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[…]With exceptional analog audio quality, Monitor 8 can mix 24 inputs, multi-channel computer audio, and dozens of AVB audio network channels to eight stereo monitor groups. Connect primary and secondary PA speakers or studio monitors to Main and Aux Outs. Then use six additional, independent monitor groups (A through F) to connect up to 12 headphones, 6 stage monitors, and four stereo in-ear modules or other stereo line out destinations. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit’s […]
[…]With industry-leading dynamic range and on-board, large console style mixing, the 24Ao delivers audio class compliant connectivity through USB 2.0 that is USB 3.0 and iOS compatible. Analog outputs are supplied on convenient multi-channel D-sub and Phoenix connectors for studio and industrial installations. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit’s extensive routing grid patches ins to outs, or splits inputs to multiple destinations. Use the 24Ao as a stand-alone mixer and control everything from the 24Ao’s innovative […]
[…]superb analog audio quality and proven, award-winning performance as MOTU’s flagship 16A audio interface into a sturdy, mobile half-rack enclosure. With 34 channels of audio I/O (16 ins and 18 outs), the 8A connects to any computer or iPad? with Thunderbolt?, super-speed USB 3.0 or AVB/TSN Ethernet. Class-compliant firmware and new optimized MOTU drivers work with any audio apps, delivering industry-leading, ultra-low round-trip latency (RTL) performance as low as 1.6ms at 96kHz over Thunderbolt with high-performance DAW hosts. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog […]
The LP32 is a flexible ADAT optical “lightpipe” audio interface, router, splitter, converter and mixer with AVB-TSN networking and connectivity to a host computer through class compliant, high-speed USB 2.0 (compatible with USB 3.0 and iOS). The LP32 provides four independent banks of optical I/O (in ADAT, SMUX and TOSlink formats), 64 channels of USB and 32 channels of AVB-TSN network I/O. Additional features include ultra low-latency drivers, 48-channel mixing, DSP effects and Wi-Fi […]
[…]amp-like hi-Z guitar input with individual gain, pad and phantom power. Advanced features include audio networking and Wi-Fi […]
[…]With near-zero latency, send any input to any output, or multiple outputs. Freely route all 112 audio channels to and from the computer over Thunderbolt, plus any devices on the AVB network. Convert any format to any other: AES/EBU, optical, MADI, AVB, and computer audio (Thunderbolt or USB). Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Use the 112D as a stand-alone mixer and control everything from the 112D’s innovative web app running on your iPad?, iPhone?, tablet, smart phone, […]
[…]proven and awar winning audio quality as MOTU?s flagship 1248. Features: – 52 simultaneous audio channels – 24 inputs and 28 outputs, all independent – Ultra-low latency with rock solid performance (1.6 ms at 96 KHz / 32k buffer) – USB and Thunderbolt for Mac, PC and iOS – AVB/TSN ethernet system expansion and audio networking – 8 Mic/Line/Guitar inputs with preamps – 8 Analog Out balanced _? TRS – 2×8 ADAT optical ports In and Out – 2x stereo Headphone outputs – iOS Connectivity w/ USB camera […]
[…]With industry-leading dynamic range and on-board, large console style mixing, the 24Ai delivers audio class compliant connectivity through USB 2.0 that is USB 3.0 and iOS compatible. Analog inputs are supplied on convenient multi-channel D-sub and Phoenix connectors for studio and industrial installations. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit’s extensive routing grid patches ins to outs, or splits inputs to multiple destinations. Use the 24Ai as a stand-alone mixer and control everything from the 24Ai’s innovative […]
8D? AES3 / SPDIF / USB / AVB-TSN audio interface with DSP and mixing The 8D is a flexible digital audio interface, router, splitter, converter and mixer with AVB-TSN networking and connectivity to a host computer through class compliant, high-speed USB 2.0 (compatible with USB 3.0 and iOS). The 8D provides four channels of AES3 (AES/EBU) I/O, four channels of RCA (coaxial) S/PDIF I/O, 64 channels of USB I/O and 32 channels of AVB-TSN network I/O. Additional features include proven, ultra low-latency drivers, 48-channel mixing, DSP effects and Wi-Fi […]
[…]settings are retained when the unit is powered off. Stacking The MADI input serves not only as audio source and optional external clock source, but also as MADI pass-through input. Since the M-32 DA converts only 32* channels of the MADI signal, all channels of the input signal are fed back to the output. Additional M-32 DA or M-16 DA can be connected serially to convert the remaining signals, in any combination up to a maximum of 64 channels: One M-32 DA with one or two M-16 DA or up to four M-16 DA. As MADI covers long distances up […]
The M-16 AD is fully identical to the M-32 AD, with these exceptions: only one 16-channel AD board fitted no fan lower power consumption, 40 […]
The M-16 AD is fully identical to the M-32 AD, with these exceptions: only one 16-channel AD board fitted no fan lower power consumption, 40 […]
[…]AD: 1/4″ TRS jack and 25 pin D-sub, servo balanced, completely symmetrical audio path Output AD: 4 x ADAT optical, 1 x MADI optical/coaxial Dynamic Range AD: 113 dB RMS unweighted, 116 dBA THD AD: < -110 dB (< 0.00032 %) THD N AD: < -104 dB (< 0.00063 %) Crosstalk AD: > 130 dB Input level for 0 dBFS: 24 dBu, 19 dBu, 13 dBu Frequency response AD, -0.1 dB: 10 Hz – 23.2 kHz (sf 48 kHz) Frequency response AD, -0.5 dB: < 5 Hz – 45 kHz (sf 96 kHz) Frequency response AD, -1 dB: < 5 […]
[…]STRUCTURE – 8 AES3 I/O interfaces – MADI coax and optical I/O – 3G SDI embedded audio I/O – Ethernet IP audio interface for 64 I/O channels using Dante? – Synch via word clock, AES11, Video, and all digital I/O – Adapt to incoming sample rate EASY CONTROL OF CONVERTER PARAMETERS – Settings control via front panel knobs and large LCD display – Operation via DADman control software for Windows and OSX – Ethernet control interface – Compliant with the Dante Ethernet […]
The NTP DAD MOM is a remote control, connected via Ethernet, and no audio is actually passing through the unit. The audio-routing magic happens within the AX32 or DX32R and is set up via the DADman software. But once you connect the MOM, the magic now resides right at your fingertips. MOM is a hardware remote and you will need an AX32, DX32R or Avid MTRX with the optional PRO|MON|3 software license. The LAYER function allows several different roles in the configuration settings within the DADman software with a PRO|MON|3 license. Imagine having up to four different versions of this […]
[…]sub-chassis Hand machined aluminum knobs, illuminated IT&T pushbuttons Mogami Neglex OFC audio wiring Silver Teflon power wiring True audio VU meter for output level or dynamics gain […]
[…]sub-chassis Hand machined aluminum knobs, illuminated IT&T pushbuttons Mogami Neglex OFC audio wiring Silver Teflon power wiring True audio VU meter for output level or dynamics gain […]
[…]a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices , headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems. With iLoud Micro Monitor, you will hear the truth in your music no matter whether you’re mixing in your bedroom, mastering in a small studio or just listening to your favorite tunes at home. And best of all, it offers high-end features that can be found only in monitors in […]
[…]DigiLink™ connectivity to Pro Tools | HD systems and existing Avid® interfaces. Dante Network Audio enabled – the Red 4Pre includes dual Ethernet ports for Dante™ audio-over-IP networking, allowing you to expand your studio via Ethernet with additional channels anywhere on your network, with low latency and lower cost. Four Red Evolution Air-enabled mic pres – Provide up to 63dB of ultra-clean gain and offer individual phantom power, setting recall, stereo linking, HPF and polarity invert, plus Air mode, which provides an analogue emulation of our heritage ISA preamp characteristics. Our lowest round-trip latency – Track with your preferred plug-ins and record virtual […]
[…]Romantic, Theatre Organs Advanced instrument modeling Full MIDI implementation Supports up to 512 audio channels Pipe voicing controls and more! Advanced Edition Includes: Polyphony Limit: 32,768 Voices Audio Output: up to 512 channels Max Bit/Sample rate: 32 bit/96kHz Max Memory: Unlimited Midi output PC and Mac Compatible VST/AU plug-in link 64 bit support Per Pipe Voicing Multi monitor support USB key Tech support Piston Tools bars: 4 per display INCLUDES: Retail Boxed Product Hauptwerk USB key included Includes St. Anne’s virtual organ Private […]
[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE […]
[…]for it?s small size and uniquely uses a heavy Nickel CineMag transformer in it?s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it?s it?s crystal clear, yet smooth, LARGE sound. (stereo […]
[…]the last 50+ years. And, it is considered to be one of the greatest microphones of all times. Warm Audio did an amazing job in designing this beautiful sounding microphone that is now attainable to everyone. Applications include project and professional studios, live and broadcast applications. Perfect for Vocals Acoustic/electric guitars Acoustic/electric bass Drums piano strings brass & woodwinds and an array of other sources The WA-251 Features: CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS […]
[…]help integrate dLive into a wide range of live, install and broadcast scenarios, the Dante 128_128 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware. With 128 channels of bidirectional audio at 96kHz, the Dante 128_128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording of up to 64 channels via Dante Virtual Soundcard (available separately), with no compromise in audio quality. The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or […]
[…]help integrate dLive into a wide range of live, install and broadcast scenarios, the Dante 64_64 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware. With 64 channels of bidirectional audio at 96kHz, the Dante 64_64 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality. The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]deployed on stage or used as a drop-in expander in any SQ or dLive Dante network. Features * Dante audio expander, 96kHz / 48kHz * Portable stagebox design * 16 mic preamps on XLR with Phantom Power status LEDs * 8 XLR Line Outs * Primary and Secondary Dante ports with locking EtherCon * Redundant or Switched mode * Direct preamp control from dLive and SQ * Optional 19-inch rack mount kit available * Rubber bumpers and carry handle * AES67 compatible * Dante Domain Manager […]
[…]Secondary ports for daisy-chain or redundancy through secure EtherCon connectors. Features * Dante audio expander, 96kHz / 48kHz * Wall mount or dip trap installation * 16 mic preamps on XLR with Phantom Power status LEDs * 4 XLR Line Outs * Primary and Secondary Dante ports with locking EtherCon * Redundant or Switched mode * Direct preamp control from dLive and SQ * 3 power supply options: 100-230V AC powered on IEC or screw terminal blocks, as well as 12V DC power * DC power can be used as redundant power supply * Fits in a standard 12?x12? NEMA […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD […]
[…]7″ capacitive touchscreen * SLink port for remote audio / expansion * 64ch I/O Port for audio networking * 32_32 USB audio interface * SQ-Drive direct recording to USB * AES output * Chromatic channel metering * Integrated LED illumination * Dedicated physical controls * 8 Assignable SoftKeys * Channel LCD displays * 19″ rack […]
[…]recording and playback * AXR hybrid mic preamps with Rupert Neve Designs SILK * Thunderbolt 2 audio interface * 28 x 24 full matrix mixer * Latency-free DSP powered monitoring w REV-X reverb, Channel Strip, VCM compressor276 and EQ 601, including VST 3 plug-in versions * Plenty of I/O ports like 2x ADAT, AES/EBU, MIDI, Word clock * SSPLL ultra low jitter reduction * Stack supports for up to 3 units * New custom pane for perfect integration in Cubase * Bundled Cubase AI fully supports 32-bit integer format Minimum System Requirements: MacOS 10.11 / 10.12 / 10.13 64 bit […]
Audio DAWg […]
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[…]Solutions to bring you closer to the studio of your dreams. It’s easy: Select your new pro-audio gear Create a personal account on AudioDAWg.com (you’ll appreciate the many benefits of being a part of our community!) Fill out an application Once approved, your final purchases will be processed. Want Honest & Thoughtful Advice BEFORE you purchase? No problem. Ask The DAWg BEFORE you select your gear. Just give Spunky a call directly. He’s here to help and will always steer you in the right direction. CALL […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]to control every aspect of your music’s appearance. And with Steinberg’s award-winning audio engine at its heart, Dorico allows you to use your VST instruments and effects to produce great-sounding playback too. Dorico is for: • Composers and Arrangers • Engravers, publisers and copyists • Teachers and students • Media musicians How Dorico is better: Dorico is designed by the team that developed Sibelius, with over 100 years’ experience between them. Starting from a blank sheet of paper, they have created a new masterpiece, in consultation with expert musicians, engravers and publishers. And backed by Steinberg, world leaders in […]
[…]Channel One comes with all tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality: Transistor/tube preamplifier SPL’s De-Esser Compressor/limiter with noise gate EQ section Headphone monitor Each stage contributes to the concept as the ideal recording frontend for world-class sounds the easy way: intelligent automation ensures both intuitive and fast as well as musical operation for the finest recording results. The preamp stage provides three optimised inputs: The microphone input features 48V phantom power, phase reverse function and a subsonic filter. The low-impedance Line input has a precise balancing stage for connecting […]
TONE. It’s what Rascal Audio’s Analogue ToneBuss is all about. Not bells and whistles — not a bunch of unwanted features you don’t need and won’t use. Just large, full, detailed, opulent, ana– logue TONE! The kind you’d expect from a classic British recording desk of the early 1970’s. The Analogue ToneBuss uses all discrete, class-A circuitry (no IC’s) with custom wound input and output transformers specifically designed to provide the larger-than-life punch and authority of the most coveted vintage signal paths. Additionally, the Analogue ToneBuss supports the instant recall of your DAW by offering minimal, practical facilities, all on […]
[…]Our users are recognizing the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics. It’s your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. The U 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille. A 10 dB attenuation switch is located on the rear. […]
[…]Pre Amp Yet! ?The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. ?These incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI (TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on 40 volt power, high current, and has a huge 34 output before clipping. The sound is warm and smooth, as with many vintage style circuits, but you?ll find a whole new world of […]
[…]our BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for the best possible audio performance that mastering engineers desire. It also has the unique BE44 discrete line output amplifer that acts like a transformer and can respond to balanced or unbalanced loads. But sometimes you might need a bit more color, so we have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq […]
[…]our BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for the best possible audio performance that mastering engineers desire. It also has the unique BE44 discrete line output amplifer that acts like a transformer and can respond to balanced or unbalanced loads. But sometimes you might need a bit more color, so we have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]music professionals need to take projects further, including the ability to work with up to 512 audio tracks, plus surround and immersive audio mixing capabilities. With a current Pro Tools Studio perpetual license you get access to all the software and plugins below, including Pro Tools | Inner Circle rewards and Pro Tools | Sonic Drop content. Please note that if you allow your plan to expire, you will lose access to the Avid Complete Plugin Bundle, HEAT, SoundFlow Cloud Avid Edition, Celemony Melodyne 5 essential, and new Inner Circle rewards and Sonic Drop content Requires EDU Proof when registering activation […]
[…]for your listening environment, no matter if you work in simple stereo or ambitious immersive audio applications. Key Technologies Smart Active Monitor (SAM) Systems Minimum Diffraction Coaxial (MDC) Driver Technology Acoustically Concealed Woofers (ACW) Technology Directivity Control Waveguide (DCW) Technology Minimum Diffraction Enclosure (MDE) Technology Reflex Port Design Protection Circuitry Intelligent Signal Sensing (ISS) Technology Optimized Amplifiers Active Crossovers Iso-Pod? Stand? Versatile Mountings Technical specifications 111 dB 32 Hz – 35 kHz (-6 dB) ? 1.5 dB (38 Hz – 21 kHz) 2x Oval Woofers 8 1/2 x 4 inch Coaxial Midrange/Tweeter MDC? 5 / 3/4 inch DCW Woofer 150 […]
2 in / 2 out USB audio interface 192 KHz, 24-bit conversion 2 Focusrite microphone preamplifiers Red anodised aluminium unibody chassis Front panel: 2 line/mic/instrument combination inputs – Neutrik XLR/¼” TRS Jack Combo 2 Line/Instrument switches 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor level dial USB Connection LED indicator Headphone output – ¼” TRS Jack Headphone level knob Rear panel: 2 balanced monitor outputs – ¼” TRS Jack USB 2.0 Port Kensington Lock slot Included software: AVID Pro Tools First DAW software Focusrite Creative Pack adds 12 powerful plugins to […]
[…]the box, recording direct to a microSD card. • Connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favorite recording software. • Seamlessly stream a live show or radio! • Eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads. • Record audio direct to the programmable pads from any input, or simply drag and drop files from your computer using the supplied software. You can even select your favorite colors for the pad […]
[…]500DT Dual Topology Preamp -500 SERIES DUAL TOPOLOGY TUBE AND SOLID STATE PREAMP The LaChapell Audio 500DT dual topology preamp is a 500 series microphone preamp that features two separate topologies or amplification paths. When the blend knob is fully to the TUBE side, the signal will pass through a transformer before being amplified by a TrueTube? powered 12AX7 vacuum tube. TrueTube is LaChapell Audio?s proprietary method of supplying a full 250V to the vacuum tube so you get loads of clean tube gain. When the blend knob is turned fully to the OPAMP side, the signal passes directly to […]
[…]2-Channel Mic Pre The 5211 is the natural evolution of what is arguably the most famous gear in audio recording history. With two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control. Featuring Rupert’s dual-tap transformers with variable Silk saturation. The 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. Complementing the Silk circuit is the custom-designed output transformer from the renowned Shelford Channel. This offers both full-headroom ( 26dBu) and -6dB outputs which allows you to drive the unit fully into classic transformer saturation without clipping […]
[…]in each Program IN/OUT MIDI In, Out, Thru USB MIDI Sample import jack for USB Stick Main stereo audio output: 2 x 1/4_ phone (TS,?unbalanced) Output B stereo audio output: 2 x 1/4_ phone (TS,?unbalanced) Pedal/CV:?responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Volume:?responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Sustain pedal input: accepts normally on or normally off momentary footswitch. Sequencer:?accepts normally on or normally off momentary footswitch to trigger sequencer playback. Headphone output: 1/4_ stereo […]
[…]of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre?s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands […]
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[…]https://www.instagram.com/audiodawg/ Facebook: https://www.facebook.com/theaudiodawg/ Twitter: @AudioDAWgTX Yelp: https://www.yelp.com/biz/audio-dawg-farmers-branch Getting in touch: VoyageDallas is built on recommendations from the community; it’s how we uncover hidden gems, so if you know someone who deserves recognition please let us know […]
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[…]interfaces that allow Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system; 17 RedNet MP8R units are 8-channel remote-controlled microphone preamplifiers and A/D-conversion for the Dante network; and a RedNet 3 connects the digital audio systems and components to the RedNet network, with up to 32 inputs and outputs and full software remote control. The system was sold and designed by A/V design and installation firm Audio DAWg (Spunky Brunone, owner) of Irving, Texas. The system installation at the University, located in Denton, Texas, took place in August of this year. “They wanted […]
To read all about this virtual pipe organ installation, please visit our Audio DAWg Facebook page or click on the […]
[…]by offering an easily accessible list of competitively procured product resources ranging from audio recording gear to lunch tables – and everything in between. So, essentially, Co-ops can be convenient “one-stop shops” for government organizations and educational institutions. Of course, both purchasers and retailers must rethink the way they work through the buying/selling process. They do need to learn a host of new procedures and be willing to embrace procurement adjustments if they want to work with a Co-op. For schools and local/state government staff, they may be restricted to selecting a supplier that participates in a Co-op. So, they […]
[…]their very best pricing to their customers. We’ve uploaded a comprehensive list of the pro-audio products sold by Audio DAWg and we’re here to help you navigate the purchasing process. In Texas, many school districts, cities, counties and other governmental entities participate in The Local Government Purchasing Cooperative or are required to make their purchases through cooperatives like BuyBoard. Nationally, members of the National Purchasing Cooperative have access to BuyBoard to take advantage of the streamlined purchasing process that complies with procurement laws of each participating state. As an awarded pro-audio vendor on BuyBoard, we’ve already met competitive procurement requirements. So, if you’re ready to […]
[…]– as you create a studio environment that really works for you. Experience the Audio DAWg difference: great service and honest advice, every time! Call 972-759-1131 and ask for Spunky (a.k.a. the actual Audio […]
[…]we use it, and under what circumstances, if any, we use and/or disclose it. Should ownership of Audio Dawg, Inc. change, your information may be retained by the new company so that service and communications remain uninterrupted. QUESTIONS, UNSUBSCRIBE, CONTACT INFORMATION If you would like to: access, correct, amend or delete any personal information we have on file about you, register a complaint, or simply want more information contact us at spunky@audiodawg.com. We provide an unsubscribe button on our email outreach […]
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[…]was received damaged in transit, immediately contact the shipper to file a claim and contact Audio DAWg so that we can secure a replacement for you. Before returning any product, contact us for a Return Authorization Number. Audio DAWg will not accept any package without an associated RA#. Please notify us of any of any defective products within 5 business days. After 10 days, you may request manufacturer warranty assistance, if your item malfunctions. Please send all returns to: Audio DAWg, Inc. 2002 Academy Lane, Ste 130 Farmers Branch, TX 75056 ATTN: RA# _______ NOTE: some items are simply […]
[…]Spunky is a pro – and a true enthusiast – when it comes to electronic music synthesis, digital audio systems (both PC and mac), and MIDI – so you can be confident about the advice he offers. Sondra does her best to keep up with Spunky (he’s a handful) and is on hand to manage an array of Audio DAWg Learning Events (including live social media feeds) – regularly-scheduled knowledge-based seminars and get-togethers for our valued […]
[…]contemporary or a mixture of both, Audio DAWg has your distinctive sound covered. As always, Audio DAWg will help your House of Worship get the most from the budget and deliver an unprecedented, competent installation experience. Call 972-759-1131 and ask for Spunky (a.k.a. the actual Audio […]
Audio DAWg offers everything from consulting on gear selection, studio layout and wiring needs to full installation packages of hardware, software and acoustics all customized to meet your specific needs and budget! In addition to Spunky’s extensive knowledge base, we work with some of the smartest and most competent studio designers and installers in the business. We’re proud to provide excellent service and “one-stop” expertise to our amazing customers! Call us at 972-759-1131 and ask for Spunky (a.k.a. the actual Audio […]
Ready for a Studio Change? Consign Your Used Gear With The DAWg! The DAWg has the connections to get the best price for your gently used gear. For a small commission, we’ll: Advertise Find buyers Complete the sale Even ship your old gear to its new owners! You may choose to keep your profits or start building your new studio right away. Give Spunky a call to learn more […]
If you are looking for creative ways to purchase all of your favorite recording equipment, then Audio DAWg can help! Finance Options Synchrony Financial is available through Audio DAWg. Contact us for details. Business Financing Finance Application […]
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[…]widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows. The full potential of the N8 is perhaps best realized when configured in a stereo array, as it draws on the same successful sonic concepts as the AEA R88. The N8 is a far-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning […]
[…]a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange. With its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies. The R92 was designed to be positioned between 1 and […]
[…]widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone. Features two Big Ribbons™ in a fixed Blumlein and mid-side configuration Astonishingly open and natural sound Far-field ribbon mic designed to retain low end and top end at a distance Stereo version of the AEA N8 Made in the U.S.A. History: The design of the R88mk2 borrows […]
[…]to audio tracks • 16 unbalanced analog 1/4″ tip-sleeve outputs • 2-input / 18-output USB audio interface, 24 bit/44.1/48 kHz USB Class Compliant • Mac OS-X compatible: Core Audio plug and play drivers • Windows PC compatible (Windows 7, 8 and 10, 32-bit/64-bit) WDM and ASIO drivers. • IPad compatible: Plug and play. USB adapter required LINE OUTPUTS:Full-scale output8.2dBu, 2 VrmsFrequency response ± 0.2 dB, 20 Hz-20 kHz THD N @ 0dBFS (1kHz sine wave)-85dB, < 0.005, 20 Hz-20 kHz THD N @ -6dBFS < -82dB, < 0.008, 20 Hz-20 kHz SNR> 100dB, < 0.001%, 20 Hz-20 kHzCrosstalk < -95 dB, 20 Hz- 20 kHzHEADPHONES […]
[…]of flexibility as growth occurs. So, a thoughtful strategy can really make the difference. Pro-audio retailer Mike “Spunky” Brunone of Audio DAWg (also in Texas) agrees. “The smart way for a church to select the right gear for now – and for the future – is to bring live sound and recording experts to the table, along with the experts in connectivity. These days, each piece of gear needs to talk to each other.” Many churches are also embracing products such as FocusritePro’s RedNet® line of Dante® interfaces that provide an audio-over-IP solution and a scalable, modular audio system. Again, […]
[…]offering an easily accessible list of competitively procured product resources ranging from audio recording gear to lunch tables – and everything in between. So, essentially, Co-ops can be convenient “one-stop shops” for government organizations and educational institutions. Of course, both purchasers and retailers must rethink the way they work through the buying/selling process. They do need to learn a host of new procedures and be willing to embrace procurement adjustments if they want to work with a Co-op. For schools and local/state government staff, they may be restricted to selecting a supplier that participates in a Co-op. So, they may […]
Audio Accessories MINI SHORTI DB25 ?2×48 TT Audio Patchbay. Featuring an exceptionally flexible setup configuration featuring Audio Accessories, Inc exclusive Quick-Switch normaling system. ?Allowing you to set the individual normals and grounds on a per-jack-pair basis. ?This enables you to full -normal (FN), half-normal (HN), or non-normal (NN) by sliding the switches into the appropriate position. ?Grounding options include isolated, bussed or grounds vertically strapped (GVS). The mini shorts is available in a 1RU or 1.5RU rack. And includes a Cabling support tray for bundling down incoming […]
[…]100% quality control – every single piece of your V1S LOLLI kit undergoes a series of stringent audio and visual tests here in Southern California before being hand-packed. We precision-bias each high-grade JFET by hand on a calibrated analog oscilloscope (a Tektronix 465B). Every part of the V1S LOLLI was designed to be robust and reliable. Wherever possible, the circuitry is over-spec’ed. Deep-cycle cryogenic treatment improves the lifespan and performance of critical electronic components. Brass, steel, aircraft-grade aluminum and zinc are part of the heavy-duty construction. You want your recording tools to be reliable, durable, and rugged, and so do we! […]
[…]in each Program IN/OUT MIDI In, Out, Thru USB MIDI Sample import jack for USB Stick Main stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Output B stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Pedal/CV: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Volume: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Sustain pedal input: accepts normally on or normally off momentary footswitch. Sequencer: accepts normally on or normally off momentary footswitch to trigger sequencer playback. Headphone output: 1/4″ stereo […]
[…]DAW. ARA is a technology that allows for closer integration and exchange of information between audio plugins and host applications (digital audio workstations). When used with Studio One, it’s now possible to edit in Auto-Tune Pro’s Graph Mode without first having to play audio into Auto-Tune in real time. MIDI Parameter Control Many of Auto-Tune Pro’s key parameters can now be controlled in real time with a MIDI controller, including Retune Speed, Flex-Tune, Humanize, Throat Length and all of the Vibrato functions. Assign the parameters to the controls on your MIDI device, and perform dramatic effects in real time on stage or in the […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]Surround Formats. However, to record more than 32 inputs which is capped with third party audio interfaces using core audio and ASIO, you will need to purchase an AVID HD Native interface (PCIe or Thunderbolt) or HDX PCIe interface with an external HD I/O. (NOTE: Using third party external I/Os with AVID HD Native and HDX interface cards also requires the purchase of a Digilink I/O license.) Pro Tools includes everything you need for creating large mixes. Here is just a few of the great features in Pro Tools. • Multi-Track Recording up to 192 inputs and outputs (Max 64 […]
[…]Surround Formats. However, to record more than 32 inputs which is capped with third party audio interfaces using core audio and ASIO, you will need to purchase an AVID HD Native interface (PCIe or Thunderbolt) or HDX PCIe interface with an external HD I/O. (NOTE: Using third party external I/Os with AVID HD Native and HDX interface cards also requires the purchase of a Digilink I/O license.) Pro Tools includes everything you need for creating large mixes. Here is just a few of the great features in Pro Tools. • Multi-Track Recording up to 192 inputs and outputs (Max 64 […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]Surround Formats. However, to record more than 32 inputs which is capped with third party audio interfaces using core audio and ASIO, you will need to purchase an AVID HD Native interface (PCIe or Thunderbolt) or HDX PCIe interface with an external HD I/O. (NOTE: Using third party external I/Os with AVID HD Native and HDX interface cards also requires the purchase of a Digilink I/O license.) Pro Tools includes everything you need for creating large mixes. Here is just a few of the great features in Pro Tools. • Multi-Track Recording up to 192 inputs and outputs (Max 64 […]
[…]Surround Formats. However, to record more than 32 inputs which is capped with third party audio interfaces using core audio and ASIO, you will need to purchase an AVID HD Native interface (PCIe or Thunderbolt) or HDX PCIe interface with an external HD I/O. (NOTE: Using third party external I/Os with AVID HD Native and HDX interface cards also requires the purchase of a Digilink I/O license.) Pro Tools includes everything you need for creating large mixes. Here is just a few of the great features in Pro Tools. • Multi-Track Recording up to 192 inputs and outputs (Max 64 […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]Surround Formats. However, to record more than 32 inputs which is capped with third party audio interfaces using core audio and ASIO, you will need to purchase an AVID HD Native interface (PCIe or Thunderbolt) or HDX PCIe interface with an external HD I/O. (NOTE: Using third party external I/Os with AVID HD Native and HDX interface cards also requires the purchase of a Digilink I/O license.) Pro Tools includes everything you need for creating large mixes. Here is just a few of the great features in Pro Tools. • Multi-Track Recording up to 192 inputs and outputs (Max 64 […]
[…]and S6. Download the Pro Tools | Control app for iPad to speed up your work flow! * Need more audio inputs, tracks and surround capabilities? Check out Pro Tools Ultimate. Audio DAWg will provides this software as an electronic download. Once purchase is complete, we will email you a serial number. Questions? – Give Us A Call. We are happy to […]
[…]a harmonically rich musical expressive sound. Steinberg’s SSP2 DSP chip allows this audio interface to deliver zero latency FX for monitoring. Engineered to offer outstanding quality and price makes this interface an ideal portable production interface. Features 24-bit/192 kHz USB 2.0 audio interface 4 Class-A D-PRE mic preamps supporting +48 V phantom power Rupert Neve Designs transformer switchable on each front input channel 4 analog XLR/TRS combo inputs (Mic/Hi-Z on input 1/2 and Mic/Line on input 3/4), plus 2 TRS line inputs, 2 separate headphone buses with individual outputs Latency-free DSP-powered monitoring with REV-X reverb, Channel Strip, and Guitar Amp […]
[…]x Rupert Neve Designs Transformers and D-PR The UR-RT2 is a premium four input, two output USB 2.0 audio and MIDI interface with switchable Rupert Neve Designs transformers on the front inputs. Combined with the onboard, high-quality D-PRE preamps, the Rupert Neve Designs transformers deliver a musical, more expressive sound with rich harmonics. It is especially beneficial for vocals, acoustic guitar and other instruments with a versatile dynamic range. Offering a studio-quality, mobile production platform with a range of input/output options for laptop and iPad, the onboard SSP2 DSP chip also delivers zero-latency FX for monitoring. The robust UR-RT2 is […]
[…]useful range of features on its front panel, including Elma stepped switches for each control, BAE Audio’s trademark Marconi knobs, and a gastank style analogue meter. The combination of these elements provides users with accurate visual and tactile reference points as they adjust and shape their sounds. The metering on the 10DCF incorporates a sleek and simple design, with easy to read white lettering set against a black background in a rugged gastank style encasement. The 10DCF is hand assembled in California using only premium grade analogue components. Discrete Class A transformer-coupled circuit throughout. Fully independent Compressor and Limiter for […]
BAE Audio B15 500 series 3 band EQ B15 Features Standard 500 series modular size 1.5″ x 5.25″ 3-bands with 5 selectable frequencies per band 16 dB of boost and cut using continuous variable potentiometer Push button shelving option for low and high frequencies All discrete design High headroom Low noise Jensen Transformer balanced input & output Custom machined aluminium knobs Elma Gold plated rotary switches and 15-way connector for longer life Utilizes Avedis® 1122 […]