Search results for "warm audio"
| Results 201 - 300 of 786
|
Page 3 of 8
|
|
Sorted by: Relevance | Sort by: Date
|
Results per-page: 10 | 20 | 50 | All
|
The V4 is a large-diaphragm multi-pattern FET condenser microphone. Specifications: Transducer Type: Condenser Capsule Size: 1.34″ / 34mm (dual-capsule) Diaphragm Size: 1.04″ / 26.4mm Capsule Diaphragms Thickness: 3µm Electronics Type: Solid-state, electronically-balanced output Output Impedance: 200Ω Max SPL: appx. 135dB (145dB w/ Pad) Frequency Response: 20Hz-20000Hz Equivalent Noise Level: <=14dBA (A-weighted) Sensitivity: TBA Output Connector: Male XLR 3-pin, gold-plated High-Pass/Rolloff Switch: 120Hz (either/or with pad) Attenuation/Pad Switch: -10dB (either/or with rolloff) Finish: Polished nickel trim / High-gloss Pinot Noir Weight (microphone): 0.83 lbs / 0.38 kg Weight (in case): 5.63 lbs / 2.56 kg Dimensions (microphone): 7.25″ long, 1.8″ diameter / […]
1176LN Classic Limiting Amplifier FET-Style Compressor with Class A Output & Custom Transformers — True to the Original The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the […]
The A3X is the most compact monitor of the AX Series. Specially designed for studio environments with limited space, the A3X easily meets professional requirements. Three-dimensional spatial representation, a controlled, deep bass response and accurate sound reproduction, especially in the critical areas between 200 and 400 Hz, make it the first choice for smaller, even mobile studio setups. With the A3X, analytical listening is possible without taking away musical enjoyment. Its excellent transient response and ability to easily play very dynamic tracks in all musical genres let it clearly stand out from comparable monitors in this price range. General […]
A5X Nearfield Monitor 2-way, 5.5″ woofer The A5X is popular among professionals working in television studios and remote broadcast vans. The A5X can also be found in numerous home/project studios around the world. Its open, powerful sound makes the A5X a trustworthy and useful tool for multimedia applications as well. Like all models of the AX-Series, the A5X is equipped with ADAM‘s proprietary X-ART tweeter. One 5.5“ bass/midrange woofer works below 2.5kHz and is driven by a 1.5“ voice coil and a powerful 50 Watt PWM amplifier. Its acoustic qualities give you a clear picture of the smallest changes in […]
A8X Nearfield Monitor 2-way, 8.5″ woofer The A8X adds to the AX-Series as a unique model because its power and radiation characteristics allow it to be used as both a nearfield and midfield monitor. It represents a particularly attractive entry-level model for midfield monitoring which offers transparent reproduction of higher frequencies, clear mids and an excellent transient response. The extra large, front-positioned bass reflex ports are perfectly matched with the bass/midrange driver that has a 1.5″ voice coil. Thus the A8X can play very low registers with a powerful punch, and the greatest possible precision. The 150 Watt PWM amplifier […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Left Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
A77XA Nearfield Monitor 3-way, 2×7″ Woofer, Right Configured The A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. […]
[…]in a black case; includes PSU 840 power supply unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen Technical Acoustical operating principle pressure gradient transducer,externally polarized Transducer Ø 25,4 mm1 inch Directional pattern omnibroad-cardioidcardioidsuper-cardioidfigure-8selectable on remote control Frequency range 20 … 20.000 Hz Sensitivity 23 mV / Pa (-33 dBV), cardioid20 mV / Pa (-34 dBV), omni23 mV / Pa (-33 dBV), figure-8 Signal / noise ratio 85 dB-A Equivalent noise level (IEC 61672-1) 9 dB-A, cardioid10 dB-A, omni (IEC 61672-1)9 dB-A, figure-8 (IEC 61672-1) Dynamic range of […]
[…]to Monterey 12 on 64-bit Apple OS and 64-bit Hardware ● CPU Apple Silicon or Intel ● Core Audio based audio interface (Internal or External) for Digital Audio Workstation (DAW) main audio output ● 2GB RAM available on top of DAW requirements ● 100MB disk space for the software installation ● USB port on the computer for direct connection ● 1280×800 (or higher) display resolution Windows ● Plug-in formats: VST3 ● Windows 10 (Build 1909 and later) and Windows 11, 64-bit OS ● CPU Intel Core i5 (or higher) processor or an AMD Ryzen 5 (or higher) multi-core processor with […]
[…]second knob drives the input to the output tube. Together, you can dial in sounds from pristine to warm and harmonically rich. TRUE48? DYNAMIC PHANTOM POWER True48 is a dynamic phantom power supply that provides a steady power supply for your contender and active microphones. Standard phantom power supplies often do not deliver enough power for todays microphones. True48 ensures your mics get the power they need which results in higher headroom, quicker transient recovery, and smoother response. INPUT LEVEL LEDS A four segment input level indicator lets you see the input level allowing your to make appropriate gain decisions. […]
[…]enable compression of all frequencies except bass. Flat frequency response over full audio range and beyond. Very low phase shift and harmonic distortion (unless pushed hard). Push-pull design gives a natural warm sound with high output level. Output trim controls for fine adjustment or lower level operation. Balanced ins and outs with custom made Sowter transformers. Bypass switch on each channel removes all electronics. Standby switch to prolong valve life. Distortion effects can be created with Standby […]
[…]mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our Audio/Video Library. Royer’s Patented Offset Ribbon Technology The R-10 Hot Rod’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). Features/Applications FEATURES • High SPL capabilities for electric guitar, brass and other close miking […]
[…]mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our Audio/Video Library. Royer’s Patented Offset Ribbon Technology The R-10 Hot Rod’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). Features/Applications FEATURES • High SPL capabilities for electric guitar, brass and other close miking […]
[…]combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound Nine consistent directional characteristics – cardioid, omni-directional, figure-8, broad cardioid, supercardioid and four intermediate patterns – for maximum flexibility in a wide variety of recording applications Superior dynamic range of 128 dB-A (Tube) / 135 dB-A (FET) and exceptionally low self-noise of 12 dB-A (Tube) / 8 dB-A (FET) for ear-catching realism and distortion-free sonic depth 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user […]
[…]?This is a massive program! ? Game Audio -?Nuendo is the premier choice for game audio production. Game Audio Connect 2 -Wwise Automatic naming scheme Recall a Nuendo project directly from within Wwise Version control by Perforce -seemless integration wither Perforce, the premier version control system.?Any change in the Nuendo project is automatically monitored in the background, making manual interactions unnecessary. Game Sound Design & Composing Sound Randomizer Sampler Track Workflow Handling large amounts of audio?files with Nuendo’s Render Export function to transfer to?Wwise. ?-Audio and Midi files. Rename events from list USER Interface Any change in the Nuendo project […]
[…]need versatile mixing tools that bring out the best of each and every performance. You need the warm, incomparable sound of vintage compressors for punch and power. You need precision-modeled EQs that add color and character. And you need state-of-the-art mastering processors to give your projects that final shimmer and shine. Over 60 state-of-the-art audio plugins For music production professionals Includes CLA Classic Compressors, Kramer Tape, Tubes & Transistors, JJP Analog Legends, L3-16 Multimaximizer, V-Series, H-Delay, H-Comp, Vocal Rider and more For: Mac OS and Windows Formats: AAX Native 64 bit, Audiosuite, TDM, RTAS, AU, VST, VST3, […]
[…]project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options. No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. […]
[…]project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options. No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. The […]
[…]satellite speakers of this size usually have weak lower-midrange response; that part of the audio range that contains the “warmth” and “body” of voices and musical instruments. Listen to a male vocal on typical small satellite speakers and you will instantly hear what we mean. The ProCinema satellites avoid this critical problem by pressure-coupling our exclusive Balanced Double Surround System (BDSS) driver to an equal-sized mid/bass radiator cleverly placed on the top of the satellite. This technique doubles the lower-midrange radiating area of the speaker without increasing the size of the enclosure. You”ll enjoy the kind of rich, warm and life-like sound quality […]
[…]components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice. To give the same mojo to the new Prophet-10, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in Prophet-5 Rev4, which is how we refer to the new version in house — […]
[…]Pre Amp Yet! ?The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. ?These incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI (TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on 40 volt power, high current, and has a huge 34 output before clipping. The sound is warm and smooth, as with many vintage style circuits, but you?ll find a whole new world of […]
[…]a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange. With its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies. The R92 was designed to be positioned between 1 and […]
[…]effects for creative sound design, mixing or mastering Advanced sampling and slicing tools VST and Audio Unit support Groove engine to apply swing to audio or MIDI, or extract rhythmic ‘feel’ of other audio files Video import and export for scoring to video or warping video to music Instruments, effects and sounds: 3 instruments: Simpler, Drum Rack, Impulse – plus Instrument Racks and the External Instrument device 42 audio and MIDI effects 1800 sounds 10 GB of loops and samples Technical feature spec / compatibility: Nondestructive editing with unlimited undo Multitrack recording up to 32-bit/192 kHz Automatic plug-in delay compensation […]
[…]DC External Power (Max 60W) • ½ Rack Unit 1U Height AUDIO DRIVER SUPPORT FOR macOS • Core Audio Thunder|Core Audio Driver • Compatible with Intel and Apple Silicon (M1) processors, as well as Big Sur macOS and forward • Core Audio Aggregates for More Applications I/O Control Connection for DADman AUDIO DRIVER SUPPORT FOR WINDOWS ASIO Thunder|Core Audio Driver • Compatible with Windows 10 and forward • One Application Can Connect to the Asio Driver • Control Connection for […]
[…]keep track of even the largest projects File Group system for conveniently organizing your audio files and Audio Montages Further improvements such as clip-based send effect automation (envelope-based), plug-in search, naming scheme and more rendering options WaveLab Pro 9.5 introduces many improvements for mastering and editing workflows as well as carefully selected features for audio refinement and polishing. Ranging from a top-notch Spectrum Editor to the new restoration plug-in suite to the unique Audio Inpainting technology alongside a redesigned and enhanced plug-in set — WaveLab 9.5 is a quantum leap in audio quality. New features at a glance Pristine 64-bit floating-point […]
[…]for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk — Includes AudioDesk workstation software with 24-bit recording, sample-accurate editing and 32-bit mixing and […]
[…]mW 50 mW@ 33 ohm load Output Impedance 10 ohm * Controllable by volume knob. External Audio Input (Ext Audio Input) Jack Connector 6.3 mm monaural phone jack Maximum Input Level -10 dBu Input Impedance 22 k ohm MIDI Connector IN USB Connector Type B CV IN/OUT Jacks Keyboard CV (IN/OUT) 1 V/oct. Connector 3.5 mm monaural phone jack GATE IN/OUT Jacks GATE IN 3 V (minimum) GATE OUT 10 V, key down; 0 V all keys up Connector 3.5 mm monaural phone jack TRIG IN/OUT Jacks TRIG IN 3 V pulse min., 10 μsec. Duration minimum TRIG OUT 10 […]
[…]through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors. LUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow All Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. […]
[…]inputs and outputs. This has a great effect on theoutput and input stage impacting the recorded audio. The input audio is digitalized by the BurrBrown PCM4202 ADC after it passes through the analog input circuit. Numerous High-Quality Parts Selected After Month of Evaluation Tests Operational amplifiers have a great impact on audio quality, so we carefully selected the NJM2114 and NE5532. In addition, we selected low-impedance capacitors featuring low resistance, low noise and high precision to emphasize audio quality. Power Supply Section and High-Precision TCXO Support High-Audio Quality Power Supply Section and High-Precision TCXO Support High-Audio Quality In order to […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD displays * 19″ rack […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]and flexibility, whether you’re tracking a band in a world-class studio or adding warmth to stems in a production scenario. It’s also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE QUAD’s versatile digital […]
[…]and flexibility, whether you’re tracking a band in a world-class studio or adding warmth to stems in a production scenario. It’s also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE OCTO’s versatile digital […]
[…]products. Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften “harsh” sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that […]
[…]products. Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften “harsh” sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that […]
[…]the box, recording direct to a microSD card. • Connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favorite recording software. • Seamlessly stream a live show or radio! • Eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads. • Record audio direct to the programmable pads from any input, or simply drag and drop files from your computer using the supplied software. You can even select your favorite colors for the pad […]
[…]different applications. Best of elysia? You got it! • Discrete Class-A Topology Pristine audio quality. • Auto Fast Attack Perfect attack in any situation. • Switchable Release Characteristic Smooth or crisp – the choice is yours. • Warm Mode Transparency? Saturation? Both! • Parallel Compression Mixing direct and compressed signals. • Sidechain Filter Frequency selective compression. • Gain Reduction Limiter Ultimate control on the compression process. • Made in Germany High grade components, solid aluminum knobs. Includes a rugged, lightweight travel ready aluminum […]
[…]Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only) Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more Surround monitor controller up to 7.1 format UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD […]
[…]on Focusrite’s decades of interface design experience and impeccable attention to audio detail, Red 8Line is the best sounding, most versatile and hardest working audio interface in any professional system. Red 8Line blurs the line between high-end studio workflows and small-scale professional audio systems. With 58 inputs and 64 outputs including eight analogue line inputs and 10 analogue line outputs, two Red Evolution mic pres, ultra-low latency, dynamic range of up to 121dB and connectivity via Thunderbolt 3, DigiLink, Dante, ADAT and S/PDIF, it’s the strongest link in any audio professional’s chain. Ultra-low-latency drivers for Mac and PC provide the […]
[…]DigiLinkTM Mini I/O interface to connect your interface to Pro Tools | HDX or HD Native. Route audio with abandon Using DADman software, you can route, split, and patch audio quickly, exibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited work ow possibilities. Save time, space, and money With its diverse connection abilities, Pro Tools | MTRX can effectively replace your army of single-format I/O and monitor interfaces taking up space in your racks. As […]
[…]just shows up, ready to capture your inspiration with professional sound, courtesy of Universal Audio. Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture Legendary Vocals with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this iconic UA preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Easy In, […]
[…]just shows up, ready to capture your inspiration with professional sound, courtesy of Universal Audio. Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 4 delivers superior studio sound quality with more character and tone than any USB interface in its class. Capture Legendary Tones with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, the same preamp used to record everyone from Ray Charles to Van Halen. Volt 4 gives you the rich, full sound of this iconic UA preamp, thanks to its built-in tube emulation circuitry, a UA […]
[…]| Carbon audio interface For artists, bands, and producers, Pro Tools | Carbon is a new breed of audio interface—built to capture brilliance. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools With HDX DSP accelerationunder itshood, Carbon has thepower to keep pacewith your imagination.Intelligently integrated with Pro Tools, it lets you […]
[…]the long series of outstanding RME devices. Never before has such a high-performance multi-channel audio system existed.The HDSPe MADI FX features 390 audio channels Three MADI I/Os – two optical and one coaxial ?are accompanied by one AES/EBU I/O and one analog monitoring output. To complete the feature set, a Word Clock connection and four MIDI I/Os were added. The complete technology and connectivity are highly integrated into the smallest possible amount of space – typical for RME. Only one PCIe slot is required on the motherboard, plus one free slot opening on the case. To guarantee RME?s unique low […]
[…]studio and live performances. Features Bi-directional polar pattern delivers premier audio with superior off-axis rejection True Dual-Voice tuned specifically for user’s for choice of response: warm and full for amplifiers, or swivel for bright and flattering vocals Revolutionary Roswellite proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness, and shape memory that provides superior resilience at extreme SPLs Custom-sourced components for superior presence, minimized signal loss, and maximized output 146 dB SPL across 30 – 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments, and concert halls Legendary Shure quality and superior construction […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes easily. OPTIONAL: iLOK USB Dongle Qualified mini digilink or digilink w/ adapter audio […]
[…]I/O — Over Thunderbolt, MOTU’s AVB interfaces support 256 simultaneous channels of audio I/O (128 in plus 128 out). Over 512 streams of network audio — MOTU’s AVB network can stream over 500 channels of audio throughout the network. Each MOTU AVB device can broadcast eight 8-channel network streams and simultaneously listen to eight 8-channel network streams. Exceptionally low network latency — Standard AVB network latency is 2 ms. MOTU AVB network latency is an astonishing 0.6 ms, even over 7 “hops” (switches) and hundreds of meters of cable. By comparison, Cobranet has variable (unpredictable) network latency in the range of […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]If you can dream up the connection, Pyramix and Horus using RAVENNA can make it happen. MassCore Audio Engine Still the most Powerful Audio Engine ever With one of the highest track counts available in any DAW, 384 tracks at 44.1/48kHz is just the beginning. • 192 channels@96kHz / 96 channels@192kHz / 64 channels@DXD/DSD! MassCore also allows for an immense number of mix busses, EQ’s and Dynamics and metering at the same time. Relying on Intel processing but side stepping the issues and instabilities cause by using a ‘host-based’ paradigm of operation, MassCore presents the user with the stabilities, power […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]supports Open GL 2.0 Plug-in formats AAX (64-bit), AAX AudioSuite (64-bit), RTAS (32-bit), DPM AudioSuite (32-bit), VST2, VST3, and Audio […]
[…]and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, […]
[…]and rugged reliability. The versatile CR-14 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The CR-14’s dual, low-mass ribbon element which enables a much better sensitivity rating than most single ribbon designs. This design lends to fast and accurate transient response, ultra-high 148 dB SPL capability, and overall stunning realism. It has a figure-8 audio directionality (pickup) pattern via front and rear, […]
[…]DI that is limited by the buffering amplifier’s rail voltage, the JDI employs a Jensen audio transformer as the engine. Jensen transformers are legendary in their ability to gracefully handle transients while delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact.The 100% passive circuitry inside the JDI is incredibly efficient. The transformer performs both high-to-low impedance conversion and signal balancing at the same time with minimal loading and does so without any […]
[…]passiveDuplex is Eclipse transformer equipped for amazing headroomthroughout its 10Hz to 40kHz audio range. When driven hard, naturaleven harmonic overtones emerge to produce a warm ‘vintage-style’Bessel curve that takes away the digital edge. This is particularlydesirable with electronic pianos that tend to sound harsh when playedwith maximum […]
Warm Audio BUS-COMP is an all analog 2 channel stereo VCA bus compressor. Based on classic circuitry that has provided a silky smooth tone for decades. Though, widely known and used on stereo mixes for their masterful control of dynamics, you can also use it on drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, etc.. Specifications: ALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR BASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY SELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS EXTERNAL SIDE CHAIN SOURCE SELECT SELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ COMPRESSOR ENGAGE SWITCH FOR EASY […]
[…]and powered by Waves’ Virtual Voltage technology. Designed to create sounds that range from warm acoustic and analog emulations to completely new, never-before-heard intricate and evolving textures, Codex’s sound design capabilities put infinite possibilities at your fingertips. The Codex synth comes with hundreds of original sound presets, but also lets you import your own audio files, turn them into wavetables and manipulate them as you like. Thanks to its advanced formant control technology, Codex maintains consistent resonance character that is true to the original signal and gives you direct control over the acoustic resonance of the sound. Codex also innovatively […]
Warm Audio Dual British Mic Preamp with EQ The WA273-EQ is a Dual channel boutique preamp, but it can also be classified as a studio and live work-horse. Classic ’73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards. Specifications: Dual Channel, Class A, ’73-style British Microphone Preamp with EQ UK made Carnhill Transformers UK made – Blore Edwards EQ dual-concentric switch potentiometers Hand Wired, hand assembled 80dB of […]
[…]mic pre inherits the clarity and purity of previous SSL Mic Pre designs, switching character to a warm, harmonically-rich and driven tone that varies with mic pre gain. The new mix bus and mix amp architecture delivers an amazingly-low noise floor along with huge headroom. The result is a mix bus that retains the classic SSL sound, whilst bringing the breadth and space to mixes that engineers and producers love from analogue summing. Balanced insert points per channel path (both large and small fader), dedicated channel direct outputs, stem-ready 0dB fader bypass switches, plus a new configurable centre section, make […]
The P220 is a large-diaphragm true condenser cardioid microphone offering a warm and clear sound for lead vocals, acoustic guitar and brass instruments. A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications. The P220 represents the most popular and successful microphone within the actual Project Studio Line. It comes complete with a spider-type shock mount in an aluminum carrying case. Rugged all-metal body and robust designwithstands tough day-to-day use […]
[…]selected 220k-ohm input impedance to eliminate problems with loading while delivering a smooth, warm sound to the audio system. This is particularly important when interfacing vintage guitars with low output pickups when should you plan to do some recording or Reamping. The SB-1 is also equipped with a -15dB pad that reduces the input sensitivity to gracefully handle even the loudest instruments. This makes the SB-1 perfectly well suited for electric bass and keyboards. To reduce feedback, toggling the 180° polarity switch helps eliminate hot spots on stage that can cause low frequency resonance. The StageBug… small size, big heart, […]
[…]low end resonance when layering acoustic instruments. Ultra quiet, low noise and exceptionally warm sounding… the PowerPre makes spectacular audio easy. Hand selected 100% discrete electronics Hammond broadcast transformer output AccuState™ low-noise input circuit 3-position Vox control for added air or […]
[…]aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. This design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more. Specifications:Type: Ribbon (velocity) MicrophoneRibbon type & Dimensions: 99% Pure aluminum, 2.5 […]
Warm Audio Pultec Sytle Tube EQ. (Sold as a Pair) These extremely clean, no rack rash, low low hours of use come from a customer that is selling his studio gear. Save some cash and grab essentially a new pair! I just fired them up and tested them. They sound great! The EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the “Pultec EQP-1A”. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and […]
Warm Audio WA76 Discrete Compressor/Limiting Amp (PAIR) These come from a customer that is selling off his studio gear. Really, never used. As you can see by the pics, the products are spotless. Even with Black! There are no scratches or rack rash. Includes everything in original packaging. Just connected them up and tested them and they sound great. They would be a welcome addition to any studio! Save some cash and grab these basically new compressors, but, with used pricing. The WA76 Discrete Compressor is a modern reproduction of the Classic ’76 Revision D. The WA76 has a fully […]
[…]why more professionals trust the sound of Pro Tools than with any other DAW. Get the highest audio delity, greatest dynamic range, and pristine audio clarity when you pair Pro Tools | HDX with any Pro Tools | HD Series interface. Create richer sounding, more complex mixes with the high-performance Avid Audio Engine in Pro Tools. Mix with an extended selection of built-in metering standards. Plus, with over 60 high-quality virtual instruments and sound processing plug-ins included, you can create great-sounding mixes […]
Universal Audio VOLT1 1-in/2-out USB 2.0 Audio Interface UA created the Volt 1 USB audio interface for singers, guitarists, and content creators who want to easily record audio with legendary studio sound. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your inspiration with professional sound, courtesy of Universal Audio. Capture a Legendary Vocal with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 1 gives you the rich, full sound of […]
[…]two XLR. Key Features Dante audio-over-Ethernet technology Two line-level inputs to Dante outputs Audio channel level metering Excellent audio quality PoE powered USB dedicated charging port with auto-mode selection Standard connectors; compact, lightweight design Optional PoE midspan power supply. (Sold […]
Focusrite RedNet is an ethenet networked based audio solution that is expandible to meet your audio needs. Based on Audinate’s proven Dante digital audio networking system, Focusrite offers a variety of Rednet interfaces that can connect to the Dante Network. Once connected, Audinate’s Controller software allows the user to patch channels directly to and from many different audio interfaces (including: Analog, Digital, MADI, Pro Tools Digilink, AES) in various locations with a Cat6 Ethernet cable. RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of bi-directional AES/EBU connectivity to and from the Dante audio network. Perfect for […]
[…]Source: Power-over-Ethernet (PoE): class 1 (very low power, ≤3.84 watts) Network Audio Technology: Type: Dante audio-over-Ethernet AES67-2013 Support: yes Dante Domain Manager (DDM) Support: yes Bit Depth: up to 24 Sample Rate: 44.1, 48, 88.2 and 96 kHz Number of Receiver (Input) Channels: 2 Dante Audio Flows: 2 receiver Network Interface: Type: twisted-pair Ethernet, Power-over-Ethernet (PoE) supported Data Rate: 100 Mb/s (10 Mb/s and 1000 Mb/s “GigE” Ethernet not supported) Headphone Output: Type: Dual-channel Compatibility: intended for connection to mono or stereo headsets or earpieces with nominal impedance of 50 ohms or greater Maximum Output Voltage: 3.8 Vrms, 1 kHz, […]
[…]USB class 2 interface allows the m905 to act as the master clock of the computer’s USB audio buss, effectively eliminating interface induced jitter for computer audio playback. And finally, meticulous analog circuitry measures with outstanding numbers in dynamic range, distortion and noise performance, ensuring bracingly open, detailed and musical playback of any input source. All main audio and power supply circuitry is housed in a 2U rack mount mainframe, while system control is managed by a sleek, ergonomic remote control unit. This new RCU is a combination of dedicated hardware and a color graphical LCD display. All primary monitoring […]
[…]production, mastering, TV and film post-production. Pyramix, in combination with its networked audio interfaces offers the only end to end solution on the market to produce music digitally with an audio format that sounds like analog to humans. We enable music producers to give no compromise to their music throughout the whole production chain, and give them all the tools needed for a broad outreach including latest “Next Generation Audio” streaming formats such as Dolby Atmos ®. When purchasing a Horus, Hapi or Anubis, you can now choose between a free version of Pyramix or Ovation ELEMENTS software and immediately experience what […]
[…]and store your own sounds right onboard. Class-compliant, “plug and play” USB audio/MIDI The MX series features class-compliant, “plug and play” USB audio/MIDI with iOS, Mac and PC. Just plug it in and your MX synthesizer becomes your audio and MIDI interface for the rest of your music studio. Monitor all the sounds from your computer via the headphone output of the MX series or listen to your DAW tracks by connecting the MX series to external studio monitors or PA gear. The audio converters on the MX series are made for professional music applications so everything on your computer […]
[…]to ALL of the Merging audio software & hardware range. RAVENNA, when referenced to real-time audio, is just like MADI, AES-EBU, ADAT or other digital audio “streams”, it is used to send and receive audio between digital devices. But, RAVENNA has one, very large difference. MADI and ADAT, and AES-EBU are all dependent on a physical cable to connect each device to another. Once that connection is made, those two devices will speak to each other only. If you want to connect more than two devices, you need one of the devices to have multiple ports, each with its own […]
[…]and production scenarios, even when you’re on the move. Record vocals, guitars and other audio equipment with up to two audio channels in pristine 24/192 quality while simultaneously recording MIDI signals. And you won’t have to carry it everywhere on a silk cushion; its sturdy construction and steel casing means the UR22mkII can withstand the rough and tumble of mobile music production. On tour, at home, on stage, or at your rehearsal space: take your UR22mkII with you wherever you need ultra-reliable recording and first-rate sound. All A/D and D/A converters offer 24-bit/192 kHz recording quality for professional standards in […]
[…]ribbon microphone with a figure-8 pattern. The Output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. FEATURES: High SPL Capabilities No internal active electronics to overload […]
[…]components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice. To give the same mojo to the new Prophet-5, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in Prophet-5 Rev4, which is how we refer to the new version […]
[…]connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. With today’s unlimited track capabilities, Reamping is now accessible to everyone. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. In fact, Reamping is the magic ingredient that has […]
[…]and rugged reliability. The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. Features 9-Pattern Tube Microphone w/ dual 32mm gold sputtered thin Mylar capsules -10 dB pad & 80 Hz LF metal roll off toggle switches Frequency Response20Hz – 20kHz /- 3dB Maximum SPL136dB (0.5% THD @1000Hz) 146dB with pad engaged Equivalent noise level<17dB S/N Ratio78dB Sensitivity-35dB Hand selected Russian […]
PASSIVE DIRECT BOX • Great sounding DI with warm Bessel curve for natural tone• Linear frequency response from 20Hz to 18kHz• Transformer isolation blocks noise caused by ground loops• Ideal for acoustic guitar, bass guitar and keyboard Transformer-equipped passive direct box combines great sound withRadial’s famed build quality, yet is offered at a more affordable price.Linear from 20Hz to 18kHz, the ProDI is ideal for acoustic guitar,bass and keyboard, for both live and studio applications. Features¼” input & thru-put, -15dB pad, ground lift and XLR out. Customwoundtransformer with mu-metal can, adds protection against radiofrequencies and electro-magnetic […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. The superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule is elastically suspended internally to reduce handling noise and other solid-borne sound. The head can be angled /- 20°. The newly designed amplifier of the V4 U is completely symmetrical after the […]
[…]circuitry and mechanical construction are the result of extensive new development. It produces a warm, clear sonic character with smoothly rolled-off diffuse-field response. The V4’s newly designed electronics offer a very high maximum sound pressure level and excellent electromagnetic compatibility. The V4 is a fantastic vocal microphone and for the highest quality spot-miking of numerous instruments. A unique 33 mm beveled collar around the diaphragm causes its directivity to increase steadily and smoothly at high frequencies, as in a large-diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule are maintained. The capsule iselastically suspended internally to reduce handling noise and other solid-borne sound. The head can […]
[…]The disposition and the pipe scaling are closely following the original instrument. With its warm fundamentals and expressive reeds it is per?fectly suited for a wide repertoire, even romantic and contemporary music. The disposition of the organ is printed on the last page of this booklet.? Lively concert activities with international guest organists attest to the wonderful sound of the instrument and make it known widely even outside of Germany. The sample set is available?on DVD (set of 4 DVDs, see also note below) and?for download (4 files). Disposition with virtual extensions?(in blue): R?ckpositiv (I) C-g”’ Gedackt 8′ Quintadena 8′ […]
[…]those warm tones. The Waves: Abbey Road J37 tape emulation plugin will bring stunning analog warmth to your digital recordings, delivering a level of hardware realism never before experienced “in the box.” Tape saturation plugin Created in association with Abbey Road Studios Modeled on the machine used to create countless classic ’60s tracks Includes models of three exclusive tape formulas developed by EMI Adds analog warmth to digital recordings Controls for Bias, Wow, Flutter, Tape Speed and more Comprehensive Tape Delay including three different delay types, Sync, LP and HP filter controls and […]
[…]saturations. Whether used for recording, mixing or mastering, Scheps 73 lets you enjoy all the warm tones of a fabled piece of studio hardware, […]
[…]Capsules. Perfect as a microphone for a soloist or a main microphone combining the Omni’s warm sound and the Cardioid’s directivity. Freq Response: 30 Hz – 29 kHz with CMC 6 / […]
Eight-voice polyphonic synthesiser Peak sounds warm and rich with filthy, biting overdrive. It’s an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain. Key Features • Two ways to create waveforms –Analogue-sounding NCOs (Numerically-Controlled Oscillators) and 17 digital wavetables. • A colossal amount of distortion –Three distortion points for each voice – pre-filter, post-filter and global – in an analogue signal chain. • Control expression – Peak is capable of receiving polyphonic aftertouch, which puts expression right at your fingertips. • Cross-modulate […]
[…]EQ your compressed vocals with shelf filters on the second compressor Additional Features Add warmth and grit to your vocal with five Saturation models, including Analog, Retro, Tape, Tube and […]
Renaissance Maxx delivers the warmth of vintage analog hardware with the flexibility and precision control of digital software. This is the classic Waves sound, heard on countless hit records and major motion pictures worldwide. 10 classic Waves plugins – IR-L Convolution Reverb – Renaissance Axx (compressor ideal for Guitar and Bass) – Renaissance Bass (Extends perceived bass response by up to 1.5 octaves) – Renaissance Channel (Precision Channel Strip combining EQ, compression, gating, and limiting) […]
[…]precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear. 16-band peak limiter / level maximizer plugin Built-in linear phase equalizer ARC™ Automatic Release Control IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter Linear phase filtering for maximum output, free of phase distortion Includes the L3 Multimaximizer, L3 Ultramaximizer, L3-LL Multimaximizer and L3-LL […]
[…]intended to capture the essence of the voice or instrument while adding the rich harmonics, warmth, and character of a transformer coupled tube circuit. Designed to fit inside the Radial Workhorse and other 500 series racks, the ‘single-wide’ PowerTube begins with an ultra low-noise Jensen input transformer. This exhibits near perfect frequency response while producing the warm Bessel curve Jensen is legendary for. The signal is then amplified via a select 12AX7 tube using an innovative non-radiating charge pump that supplies 140 volts to the tube to deliver the excitement and character of a high-voltage vintage tube amplifier. This feeds […]
[…]R-122, the world’s first phantom-powered active ribbon™ microphone. It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad. A switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. The Pad The R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB lower than our flagship R-121. The […]
[…]Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics – your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It […]
[…]Our users are recognizing the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics. It’s your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. The U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille. A 10 dB attenuation switch is located on the rear. […]
[…]ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums – you name it, the R-121 will help you record it with realism you have to hear to believe. FEATURES: High SPL Capabilities No internal active electronics to […]
[…]Tracks: 128 Master Tracks: 512 Video Tracks: 64 Simultaneous recording inputs: 6 (Core Audio, ASIO), 192 (HDX Hybrid Engine, HDX Classic), 64 (HD Native) Pro Tools systems and interface support: Any Core Audio, ASIO, or WASAPI- compatible interface Multichannel mixing: Stereo, surround, Dolby Atmos, Ambisonics Advanced Automatcion Advanced audio post toolset What’s Included? Pro Tools Ultimate software Download required (includes software/plugin installers and user guides) Third-party software Celemony Melodyne 5 essential, SoundFlow Cloud Avid Edition* • Storage—1 GB cloud storage for collaboration. • Plugins, sounds, and more—Get a massive collection of effects, virtual instruments, processors, loops, third- party content, […]