced WNS Noise Suppressor and the simple-to-use NS1 Noise Suppressor, both designed for real-time broadcast as well as post-production. Precision loudness measurement tools for stereo and surround: […]
[…]license from DTS®: three plugins for upmixing stereo sources, downmixing 5.1 and 7.1 surround audio, and converting mono content to stereo. The DTS Neural™ Surround Collection is designed for live sports and music broadcasts, internet streaming, and post-production for television and film. The three included plugins—DTS Neural™ Surround UpMix, DTS Neural™ Surround DownMix and DTS Neural™ Mono2Stereo—provide real-time processing for upmixing stereo sources to surround, downmixing surround sources to stereo, and converting mono content to stereo with full spectral accuracy. Together, these plugins provide a discrete-sounding, end-to-end surround delivery system for any live broadcast or post-production situation. The DTS Neural […]
[…]supports Open GL 2.0 Plug-in formats AAX (64-bit), AAX AudioSuite (64-bit), RTAS (32-bit), DPM AudioSuite (32-bit), VST2, VST3, and Audio […]
[…]m108 control computer utility. And an optional DANTE™ interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108’s to an existing m802 system. FEATURES: • 8 channels of balanced analog preamp outputs • 8 channels of transparent, musical mic preampli er • Wide gain range: -8 to 74dB • Ribbon mic mode • 8 channels of 192kHz ADC outputs via AES, ADAT (4ch SMUX) and USB Class 2 • External Word clock in and out • Reference DAC and headphone ampli er for low-latency monitoring of channel pairs or USB […]
[…]which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout […]
[…]with their own. If you are a tone FREAK like me you will love the ability to do this. Beware that Warm Audio may not be able to warranty a unit that has been opened and tinkered with. Below are some examples of 6 pin opamps that can pop right into the Tone Beast! Specifications 71db of Gain. CUSTOM DESIGNED Cinemag input and output transformers MADE IN THE USA! TONE button – switches the input impedance from 600 ohms to 150 ohms. Changes the tone of both the mic and HI-Z inputs. Fully Discrete. High voltage 1731 style operational amplifier. 48 […]
Warm Audio Wa12 500 series microphone preamp A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it. If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12. The WA12 is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that […]
Warm Audio EQP-WA Classic Vintage Style EQ The EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the “Pultec EQP-1A”. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade […]
[…]the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer. SPECIFICATIONS ‘2A Style, Transformer balanced, high voltage, opto tube compressor Fully discrete signal path Utilizes custom USA made CineMag input and output transformers Utilizes USA made Kenetek opto attenuator. Socketed to allow for retro-fitting with other opto-cells Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5 Variable Pre-emphasis, allows […]
Warm Audio’s WA76 Discrete Compressor is a modern reproduction of the Classic ’76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering’s (now CineMag) transformer design. The classic ’76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the ’76 for decades, and now it is finally affordable! Specifications True to the Classic ’76 compressor in design and performance Completely discrete signal path Modeled after the D revision Utilizes USA made CINEMAG input and output transformers Supports the famous “all buttons […]
[…]Fredenstein’s proprietary Reverse-Mancini opto architecture2) our advanced OPA2 discrete Audio Operational Amplifier3) the American made vintage style steel core output transformer Like most opto compressors, the Fredenstein Artistic Leveler features a fixed threshold. The compression depth is controlled by changing the input gain. Increasing the input gain will cause the Leveler to apply an increased gain reduction. The output level control is used to make up for the gain reduction. The maximum compressor output gain is 20 dB.The ATTACK TIME switch and RELEASE TIME control define how fast the compressor reacts and how fast it falls back after the signal […]
[…]Fredenstein’s proprietary Reverse-Mancini FET architecture2) our advanced OPA2 discrete Audio Operational Amplifier3) the American made vintage style steel core output transformerAs all Fredenstein products, the Artistic Comp is designed by a German-American team and manufactured in […]
[…]a very affordable price. Key component to achieve this performance level is our new OPA2 discrete audio operational amplifier. As all Fredenstein products, it is not a copy of an older design, but a completely new circuitry manufactured in SMT technology. Matched and integrated dual input transistors guarantee vastly improved specifications compared to older designs. The OPA2, following the tradition of well known manufactures, is socketed and can be exchanged without tools. The industry standard pin-out makes it compatible with many manufactures. Another very important sound shaping component is the American-made steel-core output transformer, which has this smooth vintage sound […]
[…]have a fixed height which might just not suit your particular situation: As every hifi and pro audio enthusiast knows, you need to constitute a perfect triangle between your head and the two loudspeakers and that can be tricky – what with furniture and other gear filling up the space. This is why ZAOR, who are dedicated to finding unique solutions, has come up with a nice range of adjustable speaker stands. Of course the other important requirement from a great speaker stand is that it does not resonate when exposed to sound like most of metal stands have (a […]
[…]these artificial release layers, you can select to only use the default release sample in the rank audio output routing screen in Hauptwerk. Advanced Features: The compass is extended up to g”’ in the manuals and f’ in the pedal. There is a switch to toggle between extended and original compass. This is mainly because some of the stops are repeating, and for the extended compass they break at c”’. The tremulant can be switched to work as in the original, effecting the entire organ, and to only effect the OW, which makes it much more useful. The organ is tuned […]
[…]The disposition and the pipe scaling are closely following the original instrument. With its warm fundamentals and expressive reeds it is per?fectly suited for a wide repertoire, even romantic and contemporary music. The disposition of the organ is printed on the last page of this booklet.? Lively concert activities with international guest organists attest to the wonderful sound of the instrument and make it known widely even outside of Germany. The sample set is available?on DVD (set of 4 DVDs, see also note below) and?for download (4 files). Disposition with virtual extensions?(in blue): R?ckpositiv (I) C-g”’ Gedackt 8′ Quintadena 8′ […]
[…]keep track of even the largest projects File Group system for conveniently organizing your audio files and Audio Montages Further improvements such as clip-based send effect automation (envelope-based), plug-in search, naming scheme and more rendering options WaveLab Pro 9.5 introduces many improvements for mastering and editing workflows as well as carefully selected features for audio refinement and polishing. Ranging from a top-notch Spectrum Editor to the new restoration plug-in suite to the unique Audio Inpainting technology alongside a redesigned and enhanced plug-in set — WaveLab 9.5 is a quantum leap in audio quality. New features at a glance Pristine 64-bit floating-point […]
[…]R-122, the world’s first phantom-powered active ribbon™ microphone. It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad. A switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. The Pad The R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB lower than our flagship R-121. The […]
[…]be freely patched to any output – including the 24 channels of its Class Compliant USB 2.0 audio interface format. When attached by MIDI (DIN, MIDI over MADI, or USB) to an RME audio interface running TotalMix FX, the OctaMic XTC can be remote controlled directly within the input channel strips of TotalMix. An example is the combination of the renowned Fireface UFX with an XTC on top, connected via ADAT, adding 8 analog inputs and 4 analog outputs to RME’s flagship interface. Full remote control support allows the unit to be as close to the analog signal source as […]
Babyface Pro 24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion. FEATURES: Two digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the […]
[…]delay, Delay, Flanger, Chorus, Analog Reverberator Arpeggiator 12 CV / Gate Inputs/Outputs Audio Input, Line or Instrument level Stereo audio output MIDI and USB I/O Pedal inputs for Expression and […]
[…]and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio. The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity Ultra-low latency performance Intuitive […]
[…]and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio. The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity Ultra-low latency performance Intuitive […]
[…]and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio. Symphony I/O Mk II 8×8 allows for 16 ch in and out simultaneoulsy. 8 ch. ad/da and 8 ch dig. The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value […]
[…]and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio. The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity Ultra-low latency performance Intuitive […]
[…]5 stereo)* 2 Stereo Matrix Outs 4 Mute Groups 4 FX Engines 4 FX Sends / Returns 10 Soft Keys USB Audio Streaming DAW MIDI Control AES Digital Out Recallable AnaLOGIQTM Preamps Qu-Drive direct Multitrack Recording / Playback on USB drives 800×480 Touchscreen iLive FX Library dSNAKETM Remote Audio Port Automatic Mic Mixer* Compatible with ME Personal Mixing System Qu-Pad iPad App Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid with feedback elimination […]
[…]GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance. Hot new features in Qu V1.8 firmware (coming in mid-October) include Automatic Mic Mixing and a Spectrogram for feedback-hunting. Qu Chrome Edition models also feature upgraded, high contrast metallic finish controls. Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-16. TheQU series digital mixing consoles are designed for a broad range of applications from live sound, DAW controll and studio recording, perfect for clubs, live sound production and houses of worship. The QU […]
[…]motorized “total recall” faders • Dedicated Talk Back Mic input • Dsnake remote audio Port for Digital snake connectivity with A&H remote audio racks • Compatible with A&H ME-1 Personal Monitor Mixer • Controllable via iPAD with QU pad app (free download) • 4 Mute Groups, 4 Stereo Subgroups, 2 Stereo Matrix • 10 User Soft Keys •• Controllable via iPAD with QU pad app (free download) • 24 Mix outputs each with Comp, 4 Band Parametric EQ, Graphic EQ and Delay • 4 DCA groups 16 Channels of Automatic Mic […]
[…]precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear. 16-band peak limiter / level maximizer plugin Built-in linear phase equalizer ARC™ Automatic Release Control IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter Linear phase filtering for maximum output, free of phase distortion Includes the L3 Multimaximizer, L3 Ultramaximizer, L3-LL Multimaximizer and L3-LL […]
[…]and powered by Waves’ Virtual Voltage technology. Designed to create sounds that range from warm acoustic and analog emulations to completely new, never-before-heard intricate and evolving textures, Codex’s sound design capabilities put infinite possibilities at your fingertips. The Codex synth comes with hundreds of original sound presets, but also lets you import your own audio files, turn them into wavetables and manipulate them as you like. Thanks to its advanced formant control technology, Codex maintains consistent resonance character that is true to the original signal and gives you direct control over the acoustic resonance of the sound. Codex also innovatively […]
Renaissance Maxx delivers the warmth of vintage analog hardware with the flexibility and precision control of digital software. This is the classic Waves sound, heard on countless hit records and major motion pictures worldwide. 10 classic Waves plugins – IR-L Convolution Reverb – Renaissance Axx (compressor ideal for Guitar and Bass) – Renaissance Bass (Extends perceived bass response by up to 1.5 octaves) – Renaissance Channel (Precision Channel Strip combining EQ, compression, gating, and limiting) […]
[…]the card and a HDX PCIe Card or HD Native interface. It will now allow you to sell our networked audio interfaces to Pro Tools HD users as they can now be a direct replacement for HD interfaces from AVID. The PT64 fits into the option slots of a Merging Technologies Horus or Hapi in the same manner as the Analog option cards do. Hapi: Slot 1 & 2 can both be filled with PT64 cards (128 I/O Total) Horus: Slot 3 & 6 can be filled with PT64 cards (128 I/O Total) Sample rates available: 44.1 – 48kHz […]
[…]system deployment costs Superb digital to analogue conversion provides transparent and accurate audio quality Powerful headphone amp delivers plenty of level even with high-Z headphones for maximum high-quality audibility Independent headphone/line output level controls for maximum control Line output mute switch instantly kills the signal to external speakers or power amps Integrated Gigabit Ethernet switch allows connection of a second device for simpler cabling Built-in mic stand mount plus non-slip feet – mount RedNet AM2 to a mic stand or place securely on a […]
This support is offered by Audio DAWg to customers for a one time phone support with remote login. For PC and Mac software and hardware related issues. (30 min […]
[…]plugin or as a per-track effect. Lock and load. Edison – a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position. Slicex – Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller. Vocodex – Vocodex is simply one of the best sounding vocoders on the […]
[…]plugin or as a per-track effect. Lock and load. Edison – a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position. Slicex – Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller. Vocodex – Vocodex is simply one of the best sounding vocoders on the […]
[…]670, the Pultec EQP-1A, and the Pultec MEQ-5 are among the most sought-after pieces of gear in audio history. Jack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry. When JJP requires the perfect sound, he turns to these studio legends. Now, Waves has precision-modeled these rare pieces and captured every detail of their rich harmonic […]
[…]those warm tones. The Waves: Abbey Road J37 tape emulation plugin will bring stunning analog warmth to your digital recordings, delivering a level of hardware realism never before experienced “in the box.” Tape saturation plugin Created in association with Abbey Road Studios Modeled on the machine used to create countless classic ’60s tracks Includes models of three exclusive tape formulas developed by EMI Adds analog warmth to digital recordings Controls for Bias, Wow, Flutter, Tape Speed and more Comprehensive Tape Delay including three different delay types, Sync, LP and HP filter controls and […]
[…]projects the finishing touches of power and perfection. With over 20 state-of-the-art plugins for audio restoration, mixing, mastering, and more, B&P gives you the processing power you need to take it to the airwaves. Over 20 state-of-the-art plugins For audio restoration, mixing, mastering and more Includes vintage models, noise reduction tools, equalizers, dynamics and […]
[…]join forces to bring you impeccable models of four compressors considered true classics by audio engineers the world over. Four modeled plugins based on classic compressors Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge Includes CLA-2A, CLA-3A, CLA-76 Blacky & CLA-76 […]
[…]new era of rhythmic possibilities! • Trash 2 (plus two Expansions) -for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue. • Stutter Edit – It’s an effect. It’s an instrument. It’s Stutter Edit—an innovative tool for both studio and stage, designed by BT and developed by iZotope. Tear up your tracks in real time, building thrilling fills, complex effects, shimmering sweeps, and staggering […]
[…]our BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for the best possible audio performance that mastering engineers desire. It also has the unique BE44 discrete line output amplifer that acts like a transformer and can respond to balanced or unbalanced loads. But sometimes you might need a bit more color, so we have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq […]
[…]to 240V AC, 50 to 60 Hz. • Increased output currents: -16V DC 3.2A and 48V DC 0.3A • Auxiliary Audio Inputs and Outputs Built-in Audio Routing: Modules can be daisy-chained by simply using the menu driven user interface on the LCD. • Compressor buss linking: Compressor modules can be linked simply using the menu driven user interface on the LCD as well. Multi-Layer Backplane: Increased signal integrity and lower noise floor. • Ground-lift […]